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9A0-057 - Adobe IIIustrator CS3 ACE - Dump Information

Vendor : ADOBE
Exam Code : 9A0-057
Exam Name : Adobe IIIustrator CS3 ACE
Questions and Answers : 130 Q & A
Updated On : December 11, 2018
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9A0-057 Adobe IIIustrator CS3 ACE

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9A0-057 exam Dumps Source : Adobe IIIustrator CS3 ACE

Test Code : 9A0-057
Test Name : Adobe IIIustrator CS3 ACE
Vendor Name : ADOBE
Q&A : 130 Real Questions

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  • The poster baby

    Adobe Illustrator CS3 brand: AdobeOperating system help: windows XP SP2, Vista domestic top class or enhanced, Mac OS X 10.four.8Price: Illustrator CS3 full version: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    normal, the transition to Mac OS X turned into exceptionally easy, but one of the most tough durations for professional picture designers become Illustrator 10. this primary native OS X version was the poster infant for motives to attend to flow to Mac OS X on older hardware, because everything became glacially slow in comparison to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for certain.  eventually, updates made it incrementally quicker, and with version 12, it was eventually zippy enough to run on a first-gen G5 devoid of feeling such as you had been designing in bullet time.

    ok, it wasn't that dangerous, however Adobe knew it had concerns with the older code; with CS3, they've absolutely overhauled the drawing engine to get a lots better increase and convey an end to any nostalgia for the fast—yet crashy—days of yore. Of route, this replace additionally comes with time-honored Binary Intel Mac help, a new interface, and some issues called "new facets" that we are going to also take a look at. So with out additional ado...

    system requirementsMac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB advised)
  • 2.5GB of available tough-disk house (extra free space required during installing)
  • DVD-ROM power
  • windows
  • Intel® Pentium® four, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or appropriate) processor
  • Microsoft® windows® XP with carrier Pack 2 or windows Vista™ home top class, company, most beneficial, or enterprise (licensed for 32-bit versions)
  • 512MB of RAM (1GB informed)
  • 2GB of obtainable challenging-disk house (extra free area required during setting up)
  • DVD-ROM power
  • observe that not one of the CS3 functions are sixty four-bit. The Mac version requires more space on account of the accepted Binary utility format.

    verify hardwareMacBook seasoned Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac pro 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.four.9
  • twin G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.four.9
  • Illustrator CS3 interface

    As you could have guessed if you've been following the other CS3 updates, Illustrator CS3 now activities the clean darker grey palettes and convenient docking scheme and icons seen in Photoshop and InDesign CS3:

    click on the double arrows to extend the width of the dock to the entire docked panel mode

    in this docked mode, all of the panels take a seat linked vertically in order that slivers of the desktop no longer distract you from between your palettes. It helps isolate your workspace properly, and as was noted in our Photoshop overview, the brand new seem to be is terribly clear and reduces muddle while nevertheless giving you entry to every little thing you should have at your fingertips, maximizing area utilization for these of us who do lots of work on our laptops. The icons themselves are very clear, and most take little work to internalize their which means. It took me slightly to cease mistaking the Pathfinder icon for the Attributes when you consider that both look like a Boolean knockout but that was a brief-lived and quite unexciting combat.

    whereas the organizational benefits of the new scheme are fairly clear, the leading problem with them is that, since you tend to start between palettes in Illustrator a lot, if you use the connected docked palettes, then they all shift around to the element of being a bit puzzling.

    click for animation

    relocating pursuits don't seem to be a lot fun if you happen to're a quick clicker, to be able to reduce the shuffle, i exploit a mixture of the undocked, unstacked palettes with some docked icons to things I are not looking for regular entry to. but normal the clarity of the new interface is a welcome trade and makes engaged on a MacBook professional less cramped for sure. in case you like an excellent more consistent and muted workspace to pay attention to colour work, AI CS3 now has an alternative to set the interface tone to different colorings of gray:

    This appears to be knowledgeable app function that i'd normally like to see, but in Illustrator, I suppose like it be a little inconsistently finished, and the sleekness that you simply're used to with After effects or closing reduce seasoned offers strategy to a sort of selective paint bucket impact:

