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HP0-063 - LF Professional Color Workflow Management - Dump Information

Vendor : HP
Exam Code : HP0-063
Exam Name : LF Professional Color Workflow Management
Questions and Answers : 146 Q & A
Updated On : April 18, 2019
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HP0-063 Questions and Answers

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HP0-063 LF Professional Color Workflow Management

Study Guide Prepared by Killexams.com HP Dumps Experts

Exam Questions Updated On :


Killexams.com HP0-063 Dumps and Real Questions

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HP0-063 exam Dumps Source : LF Professional Color Workflow Management

Test Code : HP0-063
Test Name : LF Professional Color Workflow Management
Vendor Name : HP
Q&A : 146 Real Questions

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HP LF Professional Color Workflow

ARRI ALEXA Mini LF announced | killexams.com Real Questions and Pass4sure dumps

ARRI has simply introduced the ALEXA MINI LF. This certainly doesn’t come as any variety of shock. I don’t think there changed into ever any doubt that ARRI changed into going to announce a Mini LF, it become all the time simply a query of when.

ARRI ALEXA LFThe ALEXA LF that changed into announced ultimate year

ARRI launched the ALEXA LF early final 12 months and at the time they hinted that they had been searching into the feasibility of constructing a Mini version but nothing had been determined.

Key points
  • gigantic structure ALEXA LF sensor in an ALEXA Mini physique
  • Netflix accredited UHD as much as 60fps.
  • New, low-cost Codex Compact force for fast and open workflows
  • New MVF-2 high resolution, high contrast viewfinder
  • interior motorised FSND filters, additional connectors and person buttons
  • trade leading graphic excellent with lots larger usable sensitivity
  • broad input voltage latitude for operation with usual 12V V-Lock and Gold Mount batteries
  • https://youtu.be/ZqzW7KFNMmo

    ARRI ought to have been working very complicated over in Munich to no longer simplest healthy the LF sensor right into a smaller physique however to also determine how to clear up the linked heat complications.

    equal basic measurement

    while not identical to the latest ALEXA Mini when it comes to dimension, it is very shut. The Mini LF nonetheless shares the equal basic design and kind element that clients appreciated.

    ARRI ALEXA Mini LF announcedALEXA Mini sensor on the left, the ALEXA MINI LF sensor on the right

    The largest change, of course, is the sensor size.

    ARRI ALEXA Mini LF announced

    even though the kind factor is corresponding to the customary ALEXA mini, the Mini LF has a type of module on the left hand facet of the body.

    This module is where the recording media goes and where you're going to locate the three new digicam person buttons, for a complete of six, as neatly as the list button and performance lock button.

    The camera additionally has a built-in stereo microphone so there is not any should attach an extra scratch microphone.

    ARRI ALEXA Mini LF announcedword both significant fanatics

    you'll additionally observe that the digital camera has two big cooling enthusiasts that are seen on the right hand side of the body. ARRI managed to optimize the cooling by using placing a larger inner cooling vent in the house the place the CFast 2.0 card slot changed into on the normal ALEXA Mini.

    ARRI ALEXA Mini LF announced

    The returned of the digital camera also has a big cooling vent.

    ARRI ALEXA Mini LF announced

    The ALEXA Mini LF is barely marginally heavier than latest ALEXA Mini. the weight is 2.6 Kg/ 5.7 lbs. The ALEXA Mini weighs 2.three kg / 5.1 lbs.

    As ARRI needed to fit loads of the equal performance because the ALEXA LF into the Mini LF, they did must compromise on a couple of things. The Mini LF cant do 150 fps like its higher sibling, and it doesn’t have house for three impartial SDI outputs.

    extra New elements
  • New committed, regulated 12V and 24V accent vigour outputs
  • New SYNC IN and more desirable audio connectors
  • 6 person buttons on the digital camera’s left hand side
  • One LOCK button every for the digital camera and viewfinder
  • extra external WiFi antenna
  • less difficult access for media,VF and TC connections
  • Some things it will possibly’t do this the ALEXA Mini can
  • that you may’t burn in a ‘seem to be” into your ProRes information
  • No Pre-list functionality
  • No Interval record
  • No high body costs
  • vigour Draw Screen Shot 2019 03 28 at 7 23 55 PM

    The ALEXA Mini LF has a voltage input range from 11 V to 34 V. for this reason, it can be readily powered by using any 14.4 V on-board battery in addition to by means of 24 V on-board batteries.

    The ALEXA Mini LF has a power draw a little bigger than the ALEXA Mini, we estimate at the moment at around sixty five W when recording ARRIRAW at 24 fps with the MVF-2 viewfinder linked. word: digital accessories will raise vigour draw in response to the add-ons’ vigour draw.

    It’s been four years considering the fact that the usual Alexa Mini become brought ARRI ALEXA MiniARRI ALEXA Mini

    On 24 February 2015 Arri announced the normal ALEXA MINI. It had the identical sensor because the different Alexa cameras however was a shrunken down version of the higher ALEXAs that was supposed to be for drones, gimbals and crane use. Little did ARRI recognize on the time, that the MINI has long gone on to develop into likely the most common of all of the ALEXA cameras. The MINI facets in-camera recording to CFast 2.0 cards, the potential to record as much as 200 FPS and 4K UHD in-digicam upscaling. it will probably also shoot at a number of resolutions, including 4:three open gate.

    LT Sensor ARRI Alexa Mini LF announced

    The Alexa Mini LF uses the equal similar sensor it really is found in the ALEXA LF. this is a 36.7mm x 25.54mm sensor that is just a little higher than full frame. It’s 1.5x bigger than the ALEXA SXT, and the ALEXA 65 is 1.5x bigger than the ALEXA LF. to position the sensor size is standpoint, the Sony VENICE makes use of a 36.2 x 24.1mm sensor. The MONSTRO 8K VV sensor that can be present in the purple WEAPON and Panavision Millennium DXL2 use a forty.96mm x 21.60mm sized sensor, and ARRI’s personal ALEXA sixty five has a whopping 54.12mm x 25.58mm (energetic photograph enviornment) sensor.

    ARRI ALEXA Mini LF announced

    The ALEXA Mini LF’s A2X sensor isn’t truly new per se, it’s in line with two vertical ALEV-III sensors, which are stitched together to create a seamless gigantic layout graphic. here is the identical principle of how they created the ALEXA sixty five, which uses three ALEXA sensors that are arranged vertically.

    this is just the second digital camera (if you don’t count number the ALEXA 65) that ARRI has released with a sensor it's able to recording 4K pictures with out the need for upscaling. The ALEXA Mini LF can list in Open gate in a decision of 4448 x 3096.

    It’s nevertheless wonderful to notice, that even in 2019, ARRI has decided to stick to a a little bit higher than full-body sensor that can best listing in resolutions no larger than 4.5K. With Sony and crimson each offering cameras that are in a position to capturing photographs in 6K resolutions and above, ARRI has decided no longer to soar on the decision bandwagon and go down that course. The handiest intent i will suppose of is that ARRI believes that 4K is adequate for the foreseeable future, and in order for you better resolutions they already have the ALEXA 65. Plus it’s still the digicam with essentially the most useable dynamic range, which can’t yet be conquered with smaller photosites 😉

    three Sensor modes ARRI ALEXA Mini LF announced

    just like the Sony VENICE’s point ratio-agnostic sensor, the ALEXA Mini LF has the capability for use in three distinctive sensor modes. All points, resolutions and frame costs should be obtainable from launch.

  • LF Open Gate – 36.70 x 25.54 mm with (4448 x 3096) @ 44.71mm graphic circle. grants the ALEXA family’s most advantageous pixel measurement for highest ordinary graphic exceptional consequences in a 4448 x 3096 photo
  • LF sixteen:9 – 31.68 x 1782 mm with (3840 x 2160) @ 36.35mm image circle Maximizes lens alternatives whereas assembly 4K deliverable specifications. Max 60fps – 20mm extremely best will cover for instance. also purchasable as interior downscale to HD at 90fps
  • LF 2.39:1 – 36.70 x 15.31 mm with (4448 x 1856 image websites) @ 39.76 mm graphic circle. Combines a cinematic widescreen photo with high body rates up to 60fps.
  • All sensor modes offer proper 800 ASA sensitivity, in addition to reduced noise. The EI values are between a hundred and sixty-3200.

    If it ain’t broke don’t repair it ARRI ALEXA Mini LF announced

    The ALEXA Mini LF is extra of an evolution than a revolution. ARRI has taken everything individuals adored in regards to the ALEXA Mini and put in a huge sensor that solves the problem of no longer being capable of produce a 4K picture that isn’t upscaled.

    The ALEXA Mini LF facts native 4K with ARRI’s well-liked photograph first-class. The ALEXA sensor all and sundry loves retains all of the identical traits whereas providing an immersive, greater format aesthetic for filmmakers. ALEXA Mini LF includes the identical exposure latitude of 14+ stops as is the case on all old ALEXA branded cameras. ARRI claims it elements low noise while additionally preserving captivating skin tones for each HDR and WCG workflows.

    It’s no surprise that the Mini LF shares the equal sensor as the Alexa LF. The ALEV-III sensor is nearly 9 years old, and i have a sense that ARRI received it so right lower back then that they haven’t been in a position to improve on it.

    Recording Resolutions & Media ARRI ALEXA Mini LF announced
  • 4.5K in LF Open Gate and LF 2.39:1
  • UHD in LF sixteen:9
  • 2K 16:9 with in-digital camera downscale in LF 16:9
  • HD 16:9 with in-camera downscale in LF sixteen:9
  • offers Anamorphic de-squeeze for 1.25x, 1.3x, 1.5x, 2x lens squeeze ratios.
  • ARRI ALEXA Mini LF announced

    Above that you could see what resolutions and body sizes can be found. Now, however the Mini LF can take knowledge of full frame lenses, that you would be able to additionally use an excessive amount of super 35 glass if you shoot in the LF 16:9 mode which uses the smallest area of the sensor. This LF 16:9 mode is additionally Netflix authorised.

    not like the ALEXA LF which makes use of SXR catch Drives or SxS professional+ playing cards, the ALEXA Mini LF facts to new Codex Compact Drives. The force may be formatted through the ALEXA Mini LF within the UDF structure for ARRIRAW and ProRes. hence, each ARRIRAW and ProRes may also be recorded onto the same media devoid of reformatting or switching drives. ARRI will also use this media for future cameras.

    ARRI ALEXA Mini LF announcedThe Codex Compact drive USB-C reader

    Codex high Density Encoding (HDE) makes use of sophisticated, loss-much less encoding to reduce ARRIRAW file sizes with the aid of around 40% all over downloading or later within the workflow. This lowers storage charges, shortens switch instances, and accelerates workflows, which interprets to a right away forty% saving in time and cash. HDE is free-of-charge to be used with Codex trap or Compact Drives, openly shared, and quickly: ARRIRAW Open Gate 4.5K may also be encoded at 24 fps on a contemporary MacBook pro.

