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9A0-057 - Adobe IIIustrator CS3 ACE - Dump Information

Vendor : ADOBE
Exam Code : 9A0-057
Exam Name : Adobe IIIustrator CS3 ACE
Questions and Answers : 130 Q & A
Updated On : February 15, 2019
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9A0-057 Adobe IIIustrator CS3 ACE

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9A0-057 exam Dumps Source : Adobe IIIustrator CS3 ACE

Test Code : 9A0-057
Test Name : Adobe IIIustrator CS3 ACE
Vendor Name : ADOBE
Q&A : 130 Real Questions

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ADOBE Adobe IIIustrator CS3 ACE

Adobe Illustrator CS3 | killexams.com Real Questions and Pass4sure dumps

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  • The poster baby

    Adobe Illustrator CS3 company: AdobeOperating equipment aid: windows XP SP2, Vista domestic top rate or enhanced, Mac OS X 10.four.8Price: Illustrator CS3 full edition: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (store for Illustrator CS3)

    basic, the transition to Mac OS X changed into surprisingly easy, but one of the vital tough periods for skilled photograph designers become Illustrator 10. this primary native OS X version become the poster baby for causes to attend to movement to Mac OS X on older hardware, when you consider that everything became glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there have been worse culprits for bound.  at last, updates made it incrementally faster, and with version 12, it turned into at last zippy ample to run on a primary-gen G5 without feeling such as you have been designing in bullet time.

    ok, it wasn't that bad, but Adobe knew it had issues with the older code; with CS3, they've absolutely overhauled the drawing engine to get a tons larger boost and produce an end to any nostalgia for the quick—yet crashy—days of yore. Of direction, this replace also comes with well-known Binary Intel Mac support, a brand new interface, and a few things called "new elements" that we'll also take a glance at. So without further ado...

    system necessitiesMac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of obtainable difficult-disk house (extra free house required during installation)
  • DVD-ROM force
  • windows
  • Intel® Pentium® four, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or suitable) processor
  • Microsoft® windows® XP with provider Pack 2 or home windows Vista™ home premium, business, highest quality, or commercial enterprise (certified for 32-bit variations)
  • 512MB of RAM (1GB suggested)
  • 2GB of accessible difficult-disk space (additional free area required all the way through installing)
  • DVD-ROM power
  • notice that not one of the CS3 purposes are sixty four-bit. The Mac edition requires extra space as a result of the standard Binary utility layout.

    look at various hardwareMacBook professional Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.four.9
  • Mac pro 2.sixty six GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.four.9
  • twin G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.four.9
  • Illustrator CS3 interface

    As you may have guessed if you've been following the other CS3 updates, Illustrator CS3 now sports the smooth darker grey palettes and convenient docking scheme and icons seen in Photoshop and InDesign CS3:

    click on the double arrows to expand the width of the dock to the total docked panel mode

    in this docked mode, the entire panels sit linked vertically in order that slivers of the desktop not distract you from between your palettes. It helps isolate your workspace nicely, and as turned into cited in our Photoshop review, the brand new look is awfully clear and reduces litter whereas still supplying you with entry to every thing you deserve to have at your fingertips, maximizing area usage for these of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me a little to cease mistaking the Pathfinder icon for the Attributes since each appear to be a Boolean knockout however that became a short-lived and fairly unexciting battle.

    while the organizational benefits of the brand new scheme are fairly clear, the leading issue with them is that, because you tend to jump between palettes in Illustrator an awful lot, if you use the attached docked palettes, then all of them shift round to the aspect of being a little puzzling.

    click on for animation

    moving pursuits aren't a good deal enjoyable in the event you're a quick clicker, with the intention to cut the shuffle, i take advantage of a mix of the undocked, unstacked palettes with some docked icons to issues I do not want regular entry to. however normal the clarity of the brand new interface is a welcome trade and makes engaged on a MacBook seasoned less cramped for sure. in case you like a good extra consistent and muted workspace to be aware of color work, AI CS3 now has an alternative to set the interface tone to diverse shades of gray:

    This looks to be a professional app feature that i might perpetually want to see, however in Illustrator, I consider like or not it's just a little inconsistently carried out, and the sleekness that you're used to with After consequences or remaining cut seasoned gives way to a kind of selective paint bucket effect:

    The darkest grey environment with distracting white fields, edges and dialogs that do not mirror the darker grey scheme.

    it truly is a miles cry from the "welcome to the future" seem to be of After effects and does a nasty job of being much less predominant. here is the variety of short-and-dirty fix you'll expect from a corporation much less equipped than Adobe. expectantly it might be addressed earlier than the next fundamental improve.

    Customizable manage palette

    Taking notes from InDesign, Illustrator CS3 now features a far better manage palette to give access to frequently-used capabilities, which may also be custom-made to stronger suit your individual work circulate:

    within the manage palette are a load of contextual alternate options; if in case you have an anchor element chosen, you are given a bunch of recent selections in the control palette:

    apart from being able to handle the anchor factor's absolute place (cropped at the appropriate), which you can convert it to a corner element/smooth element, eradicate it, join it to a different end point, divide the course on the factor chosen, or align objects and chosen aspects, which is covered in more depth later.

    when you select an object with an impact on it, the control Panel items options for these effects:

    and that's the reason Diebold the Montreal band, not all and sundry's favourite vote desktop maker

    The old generation of the handle palette had some of these alternatives (the category alternate options are largely unchanged from CS2) but didn't go so far as CS3 does in having a one-cease area for the contextual manage. My best gripe concerning the control palette is that the align alternatives still do not encompass the distribute alternate options, which is what I reach for half the time I open the Align palette. otherwise, it be smartly concept out and makes decent use of the house. Illustrator is the sort of application that, if poorly idea out, may devour approach too a lot space with its palettes and manage. luckily, CS3 does what it will possibly to be effective, customizable and clean.

    document profiles

    in fact a great addition, Illustrator now has template profiles that show up directly within the new documents dialog, making it less difficult to create a web, print, or video document with typical parameters for distinct working situations.

    inside these alternate options, there are suboptions for colour mode, rasterization decision, and atmosphere pixel/overprint preview modes to be on via default, as well as transparency grid settings. notice that there remains no nonsquare pixel preview choice for video documents.

    in case you should have a custom structure, you can make a brand new doc, and once you reserve it to the brand new files Profiles folder, it becomes immediately accessible in the New documents dialog.