    The darkest gray atmosphere with distracting white fields, edges and dialogs that don't replicate the darker gray scheme.

    it's a far cry from the "welcome to the longer term" seem to be of After consequences and does a foul job of being much less predominant. this is the type of brief-and-soiled fix you'll expect from a corporation less able than Adobe. hopefully it might be addressed before the next major improve.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now points a higher control palette to give entry to frequently-used features, which can also be customized to superior fit your individual work circulate:

    within the control palette are a load of contextual options; if in case you have an anchor aspect chosen, you're given a bunch of new choices in the handle palette:

    aside from being in a position to handle the anchor element's absolute place (cropped on the right), that you could convert it to a nook element/clean element, eradicate it, connect it to a different end aspect, divide the path at the point selected, or align objects and selected features, which is coated in more depth later.

    in case you select an object with an effect on it, the handle Panel items alternate options for these consequences:

    and that's Diebold the Montreal band, not every person's favorite vote computing device maker

    The old generation of the control palette had some of these alternate options (the type alternate options are generally unchanged from CS2) but didn't go so far as CS3 does in having a one-stop area for the contextual manage. My only gripe about the handle palette is that the align alternatives nonetheless don't encompass the distribute options, which is what I attain for half the time I open the Align palette. in any other case, it's well thought out and makes decent use of the area. Illustrator is the type of software that, if poorly thought out, could consume way too a great deal area with its palettes and control. fortunately, CS3 does what it can to be potent, customizable and clean.

    document profiles

    definitely a great addition, Illustrator now has template profiles that reveal up directly within the new documents dialog, making it more straightforward to create a web, print, or video doc with ordinary parameters for distinct working situations.

    within those alternatives, there are suboptions for colour mode, rasterization resolution, and surroundings pixel/overprint preview modes to be on by means of default, in addition to transparency grid settings. notice that there is still no nonsquare pixel preview alternative for video files.

    in case you need to have a customized layout, you can make a brand new document, and once you put it aside to the brand new files Profiles folder, it becomes instantly accessible in the New files dialog.

    My unfold layout seems within the New doc Profile area. For some rationale, it rounds the 2d decimal region and leaves the third out, even idea it preserves the actual 10.875” height in the document. someplace there may be a .05 of an inch floating round a black gap.

    All in all, other than the new CS3 interface panels and docking scheme, it's a bit hard to get excited in regards to the interface and doc preset/customization alternatives new to Illustrator CS3. they're long overdue, and i've had a plug-in for years that permit me store palette positions. here is truly a case of catching up to what's been fairly standard for a professional photos app for ages now.

    tool enhancements

    nearly all of time spent in Illustrator is rarely constantly with filters; it be constantly spent just dealing with paths and tweaking, so CS3 hopes to make working more productive by using upgrading the basics—the primary of which is anchor element highlighting and settling on. The older models of Illustrator used to decide on anchor aspects in response to stacking order as adverse to proximity to the cursor, which is now mounted. picking out is also made less complicated by highlighting the anchor features and paths as you mouse over them—paths are indicated via a black square subsequent to the arrow and anchor elements are indicated through a white square.

    click for animation

    As that you could tell by way of the animation, this makes working with complex paths a great deal more straightforward, and it reduces loads of redundant selection attempting to get to the anchor points you just want to deal with. that you would be able to extra customize the conduct of this in the application's Preferences:

    For such an easy alternate, the new anchor aspect managing in reality adds a whole lot.

    a different factor so as to truly please avid Illustrator users is the ability to align and distribute chosen aspects, now not just objects. choose any distinct anchor features and watch in ask yourself as the hamsters internal Illustrator CS3 busily prepare the aspects in case you click on align:

    click on for animation

    it's really a good addition, but this is a further aspect that simply makes feel to have, and clients of the venerable FilterIt plug-in have had this capability for a long time now. certain, it be not exactly fair to claim utility is rarely complete if it doesn't have the equal third celebration plug-in already installed, but aligning chosen facets is this type of basic component for Illustrator that or not it's sort of surprising it be taken 13 types for it to make it into the app. naturally FilterIt became just filling a fundamental need here, and it had the introduced capabilities of being a device invoked by way of a keyboard shortcut; whatever you cannot do with the align options in AI CS3. nonetheless, for established Illustrator use, here is a huge plus, so I can not bitch.