    CFast 2.0 playing cards wouldn’t were quickly ample to make use of for one of the resolutions and body rates that the Mini LF can list in. SXR trap Drives had been too giant and requite too a good deal vigour.

    ARRI ALEXA Mini LF announcedCodex Compact Drives

    These new drives are seen as an improve to a more skilled, strong recording media. The Codex Compact Drives are enclosed in a rugged aluminum housing.

    ARRI ALEXA Mini LF announcedSXR force on the left and the brand new Codex Compact drive on the right

    The Codex Compact Drives will handiest be obtainable in 1TB sizes at launch. they have transfer speeds of 8Gbps and a 1TB pressure can capture approx. 32 minutes of 4.5K ARRI raw in LF Open Gate and LF 2.39:1.

    You don’t need any utility or drivers to examine the pictures from the Codex Compact pressure Reader.

    inner ND Filters

    The Mini LF has three inner motorized enormous structure FSND filters. It should of been a really intricate design challenge for ARRI to are trying and fit these huge layout ND filters into the small physique of the Mini LF. here are the filters the Mini LF has:

    LPL Mount

    just like the ALEXA LF, the ALEXA Mini comes with a LPL lens mount, which is optimized for enormous format sensors. The LPL mount points a wider diameter and shorter flange focal depth that allows for it to accommodate the ARRI Signature prime lenses and all future enormous format optics too. The LPL mount points a bigger bore to accommodate telecentric lens design for the larger sensor. The LPL mount transfers LDS and Cooke /i protocol and is LDS-2 appropriate.

    PL-to-LPL Adapter ARRI ALEXA Mini LF announcedARRI PL-to-LPL Lens Adapter

    The ALEXA Mini LF doesn’t ship with a PL-to-LPL Adapter so you can use current suitable lenses on the brand new camera. it's an not obligatory further, but you can buy it as a part of an ALEXI Mini LF package. The adapter aspects black earlobes, while the LPL mount contains blue earlobes. which you could set the mount and adapter to 12:00 or three:00 to accommodate either LDS or /i lens records.. The adapter passes LDS protocol and is LDS-2 appropriate.

    built-in Microphones Screen Shot 2019 03 29 at 11 46 05 AMboth little dots on either aspect are stereo microphones

    The ALEXA Mini LF has two developed-in microphones for capturing scratch audio.

    WiFi ARRI ALEXA Mini LF announced

    The ALEXA Mini LF aspects a dedicated onboard WiFi radio which presents wireless camera far flung manage by means of the ALEXA internet faraway. It can also handle colour administration. there is additionally a brand new external WiFi antenna for more suitable range.

    New Viewfinder ARRI ALEXA Mini LF announced

    The ARRI ALEXA Mini LF additionally gets a new EVF. the brand new EVF, known as the MVF-2, has a well-recognized form ingredient and keeps the same aggregate of EVF and flip-out lcd from the present ALEXA Mini.

    ARRI ALEXA Mini LF announced

    whereas it does appear identical, it's a totally new design and a great deal higher great than the previous ALEXA Mini EVF. It also facets a 4″ as an alternative of a 3″ lcd display.

    Screen Shot 2019 03 28 at 5 05 39 PM

    It’s wonderful to peer that the connector that runs from the digital camera body to the EVF is observed on the left hand aspect module.

    The MVF-2 is a low latency (≤1 body prolong) digital colour viewfinder with 1920 x 1080 excessive distinction OLED reveal and 4″ IPS/liquid crystal display flip-out computer screen.

    The eyepiece is in line with the ARRICAM design and presents excessive contrast, low distortion, an evenly illuminated viewing area for a clean picture and a large exit scholar for stronger freedom of stream for the operator

    ARRI ALEXA Mini LF announced

    The EVF’s image displays high decision, excessive distinction, low distortion, and an evenly illuminated viewing area. The EVF comprises a state-of-the-paintings F-LCOS (Ferroelectric Liquid Crystal On Silicon) microdisplay which has a excessive display refresh expense, plus an ARRI optical design which employs the highest quality lined glass optics. legitimate color copy at all temperatures is assured through the auto-calibrating, temperature managed ARRI LED gentle engine.

    Screen Shot 2019 03 28 at 5 08 21 PMThe headphone jack is now observed on the EVF

    The MVF-2 uses new, reputable and flexible VF cables, facets a developed-in eyepiece lens heater for de-fogging and a built-in 3.5mm headphones connector.

    ARRI ALEXA Mini LF announced

    I’m not bound if i admire the placement of the place ARRI have put the jog wheel on the EVF.

    ARRI has made the MVF-2 HDR compatible so once a higher demand for HDR monitoring happens they could enforce a software replace so that you may be in a position to monitor your pictures in HDR.

    Screen Shot 2019 03 29 at 12 04 28 PM

    One aspect it truly is pleasant is that you can take the EVF off the digital camera and then use a ten-meter extension cable in case you need to control the digital camera by way of a tough-wired connection. there is also a built-in eyepiece heater.

    ARRI ALEXA Mini LF announced

    One element to be aware concerning the new MVF-2 Viewfinder is that it cannot be used on other ARRI cameras such because the long-established ALEXA Mini, or AMIRA. In asserting that, ARRI says that the MVF-2 might be the viewfinder they are going to use for all future cameras to come.

    tools

    With the Free ARRI Frameline Composer App, you could create customized body strains on-line, in line with your selected requirements. here's really being changed nowadays with a combined lens illumination e-book and frameline composer all-in-one tool.

    With the ARRI codecs & data cost Calculator (FDRC) online tool, that you could calculate the list durations and statistics charges of your diverse camera settings (mixtures of camera mannequin, codec, decision, task fee, sensor speed, recording media, and audio on/off).

    colour administration and image Processing ARRI ALEXA Mini LF announced

    The digicam helps ARRI appear files available for SDR, HDR PQ, and HDR HLG. ARRI ALEXA LMini F offers 16-bit linear in ALEXA wide Gamut/Log C color area. It includes target output color areas: Log C, Rec 709, Rec 2020. that you would be able to also obtain a free color tool from ARRI, their ARRI color tool (ACT).

    here is not an Alexa Mini substitute ARRI ALEXA Mini LF announced

    The Alexa Mini LF is barely one more digital camera in ARRI’s lineup and it'll nonetheless continue to manufacture and sell the latest Alexa Mini.

    The ALEXA Mini LF is a gorgeous addition to our large-structure device and should complement the ALEXA LF, in place of substitute it. The ALEXA LF is a fine digital camera able to excessive-pace, which is mainly important for advertisements the place a hundred and fifty fps in four.5K resolution and whole photo excellent is critical. it is, basically, how an ARRIFLEX 435 nevertheless enhances an ARRICAM on set. With the addition of the Mini LF we have an answer for all shooting necessities

    Stephan Schenk, Managing Director of ARRI Cine Technik

    ARRI is smart adequate to realise that that now not each person wants or wants to shoot with a full body sensor digital camera. on the grounds that a lot of knowledge customers of the Mini LF will still want to shoot tremendous 35 cloth, ARRI have spoke of that they're looking into including super 35 recording codecs in the sort of a future utility replace package.

    Will latest ALEXA Mini accessories nonetheless work? ARRI ALEXA Mini LF announced

    in brief yes. Most existing ALEXA Mini add-ons will nonetheless fit and work on the Mini LF. The simplest objects that wont are brackets that had been designed to head down the left hand side of the body. As there's now a module protruding that wasn’t found on the original ALEXA Mini.

    expense & Availability ARRI ALEXA Mini LF announced

    The rate of the ALEXA Mini LF is not for the faint-hearted. here are the expenses:

  • The ARRI ALEXA Mini LF colossal layout camera basic Set $fifty eight,760 USD (body only)
  • package that comprises the ALEXA Mini LF and a PL to LPL adapter can be $59,890 USD.
  • There are bunch of accent units (referred to as able to Shoot sets) that encompass the Mini LF with LPL mount and LPL-PL adapter, otherwise you find a way to just buy each item for my part.

    whereas here is nonetheless critical funds, it’s not practically as high priced because the ALEXA LF.

    As a comparison the current ALEX Mini sells for $47,800.00 USD, and the ALEXA Mini with four:3 and ARRIRAW License Keys is $fifty four,870.00 USD.

    accent expenses

    the first ALEXA Mini LF cameras are scheduled to be shipped in July.

    No be counted which manner you analyze these fees, it’s nevertheless a lot of money. A achievable ALEXA Mini LF package is doubtless going to set you lower back as a minimum $70-80K US.

    As a competition assessment the Sony VENICE may also be bought for $42,000US (body only). in contrast to the Sony VENICE, with he ALEXI Mini LF you don’t should buy any licenses to unencumber aspects 😉.

    The pink WEAPON MONSTRO 8K VV is $fifty four,500 USD physique simplest. regardless of the excessive cost of the ALEXA Mini LF, they're bound to be snapped up by means of rental residences in every single place. When we're talking about films or episodic tv with large budgets, productions received’t even blink when it involves hiring this digital camera.

    ALEXA Mini LF able to Shoot Set 62.900 €

    ALEXA Mini LF able to Shoot units contain an ALEXA Mini LF digicam with LPL Mount, MVF-2 viewfinder, recording media and a few need to-have accessories to get you up and taking pictures right now.

    contains:

    1 x K1.0024074 ALEXA Mini LF digicam body1 x K2.0018983 ARRI LPL Lens Mount ALEXA Mini/AMIRA1 x K2.0016936 PL-to-LPL-Adapter2 x K2.0024130 Codex Compact pressure 1TB (CA08-1024)1 x K2.0020916 ALEXA Mini LF Multi Viewfinder MVF-21 x K2.0023915 Cable VF (0.35m/1.15ft)1 x K2.0023943 Cable VF (0.5m/1.5ft)1 x K2.0023839 Mini Adapter Plate MAP-2A1 x K2.0006140 Mini Viewfinder Bracket MVB-11 x K2.73002.0 center camera deal with CCH-21 x K2.0023546 Mini aspect Bracket MSB-31 x K2.0014957 Mini facet Bracket MSB-21 x K2.0014894 Compact Bridge Plate CBP-eleven x K2.0013937 Rear accessory Bracket RAB-eleven x K2.0023406 RAB-1 Clamp 21 x K2.0006186 Rod Mounting Bracket RMB-31 x K2.66255.0 15mm discount Insert1 x K2.0014532 Gold Mount vigour Splitting container Mk II1 x K2.0015896 bottom Plate 300mm/12″1 x K2.75007.0 energy Cable Straight KC-50 2m

    this will probably sell like scorching cakes ARRI ALEXA Mini LF announced

    possibly we all anticipated extra, but as I observed earlier, if it ain’t broke, don’t fix it. everyone loves the photo, reliability and simplified operation of the ALEXA Mini, so all ARRI really needed to do became take all of that and put it into a new digicam that became in a position to assembly suitable 4K requirements. could they have long gone additional? probably. should they've made a digicam with an excellent better resolution? maybe.

    while lots of people are going to whinge in regards to the incremental growth in decision and the excessive asking rate, the genuine cinematographers and camera operators that might be using this digicam doubtless received’t. ARRI has been a hit as a result of they be aware of the market and they be aware of what their users want. there's a reason the ALEXA Mini is such a favored digital camera and why ARRI dominates the excessive-conclusion condominium market. They don’t buy into the advertising BS, and they aren’t going to beginning following agencies down the on no account-ending decision road. As ARRI has at all times mentioned, it’s about greater pixels, now not greater pixels.