    My unfold structure appears in the New doc Profile part. For some rationale, it rounds the second decimal location and leaves the third out, even concept it preserves the exact 10.875” top in the doc. somewhere there is a .05 of an inch floating round a black gap.

    All in all, aside from the new CS3 interface panels and docking scheme, or not it's a bit tough to get excited about the interface and doc preset/customization options new to Illustrator CS3. they are long past due, and that i've had a plug-in for years that allow me keep palette positions. here's actually a case of catching as much as what's been relatively regular for knowledgeable portraits app for a while now.

    tool upgrades

    nearly all of time spent in Illustrator isn't usually with filters; it's continually spent simply coping with paths and tweaking, so CS3 hopes to make working greater efficient by using upgrading the fundamentals—the first of which is anchor point highlighting and opting for. The older types of Illustrator used to prefer anchor facets in response to stacking order as hostile to proximity to the cursor, which is now fixed. deciding upon is also made less complicated by means of highlighting the anchor aspects and paths as you mouse over them—paths are indicated through a black square next to the arrow and anchor points are indicated by way of a white rectangular.

    click for animation

    As that you would be able to tell via the animation, this makes working with complicated paths plenty less demanding, and it reduces a lot of redundant choice attempting to get to the anchor elements you just want to take care of. which you could additional customize the behavior of this within the utility's Preferences:

    For such a simple change, the brand new anchor element coping with in fact provides a whole lot.

    a further element so one can in reality please avid Illustrator clients is the capability to align and distribute chosen aspects, no longer just objects. choose any assorted anchor points and watch in ask yourself as the hamsters interior Illustrator CS3 busily organize the facets if you click on align:

    click for animation

    it be actually an outstanding addition, however here's an extra element that just makes experience to have, and clients of the venerable FilterIt plug-in have had this potential for a long time now. bound, it be not exactly fair to assert software isn't finished if it doesn't have the equivalent third birthday celebration plug-in already put in, but aligning selected aspects is the sort of primary thing for Illustrator that or not it's kind of stunning it be taken 13 versions for it to make it into the app. certainly FilterIt became simply filling a fundamental want here, and it had the delivered capabilities of being a device invoked with the aid of a keyboard shortcut; whatever thing you cannot do with the align options in AI CS3. still, for regularly occurring Illustrator use, here's a huge plus, so I can not complain.

    Isolation mode

    a major growth in illustrator CS3 is its handling of objects and businesses/subgroups within the "I believe he should be would becould very well be depressed"-named Isolation mode. if you had a group of objects and inside those you had subgroups, older versions of Illustrator weren't very decent at dealing clearly with this, so CS3 has cleaned up the whole technique and makes coping with subgroups painless.

    A masks neighborhood is double-clicked to edit the contents of the mask. click for animation.

    Checking the accurate of the window shows what level you're in in the corporations:

    This isolation mode menu is doubtless everyday to Flash clients, and when you've created Flash-in a position symbols, this modifying hierarchy works tons the equal as in Flash. when you've edited one of these symbols within the Isolation mode, the others update as a consequence. Isolation mode typical is at last a superior scheme for coping with many subgroups, and it's going to support certainly manipulate larger illustrations.

    Eraser tool

    it would appear fairly elementary to have an erase device in Illustrator, but vectors are greater complex than just protecting some pixels, so it's pretty understandable that it be new. In older edition of Illustrator, if you desired to reduce a flowing brush stroke out of a letter for an emblem, it become a multistep system: make a brush stroke over some outlined text with a custom brush, flatten the course so it turned into outlined, and then do a front-minus-again Boolean operation within the Pathfinder palette. pretty simple in itself, but should you beginning so as to add layers and companies to this, it gets complex. In AI CS3, the eraser tool permits you to try this in one brush stroke—while respecting objects on multiple layers and any latest results:

    it's also fairly sweet for making rounded trims which have a more biological consider.

    if you cling down option/alt, the eraser becomes a rectangular marquee preference that subtracts a rectangle from objects.

    however the eraser device does not work continuously. if you go over a stroked object, you're going to get combined outcomes:

    additionally, it does not do picture masks, so when you have a fancy illustration, these two boundaries will drive a little bit of a workaround by outlining all strokes. it will had been exceptional if the eraser device had this as an computerized option.

    Crop area tool

    whereas Illustrator already comprises the means to make crop marks for printing output, CS3 now adds a crop device characteristic it's used greater like a slice however with subtly distinctive utilization, and in contrast to slices, multiple crop areas (created by way of choice dragging with the tool energetic) don't chunk into other crop areas. they're like visual workspaces, and for issues like packaging, the place it will also be a bit challenging to check what one fold might also look like, it makes brief work of previewing that half in context:

    My EP art cropped to the front face.

    The historical method became to make 4 white boxes round your workspace so that you might get a suppose for what the cropped art would look like. It changed into relatively ghetto and a big waste of time. also, which you can instantly make a crop area around selected objects. These crop areas can then be used as slices for retailer for net, document bounds for PDF export, or as reference frames for alignment and distribution, so it in fact has the potential to shop work.

    but, in what's starting to sound a little repetitive, the crop device is barely shy of being polished. whereas it really works nicely as a preview for cropped documents, you cannot create your personal presets, which seems to fly within the face of AI CS3's entire empowering of the consumer. I do these techno vinyl sleeves lots, and seeing this long list of video options once I just want a 12"x12" preview crop for the entrance and the back is a bit of traumatic:

    My kingdom for a vinyl cover and single web page of our journal preset

    On accurate of that, crop areas can not be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas did not use bleed or crop marks. introduction of the packing containers is finicky, too: they can't be choice-dragged like slices, and copying and pasting between sizes in documents is inconsistent and irritating. For the crop device to be basically wonderful, it could have the customizable presets of doc profiles and the skill to have an InDesign-like 100% opaque trim preview. As is, it be a decent device for art with multiple intended outputs (DVD interface, company card, and many others.), nonetheless it's needlessly limited.

    more advantageous color points

    unless you're goth, you then're probably using color in Illustrator, and adjustments to colour aspects are more likely to affect non-vampire experts. New in Illustrator CS3 is the means so as to add a bunch of color swatches from selected objects.