    Isolation mode

    a big growth in illustrator CS3 is its coping with of objects and businesses/subgroups within the "I think he might be depressed"-named Isolation mode. in case you had a gaggle of objects and inside these you had subgroups, older types of Illustrator weren't very decent at dealing certainly with this, so CS3 has cleaned up the total procedure and makes dealing with subgroups painless.

    A masks neighborhood is double-clicked to edit the contents of the masks. click for animation.

    Checking the exact of the window shows what stage you're in within the companies:

    This isolation mode menu is probably ordinary to Flash clients, and if you happen to've created Flash-able symbols, this editing hierarchy works a lot the equal as in Flash. when you've edited one of these symbols within the Isolation mode, the others update therefore. Isolation mode ordinary is at last an effective scheme for coping with many subgroups, and it be going to assist naturally control larger illustrations.

    Eraser tool

    it might look pretty essential to have an erase tool in Illustrator, however vectors are greater complex than simply protecting some pixels, so it's relatively comprehensible that it's new. In older version of Illustrator, in case you wanted to cut a flowing brush stroke out of a letter for a logo, it become a multistep process: make a brush stroke over some outlined text with a customized brush, flatten the course so it became outlined, and then do a entrance-minus-lower back Boolean operation in the Pathfinder palette. pretty straightforward in itself, but if you delivery so as to add layers and businesses to this, it gets advanced. In AI CS3, the eraser device means that you can try this in a single brush stroke—whereas respecting objects on assorted layers and any existing consequences:

    it's additionally pretty candy for making rounded trims that have a more organic believe.

    if you hang down alternative/alt, the eraser turns into a rectangular marquee preference that subtracts a rectangle from objects.

    but the eraser tool doesn't work perpetually. if you go over a stroked object, you will get combined results:

    additionally, it would not do image masks, so you probably have a fancy illustration, these two obstacles will drive a little bit of a workaround by outlining all strokes. it might have been exceptional if the eraser tool had this as an computerized option.

    Crop area device

    while Illustrator already contains the capability to make crop marks for printing output, CS3 now provides a crop device feature it is used extra like a slice but with subtly different utilization, and unlike slices, diverse crop areas (created by option dragging with the tool active) do not chunk into different crop areas. they may be like visible workspaces, and for things like packaging, the place it will also be a little challenging to ascertain what one fold may additionally seem like, it makes short work of previewing that half in context:

    My EP paintings cropped to the entrance face.

    The old method become to make four white bins round your workspace so you may get a believe for what the cropped artwork would look like. It turned into relatively ghetto and a huge waste of time. also, that you could instantly make a crop area round chosen objects. These crop areas can then be used as slices for retailer for internet, document bounds for PDF export, or as reference frames for alignment and distribution, so it definitely has the advantage to save work.

    however, in what's starting to sound a bit repetitive, the crop device is just shy of being polished. while it really works properly as a preview for cropped files, you can't create your personal presets, which appears to fly within the face of AI CS3's total empowering of the person. I do these techno vinyl sleeves an awful lot, and seeing this long listing of video alternatives after I just want a 12"x12" preview crop for the front and the returned is a little annoying:

    My kingdom for a vinyl cowl and single web page of our magazine preset

    On appropriate of that, crop areas can not be promoted to slices, you cannot alter the colour or the opacity of the overlay, and PDFs exported with the cropped areas didn't use bleed or crop marks. advent of the containers is finicky, too: they can not be choice-dragged like slices, and copying and pasting between sizes in files is inconsistent and frustrating. For the crop tool to be truly terrific, it might have the customizable presets of doc profiles and the skill to have an InDesign-like 100 percent opaque trim preview. As is, it be a good tool for paintings with diverse intended outputs (DVD interface, company card, and so on.), but it surely's needlessly restricted.

    superior color features

    except you are goth, then you definitely're probably the use of colour in Illustrator, and adjustments to colour features are prone to affect non-vampire experts. New in Illustrator CS3 is the means so as to add a bunch of color swatches from chosen objects.