    ALEXA Mini LF necessities Sensor classification colossal format ARRI ALEV III (A2X) CMOS sensor with Bayer sample colour filter array Sensor length36.70 x 25.fifty four mm / 1.444 x 1.005″⌀ forty four.seventy one mm / 1.760″ Photosite Pitch 8.25 μm Sensor body rates 0.75 – 90 fps Sensor active graphic area (photosites) LF Open Gate ProRes 4.5K: 4448 x 3096LF Open Gate ARRIRAW 4.5K: 4448 x 3096LF sixteen:9 ProRes HD: 3840 x 2160LF 16:9 ProRes 2K: 3840 x 2160LF 16:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes four.5K: 4448 x 1856LF 2.39:1 ARRIRAW four.5K: 4448 x 1856 Sensor lively photo enviornment (dimensions) LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″LF Open Gate ARRIRAW four.5K: 36.70 x 25.fifty four mm / 1.445 x 1.006″LF 16:9 ProRes HD: 31.sixty eight x 17.82 mm / 1.247 x 0.702″LF 16:9 ProRes 2K: 31.68 x 17.eighty two mm / 1.247 x 0.702″LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702″LF sixteen:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702″LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″LF 2.39:1 ARRIRAW four.5K: 36.70 x 15.31 mm / 1.445 x 0.603″ Recording File Container measurement (pixel) LF Open Gate ProRes 4.5K: 4480 x 3096LF Open Gate ARRIRAW four.5K: 4448 x 3096LF 16:9 ProRes HD: 1920 x 1080LF 16:9 ProRes 2K: 2048 x 1152LF sixteen:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes 4.5K: 4480 x 1856LF 2.39:1 ARRIRAW four.5K: 4448 x 1856 Recording File graphic content (pixel) LF Open Gate ProRes 4.5K: 4448 x 3096LF Open Gate ARRIRAW 4.5K: 4448 x 3096LF sixteen:9 ProRes HD: 1920 x 1080LF 16:9 ProRes 2K: 2048 x 1152LF sixteen:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes 4.5K: 4448 x 1856LF 2.39:1 ARRIRAW four.5K: 4448 x 1856 exposure range14+ stops over the entire sensitivity latitude from EI 160 to EI 3200 as measured with the ARRI Dynamic latitude look at various Chart (DRTC-1) publicity Index Adjustable from EI a hundred and sixty-3200 in 1/three stopsEI 800 base sensitivity Shutter electronic shutter, 5.0°- 356° or 1s – 1/8000s Recording codecs MXF/ARRIRAWMXF/Apple ProRes 4444 XQMXF/Apple ProRes 4444MXF/Apple ProRes 422 (HQ) Recording Media Codex Compact Drives Recording body costs LF Open Gate ProRes 4.5K: 0.75 – forty fpsLF Open Gate ARRIRAW 4.5K: 0.seventy five – 40 fpsLF sixteen:9 ProRes HD: 0.seventy five – 90 fpsLF 16:9 ProRes 2K: 0.75 – ninety fpsLF 16:9 ProRes UHD: 0.75 – 60 fpsLF sixteen:9 ARRIRAW UHD: 0.seventy five – 60 fpsLF 2.39:1 ProRes four.5K: 0.75 – 60 fpsLF 2.39:1 ARRIRAW 4.5K: 0.75 – 60 fpsNote: highest fps values are preliminary guidance Recording Modes regular true-time recordingNo Pre-recordingNo Intervalometer Viewfinder category Multi Viewfinder MVF-2 with four″ flip-out video display Viewfinder generationOLED viewfinder displayLCD fold out computer screen Viewfinder Diopter Adjustable from -5 to +5 diopters Viewfinder decision1920×1080 colour Output Rec 709Rec 2020Log CCustom look (ARRI seem File ALF-2) seem to be manage Import of customized 3D LUTASC CDL parameters (slope, offset, energy, saturation White steadiness manual and auto white steadiness, adjustable from 2000K to 11000K in 10K stepsColor correction adjustable range from -sixteen to +sixteen CC1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values Filters constructed-in motorized ND filters 0.6, 1.2, 1.8Fixed optical low flow, UV, IR filter outImage Outputs 1x proprietary sign output for MVF-2 viewfinder2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)uncompressed video with embedded audio and metadata Lens Squeeze elements 1.001.251.301.501.651.802.00 publicity and center of attention Toolsr False ColorZebraZoomAperture and colour Peaking Audio enter 1x LEMO 6pin balanced stereo line in with 12V power output(Line input max. stage +24dBu correlating to 0dBFS) Audio Output SDI (embedded)three,5mm stereo headphone jack (on MVF-2) Audio Recording 2 channel linear PCM, 24 bit 48 kHz faraway control options MVF-2 viewfinder can act as wired faraway manage with 10m/33ft cableWeb-based far flung control from smart telephones, tablets and laptops via WiFi & EthernetCamera entry Protocol (CAP) via Ethernet & WiFiGPIO interface for integration with custom control interfacesWCU-four hand-unit with control over lens motors and operational parameters by the use of built-in white radioSXU-1 hand-unit with handle over one lens channelOCU-1 and master Grip manage of lens and person buttons Interfaces 1x LEMO 5pin LTC Timecode In/Out1x LEMO 10pin Ethernet for far off manage and service1x BNC SYNC IN1x LEMO 7pin EXT multi goal accent interface w. RS pin and 24V vigor output1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable1x USB 2.0 in media bay (for consumer setups, seem to be files and so on) instant Interfaces built-in WiFi module (IEEE 802.11b/g)constructed-in White Radio for ARRI lens and digital camera remote control Lens Mounts LPL lens mount with LBUS connectorPL-to-LPL adapterLeitz M mount (availbale from Leitz) Flange Focal intensityLPL mount: forty four mmwith PL-to-LPL adapter: fifty two mm New Header New body New Header New body energy enter 1x LEMO 8pin (10.5-34 V DC) Measurements (HxWxL) one hundred forty x 143 x 188 mm / 5.5 x 5.6 x 7.4″(camera body with LPL lens mount) Weight ~ 2.7 kg / ~ 6.0 lbs(digital camera physique with LPL lens mount) working Temperature -20° C to +forty five° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dirt proof via sealed electronics

    What do you think about the new ALEXA Mini LF? tell us within the feedback section under.

    via Matthew Allard ACS

    Matthew Allard is a multi-award-profitable, ACS authorized freelance Director of photography with 29 years' event working in more than 50 nations everywhere.

    he is the Editor of Newsshooter.com and has been writing on the website considering 2010.

    Matthew has gained 38 ACS Awards and in 2016 he gained the Award for gold standard Cinematography at the twenty first Asian tv Awards.

    Matthew is purchasable to appoint as a DP in Japan or for work anyplace else on this planet.


    HP Showcases every thing-as-a-carrier, Expands A3 and A4 Portfolio, and proclaims New protection offerings for the Channel | killexams.com Real Questions and Pass4sure dumps

    HOUSTON, March 19, Mar 19, 2019 (GLOBE NEWSWIRE by way of COMTEX) -- Highlights

    -- New solutions and capabilities strengthen HP's commitment to becoming contractual channels

    -- extended Print protection leadership to channel companions through new training and certification courses

    -- increased portfolio of managed LaserJet A3 and A4 instruments with trade-first innovations

    -- New energy efficient HP LaserJet A4 printers with customary HP EcoSmart black toner

    HP Reinvent: World companion discussion board -- these days at HP Reinvent, the enterprise's largest global partner event, HP Inc. unveiled its next wave of workplace printing innovations empowering companions with seamless integration into the modern workplace.

    "We continue to guide and innovate round products and options for our companions - no remember where they are in their journey with HP," stated Tuan Tran, regularly occurring supervisor and global Head of office Printing options for HP. "Our robust portfolio - with smarter options and features, safety, and the strongest printer and MFP lineup within the trade - is tearing down limitations between paper and digital, delivering on what companies need today and in the future."

    Smarter options and functions

    at the heart of HP's innovation announcement is a collection of improved options and capabilities that dramatically improves productivity for our purchasers.

    -- JetAdvantage Apps: Making paper stream on the pace of digital with the aid of seamlessly connecting the HP MFD to the digital platform. Pre-constructed, made to order or build it yourself with powerful management and development tools supported with the aid of HP cloud functions. each and every app streamlines key tasks saving company time and money. HP is heading in the right direction to give the broadest range of workflow integrations with 35 Beta apps already obtainable today and over 200 construction partners. | read how Soluciones in Argentina is already using HP JetAdvantage Apps to win towards the competitors.

    -- smart device capabilities (SDS): Dramatically helps cut back service prices, maximizes gadget uptime and delivers a very good provider to millions of gadgets worldwide. partners who have adopted the SDS solution are reporting commonplace service cost rate reductions of 17 % or more. SDS can remotely get to the bottom of complications and hands provider techs with the information to achieve greater first visit fix prices. SDS can now predict failures of key add-ons simply before they turn up, enabling a fix before the device fails, giving users a no-downtime journey. | Watch how SDS is assisting TT Tecnosistemi, who saved 23 % on carrier costs in 2018.

    The Print security leader

    according to a recent survey, 83 percent of respondents had secured their PCs, and 55 p.c their cellular gadgets, however only forty one percent had secured their printers. because of this, further and further corporations are expanding their requirements for print security, an area where HP's management in safety options and standalone services give partners a profitable side. HP is the handiest print business that meets NIST requirements for cyber resiliency, has a bug Bounty software and presents devices with embedded HP certain beginning BIOS insurance plan and an inbound and outbound malware monitoring gadget all with self-healing capabilities.

    -- HP is the best print supplier with SD-PAC certified firmware and application with strong comfy utility development lifecycle most suitable practices incorporated into a options' design, building and checking out. Certification comprises HP FutureSmart firmware, HP JetAdvantage security supervisor, HP entry control, HP JetAdvantage SecurePrint and HP JetAdvantage Insights.