    The ensuing swatches are immediately grouped into the brand new color groups in the swatches palette:

    select all and colors from the choice are delivered to a newly created color neighborhood.

    or not it's a true time-saver and for maniacs that work with large Laura Ashley-esque palettes, your lives are about to get more straightforward, if a bit too floral.

    reside colour

    via a ways the greatest new feature in Illustrator CS3 are the new colour managing equipment in are living color. anyone who works in color likely spends a good element of their time making an attempt to find palettes that work together. this is less complicated said than accomplished, and except you are Matisse or Warhol, this system can truly gradual you down. in the past, after I've found myself in a pinch for a fine colour scheme, I've used third-party utilities or color pickers, however the leading subject with these is that in the event you get their swatches into Illustrator, they often shift seeing that they are not the usage of the identical colour tech as Adobe, so that limits their usefulness as aids.

    fortunately Adobe has picked up the reins, and the color tools in live colour—which is available from the swatches or control palette—are definitely stellar. usage of live colour is most reliable understood via an illustration. let's say you are in palette hell, however you know you want at the least five colorings to complement every other. You might use a color you like as a place to begin for a new scheme:

    Experimenting in a non-teen method.

    colorings can also be assigned to specify which of them are locked so that any brand hues or pantones can continue to be untouched while others move. which you can store the ensuing palette as a colour community (indicated in the Swatches palette by using a folder at the left), and when you've assigned these swatches to elements, you can further interactively work on the overall color scheme as a whole inside your paintings:

    enhancing the colour neighborhood within are living color.

    As that you would be able to see by using all of the sliders, knobs, and buttons, reside colour is terribly powerful, and nothing is unnoticed. There in reality is only one issue with are living colour: or not it's no longer in InDesign as well. i take advantage of this regularly ample now for layouts that I've got Illustrator open when doing pages in InDesign, simply to toss colour ideas round. or not it's develop into fairly valuable.

    DeviceN colour aid

    On the technical side of colour, Illustrator CS3 now supports DeviceN color space for PostScript 3. that you may now area duotone or separated Photoshop pictures in Illustrator and preserve the file's native colour area, so this could mean now not desiring workarounds for keeping apart complex art in Illustrator.

    Flash integration

    most of the source material for complicated Flash files is likely created in Illustrator, so now that Adobe owns Flash, it's reasonable to assert we are going to be seeing greater integration between the two courses. apart from being able to export to a static .swf file, you've got the means to open Illustrator CS3 data without delay in Flash (however no longer the reverse) as smartly because the means to create Flash symbols in Illustrator. The predominant knowledge of the latter is that the time spent developing a stage may also be shortened by way of organizing and naming cases for animation.

    Hit F8 and also you are prompted via the common Flash symbol introduction dialog

    that you would be able to set the registration of the article so that reference aspects for animation/rotation may be made less difficult. Then that you would be able to additional assign an instance name for ActionScript routine:

    And for textual content, which you can set no matter if the text field is static, dynamic, or enter textual content.

    creation of fancy loader pics just acquired easier

    after you have your symbols created, that you can import the Illustrator itself at once into the Flash stage:

    With our symbols preserved, we're also given the alternative of setting our Flash doc bounds to the measurement of the Illustrator doc. once imported, all of the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This total system is awfully clean and, combined with the Isolation mode, is an elegantly carried out means of coping with symbols in Illustrator. alas, it stops just wanting assisting keep artwork design centralized within Illustrator since the import process is a one-shot deal. Flash cannot reference the imported Illustrator art like After consequences or InDesign references exterior files, so this single import is a dedicated affair. additionally, if you paste a logo into Flash that has the equal name, it doesn't prompt you to change the present merchandise. here's more of an argument for Flash, however on the grounds that the connection between Flash and Illustrator is tight, it could have been first-rate to see a deeper integration as not obligatory.

    as it stands, this can avoid wasting time for bound, but I can not help feeling just like the implementation lacks the imaginative and prescient for a truly integrated scheme. however I can't be too complicated on the Illustrator team considering that the Macromedia acquisition is comparatively contemporary, and restructuring construction between both apps is rarely a small affair. i'm certain that given Adobe's huge dimension, just having a casual dialog between departments requires legal professionals to talk to the water cooler groups about what Monday joke to make use of.

    improved drawing efficiency

    For Intel Mac users, it may not come as lots surprise to be taught that Illustrator CS3 is vastly faster than working CS2 in Rosetta, but the respectable news is that windows clients and Mac users with older hardware will additionally improvement from the upgrade because the drawing engine in Illustrator has been fully overhauled for faster rendering. The ordinary consensus on the velocity enhance is that it's 15-30 percent faster, and checking out on my first-gen PPC G5 suggests that vague and untestable determine is dead on—give or take a percentage element. however seriously, folks, it does draw a little faster, and if you're on an Intel Mac, the upgrade is a no-brainer. efficiency on my MacBook seasoned is extremely first rate, and it is way faster dealing with advanced art than on my dual G5.