    The resulting swatches are immediately grouped into the brand new color companies within the swatches palette:

    select all and colors from the option are introduced to a newly created color group.

    or not it's a true time-saver and for maniacs that work with tremendous Laura Ashley-esque palettes, your lives are about to get simpler, if a bit too floral.

    are living colour

    by way of some distance the greatest new feature in Illustrator CS3 are the brand new colour coping with equipment in are living colour. any one who works in colour doubtless spends an outstanding element of their time attempting to locate palettes that work together. here is easier pointed out than finished, and until you're Matisse or Warhol, this procedure can in reality sluggish you down. during the past, after I've discovered myself in a pinch for a superb colour scheme, I've used third-birthday celebration utilities or color pickers, but the main situation with these is that should you get their swatches into Illustrator, they frequently shift considering the fact that they don't seem to be using the same color tech as Adobe, so that limits their usefulness as aids.

    fortunately Adobe has picked up the reins, and the color tools in reside colour—which is accessible from the swatches or manage palette—are definitely stellar. usage of are living colour is most useful understood with the aid of an example. let's say you might be in palette hell, however you understand you want as a minimum five colorations to enhance each and every different. You may use a color you adore as a place to begin for a new scheme:

    Experimenting in a non-teen manner.

    hues can be assigned to specify which ones are locked so that any brand colors or pantones can continue to be untouched while others circulation. which you can store the ensuing palette as a color community (indicated within the Swatches palette with the aid of a folder on the left), and once you've assigned these swatches to points, you can additional interactively work on the normal colour scheme as a whole within your art:

    modifying the color neighborhood inside are living color.

    As that you could see via the entire sliders, knobs, and buttons, reside colour is awfully powerful, and nothing is not noted. There in fact is only one issue with live colour: it be now not in InDesign as smartly. i take advantage of this commonly satisfactory now for layouts that I've bought Illustrator open when doing pages in InDesign, just to toss colour ideas around. or not it's develop into relatively helpful.

    DeviceN color support

    On the technical side of colour, Illustrator CS3 now supports DeviceN color house for PostScript 3. that you may now region duotone or separated Photoshop images in Illustrator and retain the file's native colour space, so this could imply now not desiring workarounds for keeping apart complex paintings in Illustrator.

    Flash integration

    most of the source fabric for complex Flash data is likely created in Illustrator, so now that Adobe owns Flash, or not it's fair to assert we are going to be seeing extra integration between the two courses. aside from being able to export to a static .swf file, you've got the ability to open Illustrator CS3 info without delay in Flash (however now not the reverse) as well because the potential to create Flash symbols in Illustrator. The primary advantage of the latter is that the time spent establishing a stage will also be shortened through organizing and naming instances for animation.

    Hit F8 and also you are brought on through the frequent Flash symbol introduction dialog

    which you can set the registration of the item in order that reference aspects for animation/rotation will be made simpler. Then which you could additional assign an illustration name for ActionScript activities:

    And for text, that you can set no matter if the textual content field is static, dynamic, or enter textual content.

    advent of fancy loader pix simply acquired more convenient

    after getting your symbols created, that you may import the Illustrator itself without delay into the Flash stage:

    With our symbols preserved, we're also given the option of surroundings our Flash document bounds to the dimension of the Illustrator document. once imported, all of the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This whole manner is awfully smooth and, mixed with the Isolation mode, is an elegantly implemented ability of dealing with symbols in Illustrator. lamentably, it stops simply in need of helping retain art design centralized within Illustrator when you consider that the import technique is a one-shot deal. Flash cannot reference the imported Illustrator art like After results or InDesign references exterior files, so this single import is a dedicated affair. also, if you paste a symbol into Flash that has the equal name, it does not on the spot you to replace the existing merchandise. here's more of a controversy for Flash, but since the connection between Flash and Illustrator is tight, it could were exceptional to peer a deeper integration as not obligatory.