    -- Extending HP's commitment to companion-focused safety training, certification and earnings equipment, the enterprise has added a associate protection practising and certification crusade with channel tools to with ease verify print protection gaps, enhance proposals and offer revenue-producing security features. thus far, greater than seven-hundred companions are participating.

    main office Printing Portfolio Now superior Than Ever

    nowadays, HP is also adding to the strongest multifunction and printer lineup in the business. A portfolio with a prosperous set of new options and contours found solely on our managed portfolio, offering a carrier-optimized adventure designed for HP Managed Print expert Premier and choose contractual partners.

    -- New FutureSmart liberate <p>-- FutureSmart enhancements throughout business and managed printer and multifunction fleet, A4 and A3 devices allow the imaginitive new HP custom color supervisor with true time preview to right now create colour alterations and fast fleet deployment of colour profiles. more than a dozen extra new facets - together with advanced copier features like knowledgeable reproduction for the power consumer and serverless job accounting - support HP companions convey prosperous functionality for their customers.

    -- FutureSmart enhancements throughout commercial enterprise and managed printer and multifunction fleet, A4 and A3 gadgets allow the imaginitive new HP custom color manager with real time preview to rapidly create colour changes and quickly fleet deployment of colour profiles. greater than a dozen extra new facets - together with superior copier elements like knowledgeable replica for the energy user and serverless job accounting - support HP companions bring prosperous functionality for his or her customers.

    -- As with previous releases, purchasers can replace latest appropriate devices with the latest FutureSmart firmware to benefit from the most up-to-date capabilities.

    -- Reinvigorated A4 Portfolio additional extending choices for contractual companions <p>-- New LaserJet 600 collection features industry-first improvements for A4 contraptions, enabling our managed companions to increase their capabilities margin: <ul classification="rectangular">

    -- New LaserJet 600 collection aspects business-first improvements for A4 instruments, enabling our managed partners to boost their functions margin: <ul type="rectangular">

    -- Cartridge entry manage - secures the cartridge access panel and ensures all toner is used earlier than a cartridge is replaced.

    -- mounted tray courses - assist in the reduction of a managed accomplice's maximum call incident - paper jams.

    -- Predictive Sensors embedded in the machine, combined with Cartridge access control, can store companions applying HP SDS, as much as 17 p.c in provider fees.

    -- accelerated LaserJet A3 Portfolio <p>-- elevated LaserJet 700 and 800 collection with new entry-level models, featuring the business's strongest print protection to help give protection to customer's instruments, facts and documents.

    -- improved LaserJet 700 and 800 collection with new entry-level models, featuring the business's strongest print security to assist give protection to customer's devices, information and documents.

    -- New Toner Innovation <p>-- New energy efficient HP LaserJet A4 four hundred/500 printers - with long-established HP EcoSmart black toner - makes use of a typical of 21 p.c less energy than previous generations of HP printer systems.

    -- New energy efficient HP LaserJet A4 400/500 printers - with customary HP EcoSmart black toner - uses a regular of 21 percent much less energy than old generations of HP printer systems.

    -- First A3 printer with JetIntelligence, ultimate for valued clientele searching for to print top class-pleasant advertising substances and skilled files, that includes vivid color pictures and photographs.

    For additional information on how HP is leading workplace printing, datasheets, and images see here.

    About HP

    HP Inc. creates know-how that makes existence improved for everyone, far and wide. via our product and repair portfolio of non-public systems, printers and 3D printing options, we engineer experiences that amaze. extra guidance about HP Inc. is available at http://www.hp.com.

    Jaclyn Montalvo, HP

    jaclyn.montalvo@hp.com

    www.hp.com/go/newsroom

    HP calculations in line with power big name normalized TEC facts evaluating the HP LaserJet 300/400 collection and 500 collection monochrome printers introduced in spring 2019. HP fifty eight/59/seventy six/77A/X compared to HP 26A/X, and HP 89A/X/Y in comparison to HP 87A/X.

    in response to HP experiences (may 2017) of BEI industry records on normal associate savings in labor, materials, components, LLCs driven by means of SDS. Validated with partners the use of SDS 1.0

    http://www8.hp.com/h20195/v2/GetPDF.aspx/4AA6-9485EEGB.pdf

    photos accompanying this announcement can be found at

    http://www.globenewswire.com/NewsRoom/AttachmentNg/ea6aad3a-10fc-45c7-a694-78b45bbd8617

    http://www.globenewswire.com/NewsRoom/AttachmentNg/88938a4b-ef31-4810-a5ab-766a68f6d978

    https://ml.globenewswire.com/media/288873ef-2ab4-4e5e-b965-67c2bc16e2c7/small/hp-inc-emblem-jpg.jpg

    (C) Copyright 2019 GlobeNewswire, Inc. All rights reserved.


    Lenovo ThinkPad P72 | killexams.com Real Questions and Pass4sure dumps

    We assessment products independently, but we may additionally earn affiliate commissions from purchasing links on this page. terms of use.

    Porsche, Bentley, and Lamborghini make gigantic SUVs now. Lenovo, HP, and Dell may now not share the equal luxe aura, but they make the computer equivalent: 17.3-inch cellular workstations. The Lenovo ThinkPad P72 (begins at $1,531; $5,382 as established) not handiest comes backed with the general independent application vendor (ISV) certifications for specialised apps, however it also includes a VR-ready tag for setting up virtual worlds, because of the Max-Q version of Nvidia's flagship Quadro P5200 GPU with a whopping 16GB of screen reminiscence. Plus, it wears MIL-SPEC 810G credentials on its virtual chest towards shock, vibration, and other risks. The P72 platform contains up to 128GB of RAM and 6TB of storage, and the kitted-out one we validated outperforms each different desktop notebook we have now pushed to this point. It misses our Editors' option because you can get just about as an awful lot power in the more portable 15.6-inch ThinkPad P52, nonetheless it's a bold option for serious 3D rendering, scientific, and design work on a huge display.

    Very enormous and Most basically in cost

    The $1,531 base model of the ThinkPad P72 combines an Intel Core i7-8750H processor with 8GB of memory, a 256GB strong-state force, the 4GB Quadro P600, and a 1080p reveal. My examine unit—model 20MB002JUS, $5,382 at CDW—become loaded for bear with a six-core, 2.9GHz (four.8GHz turbo) Xeon E-2186M chip, 16GB of memory, a 512GB NVMe SSD plus a 1TB hard power, and a 4K (three,840 by 2,one hundred sixty) non-contact reveal. Backing up that true-notch lineup of core parts is the equally elite Quadro P5200, plus home windows 10 professional for Workstations. The reminiscence ceiling is 128GB of common or 64GB of error-correcting (ECC) DDR4.

    wearing usual ThinkPad matte black, the P72 combines a pitcher-fiber-reinforced polymer lid with a magnesium-aluminum alloy bottom cowl. there is very nearly no flex in the event you hold close the display corners and none if you happen to pound on the keyboard deck. Like different ThinkPads, it's no longer a Panasonic Toughbook-vogue rugged or droppable device, but it surely has survived everything from mechanical shocks to temperature and humidity extremes, in addition to my favorite from Lenovo's MIL-SPEC flyer, "28 days with standard fungus sources."

    it's a considerable slab, at 1.15 with the aid of sixteen.four via 11.1 inches (compare the Dell Precision 7730 at 1.18 via 16.3 by way of 10.8 inches), and it suggestions the scales at 7.5 kilos. Some 17.three-inch gaming rigs are heftier still, however the Lenovo appears the part of an imposing business desktop by using any measure.

    there is a USB three.1 class-A port on the left aspect, together with house for an optional SmartCard reader not protected on my computing device. Two extra USB type-A ports join an Ethernet port, a mini-DisplayPort video output, an audio jack, and an SD card slot on the appropriate side. on the rear, you're going to discover two Thunderbolt three ports, a fourth USB type-A port, an HDMI port, and the connector for the jumbo 230-watt AC adapter.

    able to tackle complicated Jobs

    you could use both the fingerprint reader on the palm leisure or the face-recognition webcam based above the display to bypass typing passwords by way of windows howdy. The 720p digicam's images looked sharp, with accurate colors, however from time to time somewhat darkish and noisy to my eyes.

    Lenovo says the 4K display presents 10-bit color depth. Technically, or not it's an 8-bit panel with a 2-bit dither applied by using the GPU so what the user sees is 10-bit, but it surely's undeniably alluring, with ample brightness and high distinction. Black text and white backgrounds are polar opposites. colorations are prosperous and neatly saturated (100% of the Adobe gamut, in line with Lenovo), and viewing angles are large. nice details are crystal clear. every thing from YouTube video clips to wireframe diagrams within the SPECviewperf benchmark appeared extremely good.

    these YouTube movies sounded pretty first rate too, because the ThinkPad's audio system with no trouble fill a room with audio it's free of fuzziness or distortion even at max quantity. there's now not a ton of bass, however voices are clear and devices sound accurate. supplied Dolby Atmos utility enhances the experience when you are wearing headphones.

    The backlit, numeric-keypad-equipped keyboard is exemplary, as just about all ThinkPad keyboards are. you will locate domestic and conclusion keys on the suitable row and web page Up and page Down keys by means of the cursor arrows, which are organized within the proper inverted-T in preference to an HP- or Apple-style row. there is adequate shuttle and a handy guide a rough typing believe, with strong remarks as the keys hit domestic.

    The only viable gripes are that the Fn and Ctrl keys are in each and every other's areas at backside left, even though the preinstalled Lenovo Vantage utility allows you to swap them, and that the right Ctrl and Alt keys are a little small. As ordinary, cursor jockeys can choose from a cushty touchpad and the TrackPoint controller embedded at the intersection of the G, H, and B keys. each work smoothly and provide the core button cherished of ISV apps.

    It may be the flamboyant edition for Xeon processors, however home windows 10 professional for Workstations impresses me for a unique intent: or not it's freed from the brainless video games like Cooking Fever and candy Crush Soda Saga that infect other variants of the operating equipment. Lenovo earns features for protecting bloatware to a minimum, though it loses some for a skimpy one-12 months depot or elevate-in warranty. (as much as five years of onsite provider is attainable, however you are going to pay extra for it.)

    computing device-degree performance

    The Dell Precision 7730 is the only other large notebook to complete our revised benchmark suite, so I also compared the P72's efficiency to that of two 15.6-inch cellular workstations, the Lenovo ThinkPad P52 and the Dell Precision 5530. To round out the roster, I threw in a favourite 17.3-inch speedster, the Alienware 17 R5 gaming laptop. The contenders' fundamental specs seem within the table under.

    overall, the P72 ripped during the tests like Joey Chestnut on the Nathan's sizzling-dog-eating contest, inserting up some stupefying numbers in both our widespread productiveness and workstation-particular benchmarks. It become half a step from first vicinity in a couple of hobbies, and its battery existence, notwithstanding choicest among the many 17.3-inch entrants, became unremarkable, however's evidently a monster.

    productivity, Storage, and Media assessments

    PCMark 10 and eight are holistic performance suites developed through the workstation benchmark consultants at UL (formerly Futuremark). The PCMark 10 look at various we run simulates distinct real-world productiveness and content-creation workflows. We use it to check usual gadget efficiency for workplace-centric tasks corresponding to notice processing, spreadsheet jockeying, web browsing, and videoconferencing. The check generates a proprietary numeric ranking; bigger numbers are enhanced.