    Conclusion

    I guess that you would be able to tell by way of my tone that it's slightly difficult to get excited in regards to the Illustrator CS3 improve. What it does, it does well satisfactory, however here's a relatively quick evaluate, and yet I've covered relatively a lot all that is new to Illustrator CS3. I understand that issues like the DeviceN and the new rendering engine are large under-the hood advancements, and these low-stage engineering issues seemingly consumed a giant chunk of development time for Illustrator CS3. but sooner rendering, advancements to the manage palette, library managing, doc presets and Isolation mode (which is a 2nd take at shoddy subgroup managing) feel like somebody trying to promote their new, working bladder as some thing to get excited about. aside from live colour and the new CS3 interface, the What's New element of Adobe Illustrator CS3 documentation reads a bit of like a padded résumé, and what's new is not flawlessly achieved (crop enviornment and eraser tools). in keeping with what I even have been capable of get in plug-ins for a while and years of non-public Illustrator use, or not it's not complicated to come up with advancements that would positively affect a broad range of Illustrator clients:

  • ability to opt for and circulate dissimilar Bezier handles without delay (from the now-defunct Vector Studio) or at least take care of Bezier handles like anchor points so that transforms will also be repeated for course tweaks. This would make the lives of fontographers and people who make emblems an awful lot less difficult.
  • An up to date 3D device. imposing anything like After outcomes' digital camera-based mostly 3-D rotation would support make 3D scenes that were consistent as a substitute of having to haphazardly are attempting and suit views for individual objects in the scene. also, including CADTools or SketchUp-like interactive extrusion facets could be an improved method for developing 3D objects within a scene.
  • Maya-fashion paint choice and paint attribute weights. suppose of how incredible it would be to be able to brush out the amount of envelope effect on a set of anchor aspects. due to the fact most outcomes are live, this would be the nextlogical step.
  • I do not suppose it's too a lot to ask that the bar be set a little larger for what Illustrator should be in a position to do. With Adobe's buyout of Macromedia, Illustrator has lost its main competitor (Freehand), and that i for my part worry that this will create a blinder effect for the Illustrator crew. The remaining issue we need is a utility trip on the monopoly instruct to boredom town, à la a here-unnamed layout application made via a company whose identify starts off with "Q" it is swiftly dropping market share. however I digress.

    In conclusion, the Illustrator CS3 improve is good but now not outstanding. in case you spend a significant amount of time in Illustrator, then the live colour characteristic by myself is a really compelling cause to improve. if you're on an older PPC computer, then the drawing performance improvements are additionally a boon, and Intel Mac clients do not need to debate the should upgrade. but if you buy, just be organized for less CS3 and greater of a CS2.5.

    professionals
  • are living color is amazing and does excess of a normal colour wheel
  • quicker drawing engine
  • Very quick on Intel Macs
  • Align and distribute works on elements now
  • DeviceN color house assist
  • stronger integration with Flash
  • CS3 interface is clean and well-equipped
  • Isolation mode makes subgroup and object modifying a whole lot clearer
  • Cons
  • Meager upgrade; a lot of what's new looks like modernization, no longer innovation
  • grey interface choice lacks polish
  • Crop enviornment device lacks customizable presets and alternate options

  • CS3 ‘largest unencumber in Adobe’s historical past’ | killexams.com Real Questions and Pass4sure dumps

  • publish
  • CS3 box shots through merging Macromedia’s ancient product line with its personal applications, developing a long edition of Photoshop and reviving long-dead video and audio applications for Intel Macs, Adobe’s new artistic Suite 3 has turn into the largest software rollout within the business’s history.

    attainable within the 2nd and Third Quarters of 2007, the lots-expected CS3 consists of 13 stand-on my own purposes in total:

    commercial
  • Photoshop CS3
  • Photoshop CS3 extended
  • InDesign CS3
  • Illustrator CS3
  • Flash CS3 professional
  • Dreamweaver CS3
  • After effects CS3
  • Adobe Acrobat eight expert
  • Adobe contribute CS3
  • Adobe Fireworks CS3
  • Adobe most advantageous seasoned CS3
  • Adobe Soundbooth CS3
  • Adobe Encore CS3
  • no longer to be outdone by means of Microsoft’s home windows Vista, Adobe has created six configurations of inventive Suite 3:

  • Design average – $1,199 – attainable 2nd Quarter 2007 contains InDesign CS3, Photoshop CS3, Illustrator CS3, Acrobat 8 professional, Bridge CS3
  • Design top class – $1,799 – available 2d Quarter 2007 adds Dreamweaver CS3, Flash CS3 skilled, Photoshop CS3 extended
  • internet usual – $999 – attainable 2d Quarter 2007 includes Dreamweaver CS3, Flash CS3 skilled, Fireworks CS3, make a contribution CS3, device vital CS3, Bridge CS3, Adobe inventory photographs and edition Cue CS3
  • web premium – $1,599 – available second Quarter 2007 provides Illustrator CS3, Acrobat eight skilled
  • creation top rate – $1,699 – accessible Third Quarter 2007 comprises After outcomes CS3 expert, top-rated seasoned CS3, Photoshop CS3 extended, Flash CS3 skilled, Illustrator CS3, Soundbooth CS3, Encore CS3, gadget primary CS3 and Bridge CS3
  • grasp assortment – $2,499 – accessible Third Quarter 2007 contains all 12 of the purposes (it'll no longer consist of Photoshop CS3 because the inclusion of Photoshop CS3 extended makes that redundant)
  • Adobe says clients will event expanded stages of efficiency and velocity operating artistic Suite three natively on Intel-based Macintosh techniques. And although the vast majority of CS3 functions can be attainable as generic Binaries for both PowerPC and Intel-primarily based Macs, three might be Intel-only: premiere professional, Soundbooth and Encore, all of which are a part of the production top rate configuration. Adobe’s other Intel-simplest universal utility, Photoshop Lightroom, isn't included in any of the CS3 configurations.

    The other Photoshop-branded software now not part of CS3 is Photoshop facets. Adobe is still planning to unlock edition 5.0 for the Macintosh however has set no authentic timetable. additionally nevertheless in the cards is an update to GoLive, which Adobe says could be updated in the future however isn't a part of the new creative Suite.

    Adobe is featuring a few improve paths for existing customers. For greater distinctive tips about facets, improve guidelines, pricing, and international versions seek advice from: www.adobe.com/go/creativesuite.


    XMPie's PersonalEffect and uDirect software help Adobe creative Suite three | killexams.com Real Questions and Pass4sure dumps

    August 07, 2007 10:05 ET | supply: XMPie Inc.

    new york, Aug. 7, 2007 (leading NEWSWIRE) -- in keeping with its mission to give the graphic arts trade the ideal tools for building personalised documents and cross media campaigns, XMPie(r), the leading issuer of application for dynamic publishing, has released a brand new version of its PersonalEffect(tm) and uDirect(r) application aiding the Adobe(r) artistic Suite(r) three application family and Adobe InDesign(r) CS3 server.