    as it stands, this could avoid wasting time for sure, but I cannot assist feeling just like the implementation lacks the imaginative and prescient for a really integrated scheme. however I cannot be too complicated on the Illustrator team given that the Macromedia acquisition is relatively fresh, and restructuring development between both apps is rarely a small affair. i am sure that given Adobe's massive size, simply having an off-the-cuff conversation between departments requires attorneys to check with the water cooler organizations about what Monday comic story to use.

    improved drawing performance

    For Intel Mac clients, it won't come as lots shock to be trained that Illustrator CS3 is significantly faster than operating CS2 in Rosetta, however the good information is that windows users and Mac clients with older hardware will additionally improvement from the upgrade considering the drawing engine in Illustrator has been absolutely overhauled for swifter rendering. The conventional consensus on the velocity boost is that it's 15-30 percent quicker, and checking out on my first-gen PPC G5 means that vague and untestable figure is useless on—give or take a percent element. however critically, individuals, it does draw a little faster, and when you are on an Intel Mac, the improve is a no brainer. performance on my MacBook pro is extremely first rate, and it is far sooner coping with complex art than on my twin G5.

    Conclusion

    I wager that you may tell by way of my tone that it be just a little tough to get excited concerning the Illustrator CS3 upgrade. What it does, it does smartly ample, but here is a comparatively short assessment, and yet I've covered fairly a great deal all that is new to Illustrator CS3. I keep in mind that things like the DeviceN and the new rendering engine are large beneath-the hood improvements, and these low-level engineering things doubtless consumed a large chunk of development time for Illustrator CS3. but faster rendering, advancements to the control palette, library coping with, document presets and Isolation mode (which is a 2d take at shoddy subgroup coping with) suppose like somebody trying to promote their new, working bladder as whatever thing to get enthusiastic about. except for reside color and the brand new CS3 interface, the What's New portion of Adobe Illustrator CS3 documentation reads somewhat like a padded résumé, and what's new isn't flawlessly accomplished (crop enviornment and eraser tools). in line with what I even have been capable of get in plug-ins for a long time and years of non-public Illustrator use, it be now not difficult to get a hold of advancements that would positively affect a extensive latitude of Illustrator clients:

  • capacity to choose and circulate numerous Bezier handles directly (from the now-defunct Vector Studio) or at the least contend with Bezier handles like anchor facets so that transforms will also be repeated for course tweaks. This would make the lives of fontographers and americans who make trademarks a great deal less complicated.
  • An updated 3D device. enforcing anything like After consequences' digicam-based three-D rotation would help make 3D scenes that have been consistent in its place of getting to haphazardly are attempting and healthy views for individual objects within the scene. additionally, adding CADTools or SketchUp-like interactive extrusion elements can be a higher strategy for growing 3D objects inside a scene.
  • Maya-style paint option and paint attribute weights. believe of how extremely good it would be to be able to brush out the volume of envelope impact on a set of anchor features. due to the fact that most outcomes are live, this is able to be a higherlogical step.
  • I don't believe or not it's too an awful lot to ask that the bar be set slightly greater for what Illustrator may still be in a position to do. With Adobe's buyout of Macromedia, Illustrator has misplaced its main competitor (Freehand), and i in my view worry that this may create a blinder impact for the Illustrator team. The remaining aspect we want is a application ride on the monopoly coach to boredom town, à la a right here-unnamed design utility made by a company whose name begins with "Q" it's unexpectedly losing market share. however I digress.