    PCMark 8, meanwhile, has a Storage subtest that we use to determine the speed of the laptop's pressure subsystem. The outcomes is additionally a proprietary numeric rating; once more, better numbers are enhanced.

    All five laptops comfortably surpassed the 4,000 facets that we consider extraordinary in PCMark 10's office productiveness size, but the ThinkPad P72's winning score of 5,958 become borderline ridiculous—amongst notebooks we've proven, second simplest to the 10.1-pound, twin-AC-adapter MSI GT75 Titan gaming rig, a beast that makes the P72 appear to be a thin-and-light. The massive Lenovo also edged the Precision 7730 to take the gold medal in storage performance.

    subsequent is Maxon's CPU-crunching Cinebench R15 test, which is completely threaded to make use of all attainable processor cores and threads. Cinebench stresses the CPU instead of the GPU to render a complex graphic. The effect is a proprietary rating indicating a pc's suitability for processor-intensive workloads.

    A score over 1,000 indicates a frightening-strong processor, so don't sweat the P72's finishing fourth during this closely packed container. no matter if your issue is 3D rendering or oil-and-gasoline analysis, or not it's ready to make brief work of your workflow.

    We additionally run a customized Adobe Photoshop picture-enhancing benchmark. using an early 2018 unencumber of the creative Cloud version of Photoshop, we practice a collection of 10 complicated filters and effects to a typical JPEG verify photograph. We time each and every operation and, on the conclusion, add up the total execution time. (reduce instances are more suitable.) The Photoshop test stresses the CPU, storage subsystem, and RAM, but it can additionally take abilities of most GPUs to pace up the method of making use of filters, so techniques with potent images chips or cards may see a boost.

    Half a second quicker with each image filter or impact, and the P72 would have tied for the win. it be complicated to imagine even essentially the most impatient imaging professional being dissatisfied with that.

    photographs exams

    3DMark measures relative snap shots muscle by way of rendering sequences of highly unique, gaming-style 3D pics that emphasize particles and lighting. We run two different 3DMark subtests, Sky Diver and fire Strike, that are desirable to various kinds of techniques. each are DirectX eleven benchmarks, however Sky Diver is more appropriate to laptops and midrange PCs, while hearth Strike is extra disturbing and made for prime-end PCs to strut their stuff. The consequences are proprietary ratings.

    pc GPUs are optimized for diverse challenges than the online game-like pix of 3DMark, so the ThinkPad P72 and Precision 7730 virtually tied for 2d place behind the Alienware 17 R5.

    subsequent up is one more artificial pix look at various, this time from Unigine Corp. Like 3DMark, the Superposition test renders and pans via an in depth 3D scene and measures how the device copes. during this case, it be rendered within the company's eponymous Unigine engine, offering a unique 3D workload scenario than 3DMark, for a 2nd opinion on the computing device's graphical prowess. We present two Superposition outcomes, run on the 720p Low and 1080p excessive presets.

    See above. The P72's incredibly decent outcomes on the other hand trailed these of the Alienware's GeForce GTX 1080.

    pc-selected checks

    POV-Ray 3.7 puts systems through an offscreen rendering endeavor that taxes GPUs and numerous CPU cores to the restrict—and in a mild surprise, taxed the P72 (which accomplished the job in one hundred twenty seconds) greater than the Dell 7730 (102 seconds) and ThinkPad P52 (114 seconds). it be no longer just like the lengthen would have you gnashing your enamel, however it become the closest issue to a disappointing influence I accompanied.

    SPECviewperf 13 is a benchmark that renders and rotates 3D and wireframe fashions in line with widely wide-spread ISV apps' viewsets; it's probably the most functional and difficult laptop test we run. within the Creo viewset's workload, the ThinkPad P72 managed 220 frames per 2d (fps), main the large Dell's 198fps and the ThinkPad P52's 175fps.

    With Maya and SolidWorks, the P72 re-imposed its alpha reputation. The Precision 7730 became once more in second area and the ThinkPad P52 in third.

    closing became a short run throughout the Cinebench check again, this time utilising its OpenGL trial...

    The P72's main margin changed into once more significant.

    Video Playback Battery Rundown check

    After absolutely recharging the laptop, we installation the computer in vigour-save mode (as adverse to balanced or high-efficiency mode) the place attainable and make a number of different battery-conserving tweaks in instruction for our unplugged video rundown test. (We also turn Wi-Fi off, placing the laptop into airplane mode.) in this verify, we loop a video—a locally saved 720p file of the open-source Blender demo movie Tears of metal—with reveal brightness set at 50 percent and quantity at 100 percent until the equipment conks out.

    The 15.6-inch Dell overwhelmed the competitors in this event, lasting for a marathon eleven hours and change. At 5-and-a-quarter hours, the P72 confirmed relatively first rate stamina for a 17.three-inch pc, nonetheless it won't be spending workdays in the container from now on than it would be spending time on airline tray tables. a visit to the convention room to blow their own horns some new renderings is more probably.

    When simplest Overkill Is sufficient

    The ThinkPad P52 recently replaced the Precision 5530 as our Editors' alternative on account of its notably bigger efficiency and VR capacity. The ThinkPad P72 presents still-stronger efficiency, but its bulk and price are daunting—it's a greater really good platform for gurus who're if truth be told in search of the vigour of a computer laptop.

    That spoke of, there are loads of workstation consumers who crave extra rendering frames per 2nd at any charge, and probably no longer a few who just want a bigger reveal. For them, the P72 is cutting-edge king of the hill.

    Lenovo ThinkPad P72

    spectacular

    base line: With six-core Xeon power and Nvidia's top cellular Quadro GPU, the 17.three-inch Lenovo ThinkPad P72 is a significant alternative to a computing device laptop.


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    ARRI ALEXA Mini LF announced | killexams.com real questions and Pass4sure dumps

    ARRI has just announced the ALEXA MINI LF. This certainly doesn’t come as any kind of shock. I don’t think there was ever any doubt that ARRI was going to announce a Mini LF, it was always just a question of when.

    ARRI ALEXA LFThe ALEXA LF that was announced last year

    ARRI launched the ALEXA LF early last year and at the time they hinted that they were looking into the feasibility of building a Mini version but nothing had been decided.

    Key features
  • Large Format ALEXA LF sensor in an ALEXA Mini body
  • Netflix Approved UHD up to 60fps.
  • New, cost-efficient Codex Compact Drive for fast and open workflows
  • New MVF-2 high resolution, high contrast viewfinder
  • Internal motorised FSND filters, extra connectors and user buttons
  • Industry leading image quality with much higher usable sensitivity
  • Wide input voltage range for operation with standard 12V V-Lock and Gold Mount batteries
  • https://youtu.be/ZqzW7KFNMmo

    ARRI must have been working very hard over in Munich to not only fit the LF sensor into a smaller body but to also work out how to solve the associated heat problems.

    Same basic size

    While not identical to the current ALEXA Mini in terms of size, it is very close. The Mini LF still shares the same basic design and form factor that users liked.

    ARRI ALEXA Mini LF announcedALEXA Mini sensor on the left, the ALEXA MINI LF sensor on the right

    The biggest difference, of course, is the sensor size.

    ARRI ALEXA Mini LF announced

    Even though the form factor is similar to the original ALEXA mini, the Mini LF has a type of module on the left hand side of the body.

    This module is where the recording media goes and where you will find the three new camera user buttons, for a total of six, as well as the record button and function lock button.

    The camera also has a built-in stereo microphone so there is no need to attach an additional scratch microphone.

    ARRI ALEXA Mini LF announcedNotice the two large fans

    You will also notice that the camera has two large cooling fans that are visible on the right hand side of the body. ARRI managed to optimize the cooling by placing a larger internal cooling vent in the space where the CFast 2.0 card slot was on the original ALEXA Mini.

    ARRI ALEXA Mini LF announced

    The back of the camera also has a large cooling vent.

    ARRI ALEXA Mini LF announced

    The ALEXA Mini LF is only marginally heavier than current ALEXA Mini. The weight is 2.6 Kg/ 5.7 lbs. The ALEXA Mini weighs 2.3 kg / 5.1 lbs.

    As ARRI had to fit a lot of the same functionality as the ALEXA LF into the Mini LF, they did have to compromise on a few things. The Mini LF cant do 150 fps like its larger sibling, and it doesn’t have space for three independent SDI outputs.

    ADDITIONAL New features
  • New dedicated, regulated 12V and 24V accessory power outputs
  • New SYNC IN and improved audio connectors
  • 6 user buttons on the camera’s left hand side
  • One LOCK button each for the camera and viewfinder
  • Additional external WiFi antenna
  • Easier access for media,VF and TC connections
  • Some things it can’t do that the ALEXA Mini can
  • You can’t burn in a ‘Look” into your ProRes Files
  • No Pre-record functionality
  • No Interval record
  • No high frame rates
  • Power Draw Screen Shot 2019 03 28 at 7 23 55 PM

    The ALEXA Mini LF has a voltage input range from 11 V to 34 V. Therefore, it can be easily powered by any 14.4 V on-board battery as well as by 24 V on-board batteries.

    The ALEXA Mini LF has a power draw slightly higher than the ALEXA Mini, we estimate currently at around 65 W when recording ARRIRAW at 24 fps with the MVF-2 viewfinder connected. Note: electronic accessories will increase power draw based on the accessories’ power draw.

    It’s been four years since the original Alexa Mini was introduced ARRI ALEXA MiniARRI ALEXA Mini

    On 24 February 2015 Arri announced the original ALEXA MINI. It had the same sensor as the other Alexa cameras but was a shrunken down version of the larger ALEXAs that was meant to be for drones, gimbals and crane use. Little did ARRI know at the time, that the MINI has gone on to become probably the most widely used of all the ALEXA cameras. The MINI features in-camera recording to CFast 2.0 cards, the ability to record up to 200 FPS and 4K UHD in-camera upscaling. It can also shoot at various resolutions, including 4:3 open gate.

    LT Sensor ARRI Alexa Mini LF announced

    The Alexa Mini LF uses the same identical sensor that is found in the ALEXA LF. This is a 36.7mm x 25.54mm sensor that is slightly larger than full frame. It’s 1.5x bigger than the ALEXA SXT, and the ALEXA 65 is 1.5x larger than the ALEXA LF. To put the sensor size is perspective, the Sony VENICE uses a 36.2 x 24.1mm sensor. The MONSTRO 8K VV sensor that can be found in the RED WEAPON and Panavision Millennium DXL2 use a 40.96mm x 21.60mm sized sensor, and ARRI’s own ALEXA 65 has a whopping 54.12mm x 25.58mm (active image area) sensor.