    PersonalEffect and uDirect edition 3.5 take skills of stronger Adobe CS3 capabilities such as transparency outcomes (bevel, emboss, glow), text wrap capabilities, and improved functionality for printing layers. additionally, potent imaging consequences in Adobe Photoshop CS3 now extend the horizon of what personalized imaging with XMPie's uImage(tm) application is all about.

    "These enhancements underscore each XMPie's market management and dedication to the creative knowledgeable in variable records and pass media publishing," stated Jacob Aizikowitz, president of XMPie. "With XMPie version 3.5, designers can bring the state-of-the-paintings design capabilities of CS3 into dynamic pass media publishing campaigns."

    additionally, XMPie's uImage v. three.0 allows picture designers to use the entire new artistic features of Photoshop and Illustrator CS3 for customized photos together with a extra efficient workflow designed by using XMPie that encompass:

    * sooner processing performance -- as much as 60 %.

    * reduced file measurement and fewer memory requirements.

    * Output personalised SWF (Flash) data from Illustrator uImage templates.

    Adobe CS2 will proceed to be supported, allowing clients to migrate from CS2 to CS3-primarily based purposes.

    edition 3.5 is automatically obtainable for new consumers. enhancements to version 3.5 are available however now not required for existing shoppers with protection plans.

    About XMPie

    XMPie Inc., a standalone software unit of Xerox company (NYSE:XRX), is the leading issuer of utility for dynamic publishing. Its variable statistics publishing utility options -- PersonalEffect(tm) and uDirect(tm) -- assist corporations to efficaciously design and produce particularly personalized advertising substances that are proven to enormously raise client response costs. Its award-winning PersonalEffect application produces on-demand, incredibly centered advertising communications in print, e mail and internet. XMPie bridges design, data and printing features to enable a collaborative production workflow and streamlines doc ordering and customization with flexible internet-to-Print functions. XMPie is headquartered in long island with an R&D core in Israel and operations within the U.S., EMEA and Asia Pacific. For more counsel, visit www.xmpie.com.

    The XMPie Inc. brand is purchasable at http://www.primenewswire.com/newsroom/prs/?pkgid=3078

    For XMPie Lotus Public relations Chris Capra / Matt Marcus 212-922-5885 /

    ny, big apple, united states

      http://www.xmpie.com

    For XMPie Lotus Public family members Chris Capra / Matt Marcus 212-922-5885 / XMPie Inc. logo

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    Adobe IIIustrator CS3 ACE

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    Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

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  • The poster child

    Adobe Illustrator CS3 Manufacturer: AdobeOperating system support: Windows XP SP2, Vista Home Premium or better, Mac OS X 10.4.8Price: Illustrator CS3 full version: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    Overall, the transition to Mac OS X was relatively smooth, but one of the rough periods for professional graphic designers was Illustrator 10. This first native OS X version was the poster child for reasons to wait to move to Mac OS X on older hardware, since everything was glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for sure.  Eventually, updates made it incrementally faster, and with version 12, it was finally zippy enough to run on a first-gen G5 without feeling like you were designing in bullet time.

    Okay, it wasn't that bad, but Adobe knew it had issues with the older code; with CS3, they've completely overhauled the drawing engine to get a much larger boost and bring an end to any nostalgia for the speedy—yet crashy—days of yore. Of course, this update also comes with Universal Binary Intel Mac support, a new interface, and some things called "new features" that we'll also take a look at. So without further ado...

    System requirements Mac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Windows
  • Intel® Pentium® 4, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or compatible) processor
  • Microsoft® Windows® XP with Service Pack 2 or Windows Vista™ Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit editions)
  • 512MB of RAM (1GB recommended)
  • 2GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Note that none of the CS3 applications are 64-bit. The Mac version requires more space because of the Universal Binary application format.

    Test hardware MacBook Pro Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac Pro 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.4.9
  • Dual G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.4.9
  • Illustrator CS3 interface

    As you might have guessed if you've been following the other CS3 updates, Illustrator CS3 now sports the smooth darker gray palettes and handy docking scheme and icons seen in Photoshop and InDesign CS3:

    Click the double arrows to expand the width of the dock to the full docked panel mode

    In this docked mode, all the panels sit linked vertically so that slivers of the desktop no longer distract you from between your palettes. It helps isolate your workspace nicely, and as was noted in our Photoshop review, the new look is very clean and reduces clutter while still giving you access to everything you need to have at your fingertips, maximizing space usage for those of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me a bit to stop mistaking the Pathfinder icon for the Attributes since both look like a Boolean knockout but that was a short-lived and rather unexciting battle.

    While the organizational benefits of the new scheme are pretty clear, the main problem with them is that, because you tend to jump between palettes in Illustrator a lot, if you use the attached docked palettes, then they all shift around to the point of being a bit confusing.

    Click for animation

    Moving targets are not much fun when you're a fast clicker, so to minimize the shuffle, I use a mix of the undocked, unstacked palettes with some docked icons to things I don't need constant access to. But overall the clarity of the new interface is a welcome change and makes working on a MacBook Pro less cramped for sure. If you like an even more consistent and muted workspace to concentrate on color work, AI CS3 now has an option to set the interface tone to different shades of gray:

    This seems to be a professional app feature that I'd normally like to see, but in Illustrator, I feel like it's a bit inconsistently executed, and the sleekness that you're used to with After Effects or Final Cut Pro gives way to a sort of selective paint bucket effect:

    The darkest gray setting with distracting white fields, edges and dialogs that don't reflect the darker gray scheme.

    That's a far cry from the "welcome to the future" look of After Effects and does a bad job of being less predominant. This is the sort of quick-and-dirty fix you'd expect from a company less competent than Adobe. Hopefully it will be addressed before the next major upgrade.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now features a more robust Control palette to give access to often-used functions, which can be customized to better suit your individual work flow:

    Within the Control palette are a load of contextual options; when you have an anchor point selected, you are given a bunch of new choices within the control palette:

    Aside from being able to control the anchor point's absolute position (cropped at the right), you can convert it to a corner point/smooth point, remove it, connect it to another end point, divide the path at the point selected, or align objects and selected points, which is covered in more depth later.