    In conclusion, the Illustrator CS3 improve is respectable however now not wonderful. in case you spend a significant period of time in Illustrator, then the are living colour characteristic on my own is a very compelling reason to upgrade. if you're on an older PPC desktop, then the drawing performance improvements are also a boon, and Intel Mac clients do not need to debate the should improve. but when you buy, just be organized for less CS3 and greater of a CS2.5.

    pros
  • are living colour is mind-blowing and does excess of a standard colour wheel
  • quicker drawing engine
  • Very quick on Intel Macs
  • Align and distribute works on aspects now
  • DeviceN color space support
  • greater integration with Flash
  • CS3 interface is clean and smartly-prepared
  • Isolation mode makes subgroup and object modifying a great deal clearer
  • Cons
  • Meager upgrade; lots of what's new feels like modernization, now not innovation
  • gray interface alternative lacks polish
  • Crop enviornment device lacks customizable presets and alternate options

  • Adobe buries FreeHand MX | killexams.com Real Questions and Pass4sure dumps

    Freehand MXAdobe has decided to tug the plug on FreeHand MX, their vectorial application aimed toward designers. You’ll nevertheless be in a position to download and use the software but version 11.0.2 will be the last liberate. As John Nack, developer at Adobe, reveals on his blog, the business will “continue to sell FreeHand MX, and should present technical and customer guide” yet strongly motivate clients to make the bounce to Adobe Illustrator CS3 with the aid of offering an replace for $199.

    The choice comes as no surprise when you consider that that FreeHand MX hadn’t been up to date for four years. Adobe is pushing users to use their new inventive Suite 3, which has seen a reshuffle in applications. It appears that there wasn’t lots room for FreeHand MX anymore, with Illustrator CS3 masking lots of the inventive design and page construction wants of clients. Adobe has already set up a number of publications to assist users without problems migrate from FreeHand MX to Illustrator. rest in peace, FreeHand.


    CS3 ‘biggest release in Adobe’s historical past’ | killexams.com Real Questions and Pass4sure dumps

  • put up
  • CS3 box shots by means of merging Macromedia’s ancient product line with its personal applications, creating a long version of Photoshop and reviving lengthy-useless video and audio applications for Intel Macs, Adobe’s new inventive Suite three has turn into the greatest application rollout within the business’s history.

    available in the 2d and Third Quarters of 2007, the a lot-predicted CS3 is composed of 13 stand-by myself functions in total:

    advertisement
  • Photoshop CS3
  • Photoshop CS3 extended
  • InDesign CS3
  • Illustrator CS3
  • Flash CS3 professional
  • Dreamweaver CS3
  • After consequences CS3
  • Adobe Acrobat 8 knowledgeable
  • Adobe make contributions CS3
  • Adobe Fireworks CS3
  • Adobe top of the line seasoned CS3
  • Adobe Soundbooth CS3
  • Adobe Encore CS3
  • not to be outdone via Microsoft’s home windows Vista, Adobe has created six configurations of artistic Suite three:

  • Design usual – $1,199 – attainable second Quarter 2007 includes InDesign CS3, Photoshop CS3, Illustrator CS3, Acrobat eight expert, Bridge CS3
  • Design premium – $1,799 – purchasable 2d Quarter 2007 adds Dreamweaver CS3, Flash CS3 knowledgeable, Photoshop CS3 prolonged
  • internet typical – $999 – purchasable 2d Quarter 2007 comprises Dreamweaver CS3, Flash CS3 professional, Fireworks CS3, make contributions CS3, machine central CS3, Bridge CS3, Adobe inventory photos and version Cue CS3
  • web top class – $1,599 – obtainable 2nd Quarter 2007 adds Illustrator CS3, Acrobat 8 skilled
  • production top rate – $1,699 – purchasable Third Quarter 2007 comprises After consequences CS3 expert, foremost professional CS3, Photoshop CS3 extended, Flash CS3 knowledgeable, Illustrator CS3, Soundbooth CS3, Encore CS3, device primary CS3 and Bridge CS3
  • grasp assortment – $2,499 – purchasable Third Quarter 2007 comprises all 12 of the functions (it is going to not include Photoshop CS3 because the inclusion of Photoshop CS3 prolonged makes that redundant)
  • Adobe says users will event multiplied degrees of efficiency and pace running creative Suite three natively on Intel-based mostly Macintosh techniques. And youngsters nearly all of CS3 purposes might be accessible as regular Binaries for each PowerPC and Intel-based mostly Macs, three could be Intel-best: top of the line professional, Soundbooth and Encore, all of which can be part of the creation top class configuration. Adobe’s other Intel-only widely wide-spread application, Photoshop Lightroom, is not covered in any of the CS3 configurations.