    ARRI ALEXA Mini LF announced

    The ALEXA Mini LF’s A2X sensor isn’t really new per se, it’s based on two vertical ALEV-III sensors, which are stitched together to create a seamless large format image. This is the same principle of how they created the ALEXA 65, which uses three ALEXA sensors that are arranged vertically.

    This is just the second camera (if you don’t count the ALEXA 65) that ARRI has released with a sensor that is capable of recording 4K images without the need for upscaling. The ALEXA Mini LF can record in Open gate in a resolution of 4448 x 3096.

    It’s still interesting to note, that even in 2019, ARRI has decided to stick with a slightly larger than full-frame sensor that can only record in resolutions no higher than 4.5K. With Sony and RED both offering cameras that are capable of capturing images in 6K resolutions and above, ARRI has decided not to jump on the resolution bandwagon and go down that path. The only reason I can think of is that ARRI believes that 4K is enough for the foreseeable future, and if you need higher resolutions they already have the ALEXA 65. Plus it’s still the camera with the most useable dynamic range, which can’t yet be conquered with smaller photosites 😉

    3 Sensor modes ARRI ALEXA Mini LF announced

    Just like the Sony VENICE’s aspect ratio-agnostic sensor, the ALEXA Mini LF has the ability to be used in three different sensor modes. All features, resolutions and frame rates will be available from launch.

  • LF Open Gate – 36.70 x 25.54 mm with (4448 x 3096) @ 44.71mm image circle. Delivers the ALEXA family’s optimal pixel size for highest overall image quality results in a 4448 x 3096 picture
  • LF 16:9 – 31.68 x 1782 mm with (3840 x 2160) @ 36.35mm image circle Maximizes lens options while meeting 4K deliverable standards. Max 60fps – 20mm Ultra prime will cover for example. Also available as internal downscale to HD at 90fps
  • LF 2.39:1 – 36.70 x 15.31 mm with (4448 x 1856 photo sites) @ 39.76 mm image circle. Combines a cinematic widescreen image with high frame rates up to 60fps.
  • All sensor modes offer true 800 ASA sensitivity, as well as reduced noise. The EI values are between 160-3200.

    If it ain’t broke don’t fix it ARRI ALEXA Mini LF announced

    The ALEXA Mini LF is more of an evolution than a revolution. ARRI has taken everything people loved about the ALEXA Mini and put in a large sensor that solves the problem of not being able to produce a 4K image that isn’t upscaled.

    The ALEXA Mini LF records native 4K with ARRI’s renowned image quality. The ALEXA sensor everyone loves retains all of the same characteristics while delivering an immersive, larger format aesthetic for filmmakers. ALEXA Mini LF includes the same exposure latitude of 14+ stops as is the case on all previous ALEXA branded cameras. ARRI claims it features low noise while also maintaining pleasing skin tones for both HDR and WCG workflows.

    It’s no surprise that the Mini LF shares the same sensor as the Alexa LF. The ALEV-III sensor is almost 9 years old, and I have a feeling that ARRI got it so right back then that they haven’t been able to improve on it.

    Recording Resolutions & Media ARRI ALEXA Mini LF announced
  • 4.5K in LF Open Gate and LF 2.39:1
  • UHD in LF 16:9
  • 2K 16:9 with in-camera downscale in LF 16:9
  • HD 16:9 with in-camera downscale in LF 16:9
  • Provides Anamorphic de-squeeze for 1.25x, 1.3x, 1.5x, 2x lens squeeze ratios.
  • ARRI ALEXA Mini LF announced

    Above you can see what resolutions and frame sizes are available. Now, even though the Mini LF can take advantage of full frame lenses, you can also use quite a lot of Super 35 glass if you shoot in the LF 16:9 mode which uses the smallest area of the sensor. This LF 16:9 mode is also Netflix approved.

    Unlike the ALEXA LF which uses SXR Capture Drives or SxS PRO+ Cards, the ALEXA Mini LF records to new Codex Compact Drives. The drive will be formatted by the ALEXA Mini LF in the UDF format for ARRIRAW and ProRes. Therefore, both ARRIRAW and ProRes can be recorded onto the same media without reformatting or switching drives. ARRI will also use this media for future cameras.

    ARRI ALEXA Mini LF announcedThe Codex Compact Drive USB-C reader

    Codex High Density Encoding (HDE) uses sophisticated, loss-less encoding to reduce ARRIRAW file sizes by around 40% during downloading or later in the workflow. This lowers storage costs, shortens transfer times, and speeds up workflows, which translates to a direct 40% saving in time and money. HDE is free-of-charge for use with Codex Capture or Compact Drives, openly shared, and fast: ARRIRAW Open Gate 4.5K can be encoded at 24 fps on a modern MacBook Pro.

    CFast 2.0 cards wouldn’t have been fast enough to use for some of the resolutions and frame rates that the Mini LF can record in. SXR Capture Drives were too large and requite too much power.

    ARRI ALEXA Mini LF announcedCodex Compact Drives

    These new drives are seen as an upgrade to a more professional, robust recording media. The Codex Compact Drives are enclosed in a rugged aluminum housing.

    ARRI ALEXA Mini LF announcedSXR Drive on the left and the new Codex Compact Drive on the right

    The Codex Compact Drives will only be available in 1TB sizes at launch. They have transfer speeds of 8Gbps and a 1TB Drive can capture approx. 32 minutes of 4.5K ARRI RAW in LF Open Gate and LF 2.39:1.

    You don’t need any software or drivers to read the footage from the Codex Compact Drive Reader.

    Internal ND Filters

    The Mini LF has three internal motorized large format FSND filters. It must of been a very difficult design challenge for ARRI to try and fit these large format ND filters into the small body of the Mini LF. Here are the filters the Mini LF has:

    LPL Mount

    Just like the ALEXA LF, the ALEXA Mini comes with a LPL lens mount, which is optimized for large format sensors. The LPL mount features a wider diameter and shorter flange focal depth that allows it to accommodate the ARRI Signature Prime lenses and all future large format optics too. The LPL mount features a larger bore to accommodate telecentric lens design for the larger sensor. The LPL mount transfers LDS and Cooke /i protocol and is LDS-2 compatible.

    PL-to-LPL Adapter ARRI ALEXA Mini LF announcedARRI PL-to-LPL Lens Adapter

    The ALEXA Mini LF doesn’t ship with a PL-to-LPL Adapter so you can use existing compatible lenses on the new camera. It is an optional extra, but you can purchase it as part of an ALEXI Mini LF package. The adapter features black earlobes, while the LPL mount includes blue earlobes. You can set the mount and adapter to 12:00 or 3:00 to accommodate either LDS or /i lens data.. The adapter passes LDS protocol and is LDS-2 compatible.

    Built-in Microphones Screen Shot 2019 03 29 at 11 46 05 AMThe two little dots on either side are stereo microphones

    The ALEXA Mini LF has two built-in microphones for capturing scratch audio.

    WiFi ARRI ALEXA Mini LF announced

    The ALEXA Mini LF features a dedicated onboard WiFi radio which offers wireless camera remote control via the ALEXA Web Remote. It also can handle color management. There is also a new external WiFi antenna for improved range.

    New Viewfinder ARRI ALEXA Mini LF announced

    The ARRI ALEXA Mini LF also gets a new EVF. The new EVF, called the MVF-2, has a familiar form factor and keeps the same combination of EVF and flip-out LCD from the existing ALEXA Mini.

    ARRI ALEXA Mini LF announced

    While it does look similar, it is a completely new design and a lot higher quality than the previous ALEXA Mini EVF. It also features a 4″ instead of a 3″ LCD screen.

    Screen Shot 2019 03 28 at 5 05 39 PM

    It’s interesting to see that the connector that runs from the camera body to the EVF is located on the left hand side module.

    The MVF-2 is a low latency (≤1 frame delay) electronic color viewfinder with 1920 x 1080 high contrast OLED display and 4″ IPS/LCD flip-out monitor.

    The eyepiece is based on the ARRICAM design and offers high contrast, low distortion, an evenly illuminated viewing area for a clean image and a wide exit pupil for greater freedom of movement for the operator

    ARRI ALEXA Mini LF announced

    The EVF’s image exhibits high resolution, high contrast, low distortion, and an evenly illuminated viewing area. The EVF includes a state-of-the-art F-LCOS (Ferroelectric Liquid Crystal On Silicon) microdisplay which has a high screen refresh rate, plus an ARRI optical design which employs the highest quality coated glass optics. Reliable color reproduction at all temperatures is assured through the auto-calibrating, temperature controlled ARRI LED light engine.

    Screen Shot 2019 03 28 at 5 08 21 PMThe headphone jack is now located on the EVF

    The MVF-2 uses new, reliable and flexible VF cables, features a built-in eyepiece lens heater for de-fogging and a built-in 3.5mm headphones connector.

    ARRI ALEXA Mini LF announced

    I’m not sure if I like the placement of where ARRI have put the jog wheel on the EVF.

    ARRI has made the MVF-2 HDR compatible so once a higher demand for HDR monitoring occurs they can implement a software update so you will be able to monitor your images in HDR.

    Screen Shot 2019 03 29 at 12 04 28 PM

    One thing that is nice is that you can take the EVF off the camera and then use a 10-meter extension cable if you want to control the camera via a hard-wired connection. There is also a built-in eyepiece heater.

    ARRI ALEXA Mini LF announced

    One thing to note about the new MVF-2 Viewfinder is that it cannot be used on other ARRI cameras such as the original ALEXA Mini, or AMIRA. In saying that, ARRI says that the MVF-2 will be the viewfinder they will use for all future cameras to come.

    Tools

    With the Free ARRI Frameline Composer App, you can create custom frame lines online, based on your specific requirements. This is actually being replaced today with a combined lens illumination guide and frameline composer all-in-one tool.

    With the ARRI Formats & Data Rate Calculator (FDRC) online tool, you can calculate the record durations and data rates of your different camera settings (combinations of camera model, codec, resolution, project rate, sensor speed, recording media, and audio on/off).

    Color Management and Image Processing ARRI ALEXA Mini LF announced

    The camera supports ARRI Look Files available for SDR, HDR PQ, and HDR HLG. ARRI ALEXA LMini F offers 16-bit linear in ALEXA Wide Gamut/Log C color space. It includes Target output color spaces: Log C, Rec 709, Rec 2020. You can also obtain a free color tool from ARRI, their ARRI Color Tool (ACT).

    This is not an Alexa Mini replacement ARRI ALEXA Mini LF announced

    The Alexa Mini LF is just another camera in ARRI’s lineup and it will still continue to manufacture and sell the current Alexa Mini.