    When you select an object with an effect on it, the Control Panel presents options for those effects:

    And that's Diebold the Montreal band, not everyone's favorite vote machine maker

    The previous iteration of the Control palette had some of these options (the Type options are largely unchanged from CS2) but didn't go as far as CS3 does in having a one-stop area for the contextual control. My only gripe about the Control palette is that the align options still don't include the distribute options, which is what I reach for half the time I open the Align palette. Otherwise, it's well thought out and makes good use of the space. Illustrator is the kind of program that, if poorly thought out, could consume way too much space with its palettes and control. Thankfully, CS3 does what it can to be powerful, customizable and clean.

    Document profiles

    Definitely a welcome addition, Illustrator now has template profiles that show up directly in the new documents dialog, making it easier to create a web, print, or video document with common parameters for different working scenarios.

    Within those options, there are suboptions for color mode, rasterization resolution, and setting pixel/overprint preview modes to be on by default, as well as transparency grid settings. Note that there is still no nonsquare pixel preview option for video documents.

    If you need to have a custom format, you can make a new document, and once you save it to the New Documents Profiles folder, it becomes instantly accessible in the New Documents dialog.

    My spread format appears in the New Document Profile section. For some reason, it rounds the second decimal place and leaves the third out, even thought it preserves the actual 10.875” height in the document. Somewhere there's a .05 of an inch floating around a black hole.

    All in all, aside from the new CS3 interface panels and docking scheme, it's a little hard to get excited about the interface and document preset/customization options new to Illustrator CS3. They are long overdue, and I've had a plug-in for years that let me save palette positions. This is definitely a case of catching up to what's been pretty standard for a professional graphics app for a while now.

    Tool upgrades

    The majority of time spent in Illustrator isn't usually with filters; it's usually spent just dealing with paths and tweaking, so CS3 hopes to make working more efficient by upgrading the basics—the first of which is anchor point highlighting and picking. The older versions of Illustrator used to pick anchor points based on stacking order as opposed to proximity to the cursor, which is now fixed. Picking is also made easier by highlighting the anchor points and paths as you mouse over them—paths are indicated by a black square next to the arrow and anchor points are indicated by a white square.

    Click for animation

    As you can tell by the animation, this makes working with complex paths a lot easier, and it reduces a lot of redundant selection trying to get to the anchor points you just want to deal with. You can further customize the behavior of this in the application's Preferences:

    For such a simple change, the new anchor point handling really adds a lot.

    Another thing that will definitely please avid Illustrator users is the ability to align and distribute selected points, not just objects. Select any multiple anchor points and watch in wonder as the hamsters inside Illustrator CS3 busily arrange the points when you click align:

    Click for animation

    It's definitely a great addition, but this is another thing that just makes sense to have, and users of the venerable FilterIt plug-in have had this ability for a while now. Sure, it's not exactly fair to say software isn't complete if it doesn't have the equivalent third party plug-in already installed, but aligning selected points is such a basic thing for Illustrator that it's kind of shocking it's taken 13 versions for it to make it into the app. Clearly FilterIt was just filling a basic need here, and it had the added advantage of being a tool invoked by a keyboard shortcut; something you can't do with the align options in AI CS3. Still, for everyday Illustrator use, this is a big plus, so I can't complain.

    Isolation mode

    A significant improvement in illustrator CS3 is its handling of objects and groups/subgroups in the "I think he might be depressed"-named Isolation mode. If you had a group of objects and within those you had subgroups, older versions of Illustrator weren't very good at dealing clearly with this, so CS3 has cleaned up the whole process and makes dealing with subgroups painless.

    A mask group is double-clicked to edit the contents of the mask. Click for animation.

    Checking the top of the window indicates what level you are in within the groups:

    This isolation mode menu is probably familiar to Flash users, and when you've created Flash-ready symbols, this editing hierarchy works much the same as in Flash. Once you've edited one of these symbols in the Isolation mode, the others update accordingly. Isolation mode overall is finally an effective scheme for dealing with many subgroups, and it's going to help clearly manage larger illustrations.

    Eraser tool

    It would seem pretty simple to have an erase tool in Illustrator, but vectors are more complicated than just masking some pixels, so it is pretty understandable that it's new. In older version of Illustrator, if you wanted to cut a flowing brush stroke out of a letter for a logo, it was a multistep process: make a brush stroke over some outlined text with a custom brush, flatten the path so it was outlined, and then do a front-minus-back Boolean operation in the Pathfinder palette. Pretty straightforward in itself, but when you start to add layers and groups to this, it gets complicated. In AI CS3, the eraser tool lets you do this in one brush stroke—while respecting objects on multiple layers and any existing effects:

    It's also pretty sweet for making rounded trims that have a more organic feel.

    If you hold down option/alt, the eraser becomes a square marquee selection that subtracts a rectangle from objects.

    But the eraser tool doesn't work consistently. If you go over a stroked object, you will get mixed results:

    Also, it doesn't do image masks, so if you have a complex illustration, these two limitations will force a bit of a workaround by outlining all strokes. It would have been nice if the eraser tool had this as an automatic option.

    Crop area tool

    While Illustrator already includes the ability to make crop marks for printing output, CS3 now adds a crop tool feature that is used more like a slice but with subtly different usage, and unlike slices, multiple crop areas (created by option dragging with the tool active) do not bite into other crop areas. They're like visual workspaces, and for things like packaging, where it can be a little hard to envision what one fold may look like, it makes short work of previewing that part in context:

    My EP art cropped to the front face.

    The old way was to make four white boxes around your workspace so you could get a feel for what the cropped art would look like. It was pretty ghetto and a big waste of time. Also, you can instantly make a crop area around selected objects. These crop areas can then be used as slices for Save for Web, document bounds for PDF export, or as reference frames for alignment and distribution, so it definitely has the potential to save work.