    The different Photoshop-branded application no longer a part of CS3 is Photoshop aspects. Adobe continues to be planning to unencumber version 5.0 for the Macintosh but has set no professional timetable. also still within the playing cards is an replace to GoLive, which Adobe says might be up-to-date in the future but is not a part of the brand new artistic Suite.

    Adobe is providing a number of improve paths for present purchasers. For extra certain information about elements, upgrade guidelines, pricing, and international models consult with: www.adobe.com/go/creativesuite.


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    Adobe IIIustrator CS3 ACE

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    Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

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  • The poster child

    Adobe Illustrator CS3 Manufacturer: AdobeOperating system support: Windows XP SP2, Vista Home Premium or better, Mac OS X 10.4.8Price: Illustrator CS3 full version: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    Overall, the transition to Mac OS X was relatively smooth, but one of the rough periods for professional graphic designers was Illustrator 10. This first native OS X version was the poster child for reasons to wait to move to Mac OS X on older hardware, since everything was glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for sure.  Eventually, updates made it incrementally faster, and with version 12, it was finally zippy enough to run on a first-gen G5 without feeling like you were designing in bullet time.

    Okay, it wasn't that bad, but Adobe knew it had issues with the older code; with CS3, they've completely overhauled the drawing engine to get a much larger boost and bring an end to any nostalgia for the speedy—yet crashy—days of yore. Of course, this update also comes with Universal Binary Intel Mac support, a new interface, and some things called "new features" that we'll also take a look at. So without further ado...

    System requirements Mac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Windows
  • Intel® Pentium® 4, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or compatible) processor
  • Microsoft® Windows® XP with Service Pack 2 or Windows Vista™ Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit editions)
  • 512MB of RAM (1GB recommended)
  • 2GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Note that none of the CS3 applications are 64-bit. The Mac version requires more space because of the Universal Binary application format.

    Test hardware MacBook Pro Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac Pro 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.4.9
  • Dual G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.4.9
  • Illustrator CS3 interface

    As you might have guessed if you've been following the other CS3 updates, Illustrator CS3 now sports the smooth darker gray palettes and handy docking scheme and icons seen in Photoshop and InDesign CS3:

    Click the double arrows to expand the width of the dock to the full docked panel mode

    In this docked mode, all the panels sit linked vertically so that slivers of the desktop no longer distract you from between your palettes. It helps isolate your workspace nicely, and as was noted in our Photoshop review, the new look is very clean and reduces clutter while still giving you access to everything you need to have at your fingertips, maximizing space usage for those of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me a bit to stop mistaking the Pathfinder icon for the Attributes since both look like a Boolean knockout but that was a short-lived and rather unexciting battle.

    While the organizational benefits of the new scheme are pretty clear, the main problem with them is that, because you tend to jump between palettes in Illustrator a lot, if you use the attached docked palettes, then they all shift around to the point of being a bit confusing.

    Click for animation

    Moving targets are not much fun when you're a fast clicker, so to minimize the shuffle, I use a mix of the undocked, unstacked palettes with some docked icons to things I don't need constant access to. But overall the clarity of the new interface is a welcome change and makes working on a MacBook Pro less cramped for sure. If you like an even more consistent and muted workspace to concentrate on color work, AI CS3 now has an option to set the interface tone to different shades of gray:

    This seems to be a professional app feature that I'd normally like to see, but in Illustrator, I feel like it's a bit inconsistently executed, and the sleekness that you're used to with After Effects or Final Cut Pro gives way to a sort of selective paint bucket effect:

    The darkest gray setting with distracting white fields, edges and dialogs that don't reflect the darker gray scheme.

    That's a far cry from the "welcome to the future" look of After Effects and does a bad job of being less predominant. This is the sort of quick-and-dirty fix you'd expect from a company less competent than Adobe. Hopefully it will be addressed before the next major upgrade.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now features a more robust Control palette to give access to often-used functions, which can be customized to better suit your individual work flow:

    Within the Control palette are a load of contextual options; when you have an anchor point selected, you are given a bunch of new choices within the control palette:

    Aside from being able to control the anchor point's absolute position (cropped at the right), you can convert it to a corner point/smooth point, remove it, connect it to another end point, divide the path at the point selected, or align objects and selected points, which is covered in more depth later.