    The ALEXA Mini LF is a fantastic addition to our large-format system and will complement the ALEXA LF, rather than replace it. The ALEXA LF is a great camera capable of high-speed, which is especially important for commercials where 150 fps in 4.5K resolution and full image quality is important. It is, in fact, how an ARRIFLEX 435 still complements an ARRICAM on set. With the addition of the Mini LF we now have an answer for all shooting requirements

    Stephan Schenk, Managing Director of ARRI Cine Technik

    ARRI is smart enough to realise that that not everyone needs or wants to shoot with a full frame sensor camera. Given that a lot of potential customers of the Mini LF will still want to shoot Super 35 material, ARRI have said that they are looking into adding Super 35 recording formats in the form of a future Software Update Package.

    Will existing ALEXA Mini accessories still work? ARRI ALEXA Mini LF announced

    In short yes. Most existing ALEXA Mini accessories will still fit and work on the Mini LF. The only items that wont are brackets that were designed to go down the left hand side of the body. As there is now a module sticking out that wasn’t found on the original ALEXA Mini.

    Price & Availability ARRI ALEXA Mini LF announced

    The price of the ALEXA Mini LF is not for the faint-hearted. Here are the prices:

  • The ARRI ALEXA Mini LF Large Format Camera Basic Set $58,760 USD (body only)
  • Package that includes the ALEXA Mini LF and a PL to LPL adapter will be $59,890 USD.
  • There are bunch of accessory sets (called Ready To Shoot Sets) that include the Mini LF with LPL mount and LPL-PL adapter, or you have the opportunity to just purchase every item individually.

    While this is still serious money, it’s not nearly as expensive as the ALEXA LF.

    As a comparison the existing ALEX Mini sells for $47,800.00 USD, and the ALEXA Mini with 4:3 and ARRIRAW License Keys is $54,870.00 USD.

    Accessory Costs

    The first ALEXA Mini LF cameras are scheduled to be shipped in July.

    No matter which way you look at these prices, it’s still a lot of money. A workable ALEXA Mini LF package is probably going to set you back at least $70-80K US.

    As a competition comparison the Sony VENICE can be purchased for $42,000US (body only). Unlike the Sony VENICE, with he ALEXI Mini LF you don’t have to purchase any licenses to unlock features 😉.

    The RED WEAPON MONSTRO 8K VV is $54,500 USD body only. Despite the high price of the ALEXA Mini LF, they are sure to be snapped up by rental houses everywhere. When we are talking about movies or episodic television with huge budgets, productions won’t even blink when it comes to hiring this camera.

    ALEXA Mini LF Ready to Shoot Set 62.900 €

    ALEXA Mini LF Ready to Shoot sets contain an ALEXA Mini LF camera with LPL Mount, MVF-2 viewfinder, recording media and a number of must-have accessories to get you up and shooting quickly.

    Includes:

    1 x K1.0024074 ALEXA Mini LF camera body1 x K2.0018983 ARRI LPL Lens Mount ALEXA Mini/AMIRA1 x K2.0016936 PL-to-LPL-Adapter2 x K2.0024130 Codex Compact Drive 1TB (CA08-1024)1 x K2.0020916 ALEXA Mini LF Multi Viewfinder MVF-21 x K2.0023915 Cable VF (0.35m/1.15ft)1 x K2.0023943 Cable VF (0.5m/1.5ft)1 x K2.0023839 Mini Adapter Plate MAP-2A1 x K2.0006140 Mini Viewfinder Bracket MVB-11 x K2.73002.0 Center Camera Handle CCH-21 x K2.0023546 Mini Side Bracket MSB-31 x K2.0014957 Mini Side Bracket MSB-21 x K2.0014894 Compact Bridge Plate CBP-11 x K2.0013937 Rear Accessory Bracket RAB-11 x K2.0023406 RAB-1 Clamp 21 x K2.0006186 Rod Mounting Bracket RMB-31 x K2.66255.0 15mm Reduction Insert1 x K2.0014532 Gold Mount Power Splitting Box Mk II1 x K2.0015896 Bottom Plate 300mm/12″1 x K2.75007.0 Power Cable Straight KC-50 2m

    This will probably sell like hot cakes ARRI ALEXA Mini LF announced

    Maybe we all expected more, but as I said earlier, if it ain’t broke, don’t fix it. Everyone loves the image, reliability and simplified operation of the ALEXA Mini, so all ARRI really had to do was take all of that and put it into a new camera that was capable of meeting proper 4K requirements. Could they have gone further? Probably. Should they have made a camera with an even larger resolution? Maybe.

    While a lot of people are going to complain about the incremental improvement in resolution and the high asking price, the actual cinematographers and camera operators that will be using this camera probably won’t. ARRI has been successful because they know the market and they know what their users want. There is a reason the ALEXA Mini is such a popular camera and why ARRI dominates the high-end rental market. They don’t buy into the marketing BS, and they aren’t going to start following companies down the never-ending resolution road. As ARRI has always said, it’s about better pixels, not bigger pixels.

    ALEXA Mini LF Specifications Sensor Type Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array Sensor Size 36.70 x 25.54 mm / 1.444 x 1.005″⌀ 44.71 mm / 1.760″ Photosite Pitch 8.25 μm Sensor Frame Rates 0.75 – 90 fps Sensor Active Image Area (photosites) LF Open Gate ProRes 4.5K: 4448 x 3096LF Open Gate ARRIRAW 4.5K: 4448 x 3096LF 16:9 ProRes HD: 3840 x 2160LF 16:9 ProRes 2K: 3840 x 2160LF 16:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes 4.5K: 4448 x 1856LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 Sensor Active Image Area (dimensions) LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702″LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702″LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702″LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702″LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″ Recording File Container Size (pixel) LF Open Gate ProRes 4.5K: 4480 x 3096LF Open Gate ARRIRAW 4.5K: 4448 x 3096LF 16:9 ProRes HD: 1920 x 1080LF 16:9 ProRes 2K: 2048 x 1152LF 16:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes 4.5K: 4480 x 1856LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 Recording File Image Content (pixel) LF Open Gate ProRes 4.5K: 4448 x 3096LF Open Gate ARRIRAW 4.5K: 4448 x 3096LF 16:9 ProRes HD: 1920 x 1080LF 16:9 ProRes 2K: 2048 x 1152LF 16:9 ProRes UHD: 3840 x 2160LF 16:9 ARRIRAW UHD: 3840 x 2160LF 2.39:1 ProRes 4.5K: 4448 x 1856LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856 Exposure Latitude 14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1) Exposure Index Adjustable from EI 160-3200 in 1/3 stopsEI 800 base sensitivity Shutter Electronic shutter, 5.0°- 356° or 1s – 1/8000s Recording Formats MXF/ARRIRAWMXF/Apple ProRes 4444 XQMXF/Apple ProRes 4444MXF/Apple ProRes 422 (HQ) Recording Media Codex Compact Drives Recording Frame Rates LF Open Gate ProRes 4.5K: 0.75 – 40 fpsLF Open Gate ARRIRAW 4.5K: 0.75 – 40 fpsLF 16:9 ProRes HD: 0.75 – 90 fpsLF 16:9 ProRes 2K: 0.75 – 90 fpsLF 16:9 ProRes UHD: 0.75 – 60 fpsLF 16:9 ARRIRAW UHD: 0.75 – 60 fpsLF 2.39:1 ProRes 4.5K: 0.75 – 60 fpsLF 2.39:1 ARRIRAW 4.5K: 0.75 – 60 fpsNote: maximum fps values are preliminary information Recording Modes Standard real-time recordingNo Pre-recordingNo Intervalometer Viewfinder Type Multi Viewfinder MVF-2 with 4″ flip-out monitor Viewfinder Technology OLED viewfinder displayLCD fold out monitor Viewfinder Diopter Adjustable from -5 to +5 diopters Viewfinder Resolution 1920×1080 Color Output Rec 709Rec 2020Log CCustom Look (ARRI Look File ALF-2) Look Control Import of custom 3D LUTASC CDL parameters (slope, offset, power, saturation White Balance Manual and auto white balance, adjustable from 2000K to 11000K in 10K stepsColor correction adjustable range from -16 to +16 CC1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values Filters Built-in motorized ND filters 0.6, 1.2, 1.8Fixed optical low pass, UV, IR filter Image Outputs 1x proprietary signal output for MVF-2 viewfinder2x SDI Out: 1,5G (SMPTE ST292-1), 3G (SMPTE ST425-1, ST425-3), 6G (SMPTE ST2081-10)uncompressed video with embedded audio and metadata Lens Squeeze Factors 1.001.251.301.501.651.802.00 Exposure and Focus Toolsr False ColorZebraZoomAperture and Color Peaking Audio Input 1x LEMO 6pin balanced stereo line in with 12V power output(Line input max. level +24dBu correlating to 0dBFS) Audio Output SDI (embedded)3,5mm stereo headphone jack (on MVF-2) Audio Recording 2 channel linear PCM, 24 bit 48 kHz Remote Control Options MVF-2 viewfinder can act as wired remote control with 10m/33ft cableWeb-based remote control from smart phones, tablets and laptops via WiFi & EthernetCamera Access Protocol (CAP) via Ethernet & WiFiGPIO interface for integration with custom control interfacesWCU-4 hand-unit with control over lens motors and operational parameters via built-in white radioSXU-1 hand-unit with control over one lens channelOCU-1 and Master Grip control of lens and user buttons Interfaces 1x LEMO 5pin LTC Timecode In/Out1x LEMO 10pin Ethernet for remote control and service1x BNC SYNC IN1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and 24V power output1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable1x USB 2.0 in media bay (for user setups, look files etc) Wireless Interfaces Built-in WiFi module (IEEE 802.11b/g)Built-in White Radio for ARRI lens and camera remote control Lens Mounts LPL lens mount with LBUS connectorPL-to-LPL adapterLeitz M mount (availbale from Leitz) Flange Focal Depth LPL mount: 44 mmwith PL-to-LPL adapter: 52 mm New Header New Body New Header New Body Power Input 1x LEMO 8pin (10.5-34 V DC) Measurements (HxWxL) 140 x 143 x 188 mm / 5.5 x 5.6 x 7.4″(camera body with LPL lens mount) Weight ~ 2.7 kg / ~ 6.0 lbs(camera body with LPL lens mount) Operating Temperature -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics

    What do you think about the new ALEXA Mini LF? Let us know in the comments section below.

    By Matthew Allard ACS

    Matthew Allard is a multi-award-winning, ACS accredited freelance Director of Photography with 29 years' experience working in more than 50 countries around the world.

    He is the Editor of Newsshooter.com and has been writing on the site since 2010.

    Matthew has won 38 ACS Awards and in 2016 he won the Award for Best Cinematography at the 21st Asian Television Awards.