    But, in what is beginning to sound a little repetitive, the crop tool is just shy of being polished. While it works nicely as a preview for cropped documents, you can't create your own presets, which seems to fly in the face of AI CS3's whole empowering of the user. I do these techno vinyl sleeves a lot, and seeing this long list of video options when I just want a 12"x12" preview crop for the front and the back is a bit annoying:

    My kingdom for a vinyl cover and single page of our magazine preset

    On top of that, crop areas can't be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas failed to use bleed or crop marks. Creation of the boxes is finicky, too: they can't be option-dragged like slices, and copying and pasting between sizes in documents is inconsistent and frustrating. For the crop tool to be truly great, it would have the customizable presets of document profiles and the ability to have an InDesign-like 100 percent opaque trim preview. As is, it's a decent tool for art with multiple intended outputs (DVD interface, business card, etc.), but it's needlessly limited.

    Enhanced color features

    Unless you're goth, then you're likely using color in Illustrator, and changes to color features are likely to affect non-vampire professionals. New in Illustrator CS3 is the ability to add a bunch of color swatches from selected objects.

    The resulting swatches are automatically grouped into the new Color Groups in the swatches palette:

    Select all and colors from the selection are added to a newly created Color Group.

    It's a real time-saver and for maniacs that work with giant Laura Ashley-esque palettes, your lives are about to get easier, if a little too floral.

    Live Color

    By far the biggest new feature in Illustrator CS3 are the new color handling tools in Live Color. Anyone who works in color probably spends a good portion of their time trying to find palettes that work together. This is easier said than done, and unless you're Matisse or Warhol, this process can really slow you down. In the past, when I've found myself in a pinch for a good color scheme, I've used third-party utilities or color pickers, but the main issue with these is that when you get their swatches into Illustrator, they often shift since they aren't using the same color tech as Adobe, so that limits their usefulness as aids.

    Thankfully Adobe has picked up the reins, and the color tools in Live Color—which is accessible from the swatches or control palette—are really stellar. Usage of Live Color is best understood by an example. Let's say you're in palette hell, but you know you need at least five colors to complement each other. You could use a color you like as a starting point for a new scheme:

    Experimenting in a non-teen way.

    Colors can be assigned to specify which ones are locked so that any brand colors or pantones can remain untouched while others move. You can save the resulting palette as a color group (indicated in the Swatches palette by a folder at the left), and once you've assigned these swatches to elements, you can further interactively work on the overall color scheme as a whole within your art:

    Editing the color group within Live Color.

    As you can see by all the sliders, knobs, and buttons, Live Color is very powerful, and nothing is overlooked. There really is only one problem with Live Color: it's not in InDesign as well. I use this often enough now for layouts that I've got Illustrator open when doing pages in InDesign, just to toss color ideas around. It's become pretty invaluable.

    DeviceN color support

    On the technical side of color, Illustrator CS3 now supports DeviceN color space for PostScript 3. You can now place duotone or separated Photoshop images in Illustrator and preserve the file's native color space, so this will mean not needing workarounds for separating complex art in Illustrator.

    Flash integration

    Most of the source material for complex Flash files is likely created in Illustrator, so now that Adobe owns Flash, it's fair to say we'll be seeing more integration between the two programs. Aside from being able to export to a static .swf file, you have the ability to open Illustrator CS3 files directly in Flash (but not the reverse) as well as the ability to create Flash symbols in Illustrator. The major advantage of the latter is that the time spent setting up a stage can be shortened by organizing and naming instances for animation.

    Hit F8 and you are prompted by the familiar Flash symbol creation dialog

    You can set the registration of the object so that reference points for animation/rotation will be made easier. Then you can further assign an instance name for ActionScript events:

    And for text, you can set whether the text field is static, dynamic, or input text.

    Creation of fancy loader graphics just got easier

    Once you have your symbols created, you can import the Illustrator itself directly into the Flash stage:

    With our symbols preserved, we're also given the choice of setting our Flash document bounds to the size of the Illustrator document. Once imported, all the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This whole process is very smooth and, combined with the Isolation mode, is an elegantly implemented means of dealing with symbols in Illustrator. Unfortunately, it stops just short of helping keep art layout centralized within Illustrator since the import process is a one-shot deal. Flash can't reference the imported Illustrator art like After Effects or InDesign references external documents, so this single import is a committed affair. Also, if you paste a symbol into Flash that has the same name, it doesn't prompt you to replace the existing item. This is more of an issue for Flash, but since the relationship between Flash and Illustrator is tight, it would have been nice to see a deeper integration as optional.

    As it stands, this will save some time for sure, but I can't help feeling like the implementation lacks the vision for a truly integrated scheme. But I can't be too hard on the Illustrator team since the Macromedia acquisition is relatively recent, and restructuring development between the two apps isn't a small affair. I'm sure that given Adobe's huge size, just having a casual conversation between departments requires lawyers to consult the water cooler companies about what Monday joke to use.

    Increased drawing performance

    For Intel Mac users, it won't come as much surprise to learn that Illustrator CS3 is significantly faster than running CS2 in Rosetta, but the good news is that Windows users and Mac users with older hardware will also benefit from the upgrade since the drawing engine in Illustrator has been completely overhauled for speedier rendering. The general consensus on the speed increase is that it's 15-30 percent faster, and testing on my first-gen PPC G5 suggests that vague and untestable figure is dead on—give or take a percentage point. But seriously, folks, it does draw a little faster, and if you're on an Intel Mac, the upgrade is a no-brainer. Performance on my MacBook Pro is extremely good, and it is far faster dealing with complex art than on my Dual G5.

    Conclusion

    I guess you can tell by my tone that it's a bit hard to get excited about the Illustrator CS3 upgrade. What it does, it does well enough, but this is a relatively brief review, and yet I've covered pretty much all that's new to Illustrator CS3. I understand that things like the DeviceN and the new rendering engine are significant under-the hood improvements, and these low-level engineering things likely consumed a giant chunk of development time for Illustrator CS3. But faster rendering, improvements to the Control palette, library handling, document presets and Isolation mode (which is a second take at shoddy subgroup handling) feel like someone trying to sell their new, working bladder as something to get excited about. With the exception of Live Color and the new CS3 interface, the What's New section of Adobe Illustrator CS3 documentation reads a bit like a padded résumé, and what's new is not flawlessly executed (crop area and eraser tools). Based on what I have been able to get in plug-ins for a while and years of personal Illustrator use, it's not hard to come up with improvements that would positively affect a broad range of Illustrator users:

  • Ability to select and move multiple Bezier handles at once (from the now-defunct Vector Studio) or at least deal with Bezier handles like anchor points so that transforms can be repeated for path tweaks. This would make the lives of fontographers and people who make logos a lot easier.
  • An updated 3D tool. Implementing something like After Effects' camera-based 3-D rotation would help make 3D scenes that were consistent instead of having to haphazardly try and match perspectives for individual objects in the scene. Also, adding CADTools or SketchUp-like interactive extrusion features would be a much better approach for creating 3D objects within a scene.
  • Maya-style paint selection and paint attribute weights. Think of how great it would be to be able to brush out the amount of envelope effect on a set of anchor points. Since most effects are live, this would be the next logical step.
  • I don't think it's too much to ask that the bar be set a bit higher for what Illustrator should be able to do. With Adobe's buyout of Macromedia, Illustrator has lost its main competitor (Freehand), and I personally fear that this will create a blinder effect for the Illustrator team. The last thing we want is a software ride on the monopoly train to boredom town, à la a here-unnamed layout application made by a company whose name begins with "Q" that is rapidly losing market share. But I digress.

    In conclusion, the Illustrator CS3 upgrade is good but not great. If you spend a significant amount of time in Illustrator, then the Live Color feature alone is a very compelling reason to upgrade. If you're on an older PPC machine, then the drawing performance improvements are also a boon, and Intel Mac users don't need to debate the need to upgrade. But if you buy, just be prepared for less CS3 and more of a CS2.5.

    Pros
  • Live Color is amazing and does far more than a traditional color wheel
  • Faster drawing engine
  • Very fast on Intel Macs
  • Align and distribute works on points now
  • DeviceN color space support
  • Better integration with Flash
  • CS3 interface is clean and well-organized
  • Isolation mode makes subgroup and object editing a lot clearer
  • Cons
  • Meager upgrade; a lot of what's new feels like modernization, not innovation
  • Gray interface option lacks polish
  • Crop area tool lacks customizable presets and options

  • Ars reviews Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

    I’ve been playing with Illustrator CS3 for awhile now and haven’t been terribly impressed with the changes. Obviously the application is much faster on Intel and seems relatively stable with fonts, etc (I haven’t had to wipe my prefs yet! * knocking on wood.)

     Also Flash integration is much better – though not as good as Freehand was :'(

    Ars pretty much came to the same conclusion albeit 7 pages later. Obviously if you are buying Intel machines for designers, you need Universal Binary apps – no doubt.  The upgrade cost will pay for themselves in saved time in a few months.Adobe, we are giving you a freebie but we also would like to see some more features and better, more simple user interface. Not that there is any competition left from Freehand to motivate you…

    Maybe Processing will take off?


    CS3 ‘biggest release in Adobe’s history’ | killexams.com real questions and Pass4sure dumps

  • Post
  • CS3 box shots By merging Macromedia’s old product line with its own applications, creating an Extended version of Photoshop and reviving long-dead video and audio applications for Intel Macs, Adobe’s new Creative Suite 3 has become the largest software rollout in the company’s history.

    Available in the Second and Third Quarters of 2007, the much-anticipated CS3 is composed of 13 stand-alone applications in total:

    Advertisement
  • Photoshop CS3
  • Photoshop CS3 Extended
  • InDesign CS3
  • Illustrator CS3
  • Flash CS3 Professional
  • Dreamweaver CS3
  • After Effects CS3
  • Adobe Acrobat 8 Professional
  • Adobe Contribute CS3
  • Adobe Fireworks CS3
  • Adobe Premiere Pro CS3
  • Adobe Soundbooth CS3
  • Adobe Encore CS3
  • Not to be outdone by Microsoft’s Windows Vista, Adobe has created six configurations of Creative Suite 3:

  • Design Standard – $1,199 – Available Second Quarter 2007 Includes InDesign CS3, Photoshop CS3, Illustrator CS3, Acrobat 8 Professional, Bridge CS3
  • Design Premium – $1,799 – Available Second Quarter 2007 Adds Dreamweaver CS3, Flash CS3 Professional, Photoshop CS3 Extended
  • Web Standard – $999 – Available Second Quarter 2007 Includes Dreamweaver CS3, Flash CS3 Professional, Fireworks CS3, Contribute CS3, Device Central CS3, Bridge CS3, Adobe Stock Photos and Version Cue CS3
  • Web Premium – $1,599 – Available Second Quarter 2007 Adds Illustrator CS3, Acrobat 8 Professional
  • Production Premium – $1,699 – Available Third Quarter 2007 Includes After Effects CS3 Professional, Premiere Pro CS3, Photoshop CS3 Extended, Flash CS3 Professional, Illustrator CS3, Soundbooth CS3, Encore CS3, Device Central CS3 and Bridge CS3
  • Master Collection – $2,499 – Available Third Quarter 2007 Includes all 12 of the applications (it will not include Photoshop CS3 because the inclusion of Photoshop CS3 Extended makes that redundant)
  • Adobe says users will experience increased levels of performance and speed running Creative Suite 3 natively on Intel-based Macintosh systems. And although the majority of CS3 applications will be available as Universal Binaries for both PowerPC and Intel-based Macs, three will be Intel-only: Premiere Pro, Soundbooth and Encore, all of which are part of the Production Premium configuration. Adobe’s other Intel-only Universal application, Photoshop Lightroom, is not included in any of the CS3 configurations.

    The other Photoshop-branded application not a part of CS3 is Photoshop Elements. Adobe is still planning to release version 5.0 for the Macintosh but has set no official timetable. Also still in the cards is an update to GoLive, which Adobe says will be updated in the future but is not a part of the new Creative Suite.

    Adobe is providing a number of upgrade paths for current customers. For more detailed information about features, upgrade policies, pricing, and international versions visit: www.adobe.com/go/creativesuite.



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