    Matthew is available to hire as a DP in Japan or for work anywhere else in the world.


    International Standard Provides a New Color Management System | killexams.com real questions and Pass4sure dumps

    Tuesday, March 26, 2019

    Press release from the issuing company

    Reston, Va. – The International Organization for Standardization (ISO) has announced the completion of the development of ISO 20677, Image technology colour management — Extensions to architecture, profile format, and data structure. The ISO Technical Committee 130, Joint Working Group 7 (TC130/JWG7) that developed this international standard works closely with the International Color Consortium (ICC) on standards focused on color management.

    The Association for PRINT Technologies (APTech) administers TC130 JWG7 and coordinates the activities of the U.S.-based representatives that are members of this group. In addition, APTech acts as Secretariat for the ICC, the acknowledged leader in color management.

    While the current architecture has worked well and meets most user requirements, new potential applications are emerging, and tomorrow's color communication requires a more flexible and extensible system. ISO 20677 addresses these new requirements.

    This international standard describes an expanded profile specification, with profile connections that permit greater flexibility and functionality. Central to the new architecture is a move from a fixed profile connection space based on D50 colorimetry, towards a much more flexible PCS definition, including support for any illuminant, any colorimetric observer and any number of PCS channels – enabling both spectral and multiplex PCS connections. Additionally, minimum structural and operational requirements for writing and reading ICC profiles are defined.

    "ICC Color Management systems have been reliable work horses behind color reproduction systems in the graphic arts,” says Dr. Max Derhak, ICC Co-Chair, Chair of the ICC Architecture Working Group and Principal Color Scientist at Onyx Graphics. “As a color technologies developer, I realized long ago that there are limitations to what can be done with ICC color profiles. Therefore, I have endeavored to provide leadership in pioneering new approaches and technologies that have become part of iccMAX."

    Value added through using ISO 20677 within business process resides in functionality, connectivity, and computational efficiency. A wide range of functionality can be implemented through the much richer set of processing elements and connection spaces. The framework for implementation is provided license-free in an open-source reference implementation (RefIccMax), significantly reducing the cost of implementing the new transform functionality. The ability to convert between binary and XML representations of the profile, and to call text data files at profile creation time, also simplifies the profile-generation process. A further enhancement is the ability to provide run-time input to a transform using environment variables. Using these features, end users will be able to perform a range of tasks that were not previously possible without specialist or custom software.

    “Display technology has been evolved and emerging at a very fast pace during the last couple of years, and the trend will continue to go on,” says Chris Bai, Vice Chair of the ICC Display Working Group, and Senior Color Expert at BenQ Corporation. “OLED, Quantum Dots and Laser Displays are widely available now, but people also see all sorts of color issues due to the narrow bandwidth. Fortunately, with the publication of ISO 20677, as known as iccMAX, color technologists can now have a better way to tackle the color reproduction problem. As a professional display company, we are very glad to see its coming and we are willing to adopt the latest ISO Standard.”

    ISO 20677 preserves the core ICC concept of a well-defined connection space for profiles, while simultaneously supporting connection to compatible iccMAX profiles using highly flexible connection spaces, and legacy v2 and v2 ICC profiles. Developers can focus their effort on the specific element of the workflow that adds value to their product, without the need to build a complete transform pipeline from original to preview and output. End users will see a more seamless connection between different elements of their workflow, especially where those elements require processing not supported in ICC v4.

    The use of functionally encoded transforms carries a potential run-time computation cost, though the extended function set provides wider opportunities for optimization. Developers can choose which features to use; those that reduce profile size (e.g., lossless compression of elements, sparse matrices, transforms by reference, enabling local caching of selected transforms) and subsequent costs of network transmission and storage; or features that optimize computational efficiency.

    Implementors can eliminate the need for large libraries of profiles and the problem of profile selection by providing a single profile for a range of conditions, which is configured at run-time. In addition to the greater flexibility, end users should see an overall reduction in computation time and communication bandwidth as software providers are able to match requirements more directly with a wider range of processing elements.

    ISO 20677 is available for purchase from APTech and ISO member national organizations. For more information visit the Standards Workroom on the APTech website. An equivalent version is also available on the ICC website, www.color.org. 

    Contact Debbie Orf dorf@aptech.org, Senior Director, ICC and Standards, for more information on the ICC and, especially, if you have an interest in participating in TC130 or the ICC.

    To post a comment Log In or Become a Member, doing so is simple and free

     


    5 Things a Filmmaker Should know About Color Management | killexams.com real questions and Pass4sure dumps

    hp_dreamcolor_resolve

    Color management for video post production is a subject rarely covered by the popular mainstream blogs and is less understood by most than the LUT. You have to go dig around for the hidden blogs of specialist geeks and nerds usually confined to dingy dark rooms that speak in strange dialects of post workflowese.

    Color management is simply not a very sexy topic and is inherently very technical and scientific. It can be a difficult concept to grasp let alone implement in your workflow. This article will give you a basic understanding about a topic that any filmmaker in the digital age should be aware of and will give you an advantage over your competitors.

    Last week I wrote an article explaining the LUT, or ‘look up table’ and touched on color spaces. You can find it here: What Exactly Is A LUT

    Now I’m going to look at the basic practices of practical professional color management when designing and setting up your post production workflows without getting into too much science. I’ve provided a link at the bottom of the article which is a must-read for anyone wanting to dive deep into color management.

    This will all lead to an upcoming introduction to ACES, or Academy Color Encoding System developed by the Academy of Motion Picture Arts and Sciences (think Oscars). With the technical standards of color for digital cinema (DCI-P3) surpassing those of HD television (Rec709), and now the standards developed for UHD (Rec2020) surpassing those adopted for digital cinema, I believe in time ACES will become the unified standard for future professional color workflow.

    In total, it’s a lot to understand in one go so I’ve had to split it up over a few articles.

    Why do I need to know about color management?

    So your Apple retina display looks fantastic and none of your clients are complaining. Why do you need to know all this?

    The answer is simple: because it will improve the quality of your work and give you an advantage over your competitors who either don’t know any better, or don’t care.

    Let’s be honest, it’s not as interesting as the latest cinema camera or color grading tools, however if you are making a living from small to medium scale production and post work then implementing professional color management can help set you and your work apart from the crowd and add important value to your service offering.

    Color management is not reserved only for Hollywood’s biggest post houses. You can raise the bar for yourself and your customers just by understanding and taking some simple steps.

    So what is color management?

    First let’s look at the problems. You’ve got a whole bunch of different camera formats and codecs, at different color bit depths each with their own definitions, peculiarities and discrepancies when it comes to how color is recorded and represented. You’re ingesting, importing, and then processing all these different formats often mixed up in the same project. You are viewing it all on a display with its own color profile, and then rendering some kind of file in some format with yet another definition of color information.

    At every step color information is decoded, interpreted, translated, encoded and displayed differently.

    That file is then going to be played by some software whether it is for broadcast playout or cinema playout, or on someone’s mobile phone or computer and displayed on some other device all handling color differently.

    You have no control over what happens with your file once you hand it over, and you have no control over how accurate your audience’s mobile device, display or television is, but you can control to the best of your ability what happens within your internal pipeline and post workflow, and that’s very important.

    The purpose of color management is to make sure color is being represented correctly, and to minimize the variations as much as possible through the entire chain of hardware and software that makes up your post production workflow.

    5 Things to Know 1. Make sure you set up your environment correctly

    The first step to taking color management seriously is making sure you are working in an unbiased environment.Strong colors in and around your working space such as bright décor or colored walls and non-neutral lighting will detract those same colors from your monitor.

    For this reason, walls should be painted grey, close to a 18% “middle” grey is good and lighting should be dimmable and the same color temperature as your monitor backlight, that means CIE D65 (daylight 6500K). It’s advisable to have a soft “bias lighting” behind your monitor to reduce strain on your eyes from the bright monitor in the darkened environment.

    2. Use a color critical reference monitor

    366022-hp-dreamcolor-z27x

    This one we have all at least heard before. Sure, a Flanders Scientific or Cinetal grading monitor is expensive, but there are more budget friendly options from Eizo and the Dreamcolor monitors from HP that support hardware calibration such as the HP Dreamcolor Z27x.

    3. Calibrate your monitors correctly

    hp-dreamcolor-z27x-100259845-orig

    The device used to calibrate a display is one of three types, a simple and cheap colorimeter, a spectrophotometer or at the highest end, a spectroradiometer. Some manufacturers include Klein Instruments, Photo Research, Konica Minolta, X-Rite and Datacolor among others. The exact calibration procedure and accuracy depends on the hardware and is beyond the scope of this article. Monitors should be re-calibrated every 600 hours to compensate for the effects of ageing on the backlight. A good budget colorimeter for hardware calibration is the X-Rite i1Display Pro.

    4. Choose your working codecs and formats carefully

    Some codecs are better than others when it comes to color accuracy and reproducibility across multiple software packages. Apple ProRes is more popular than ever in post but has been known to suffer color / gamma shifts in some cases. This has nothing to do with the actual codec however, which is very robust, it has more to do with its implementation in some software. The high bitrate Avid DNxHD and DNxHR codecs are very good, and of course uncompressed DPX and EXR frame sequences are technically ideal but often impractical. Cineform is another very good option to unify source media and ensure accuracy throughout post.

    5. Work in the required destination color space

    CIExy1931_Rec_2020_and_Rec_709.svg

    The color spaces you need to know and be aware of are below.

    Rec709 – Almost identical to sRGB, this is the international standard for HD broadcast. It is the most likely choice to work in for non-cinema projects.

    DCI-P3 – This is the required standard for digital cinema and most closely approximates the color response of film.

    ITU.Rec2020 – The widest gamut color standard yet, which has been defined for UHD. It covers 75.8% of the CIE XYZ color space.

    CIE XYZ – This is a device independent standard that includes the entire visible spectrum. This is not a working color space, but rather a space that encompasses all other color space standards. It is however a standard for encoding media destined for DCI compliant cinema projectors.

    You are likely to be working in Rec709 most of the time, which thankfully is the narrowest color space standard and will certainly be covered by any professional reference monitor. Many monitors now will cover most of DCI-P3, or all of it with an in-monitor emulation mode.

    Facility wide color management is a must for any large professional post house, but it’s also achievable for a smaller setup, even at home if you can dedicate a room and invest in one color critical reference monitor with hardware calibration.

    So now you know the crucial steps to achieving professional color management for yourself, you can make sure the work you deliver meets the same standards as Hollywood’s biggest post houses. That’s something worth every penny you might spend on a color critical monitor and colorimeter.

    For a far more technical and in depth look that is beyond the scope of this introductory article, download the pdf from www.cinematiccolor.com here: Cinematic Color, From Your Monitor to the Big Screen



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    HP HP0-063 Exam (LF Professional Color Workflow Management) Detailed Information



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