    When you select an object with an effect on it, the Control Panel presents options for those effects:

    And that's Diebold the Montreal band, not everyone's favorite vote machine maker

    The previous iteration of the Control palette had some of these options (the Type options are largely unchanged from CS2) but didn't go as far as CS3 does in having a one-stop area for the contextual control. My only gripe about the Control palette is that the align options still don't include the distribute options, which is what I reach for half the time I open the Align palette. Otherwise, it's well thought out and makes good use of the space. Illustrator is the kind of program that, if poorly thought out, could consume way too much space with its palettes and control. Thankfully, CS3 does what it can to be powerful, customizable and clean.

    Document profiles

    Definitely a welcome addition, Illustrator now has template profiles that show up directly in the new documents dialog, making it easier to create a web, print, or video document with common parameters for different working scenarios.

    Within those options, there are suboptions for color mode, rasterization resolution, and setting pixel/overprint preview modes to be on by default, as well as transparency grid settings. Note that there is still no nonsquare pixel preview option for video documents.

    If you need to have a custom format, you can make a new document, and once you save it to the New Documents Profiles folder, it becomes instantly accessible in the New Documents dialog.

    My spread format appears in the New Document Profile section. For some reason, it rounds the second decimal place and leaves the third out, even thought it preserves the actual 10.875” height in the document. Somewhere there's a .05 of an inch floating around a black hole.

    All in all, aside from the new CS3 interface panels and docking scheme, it's a little hard to get excited about the interface and document preset/customization options new to Illustrator CS3. They are long overdue, and I've had a plug-in for years that let me save palette positions. This is definitely a case of catching up to what's been pretty standard for a professional graphics app for a while now.

    Tool upgrades

    The majority of time spent in Illustrator isn't usually with filters; it's usually spent just dealing with paths and tweaking, so CS3 hopes to make working more efficient by upgrading the basics—the first of which is anchor point highlighting and picking. The older versions of Illustrator used to pick anchor points based on stacking order as opposed to proximity to the cursor, which is now fixed. Picking is also made easier by highlighting the anchor points and paths as you mouse over them—paths are indicated by a black square next to the arrow and anchor points are indicated by a white square.

    Click for animation

    As you can tell by the animation, this makes working with complex paths a lot easier, and it reduces a lot of redundant selection trying to get to the anchor points you just want to deal with. You can further customize the behavior of this in the application's Preferences:

    For such a simple change, the new anchor point handling really adds a lot.

    Another thing that will definitely please avid Illustrator users is the ability to align and distribute selected points, not just objects. Select any multiple anchor points and watch in wonder as the hamsters inside Illustrator CS3 busily arrange the points when you click align:

    Click for animation

    It's definitely a great addition, but this is another thing that just makes sense to have, and users of the venerable FilterIt plug-in have had this ability for a while now. Sure, it's not exactly fair to say software isn't complete if it doesn't have the equivalent third party plug-in already installed, but aligning selected points is such a basic thing for Illustrator that it's kind of shocking it's taken 13 versions for it to make it into the app. Clearly FilterIt was just filling a basic need here, and it had the added advantage of being a tool invoked by a keyboard shortcut; something you can't do with the align options in AI CS3. Still, for everyday Illustrator use, this is a big plus, so I can't complain.

    Isolation mode

    A significant improvement in illustrator CS3 is its handling of objects and groups/subgroups in the "I think he might be depressed"-named Isolation mode. If you had a group of objects and within those you had subgroups, older versions of Illustrator weren't very good at dealing clearly with this, so CS3 has cleaned up the whole process and makes dealing with subgroups painless.

    A mask group is double-clicked to edit the contents of the mask. Click for animation.

    Checking the top of the window indicates what level you are in within the groups:

    This isolation mode menu is probably familiar to Flash users, and when you've created Flash-ready symbols, this editing hierarchy works much the same as in Flash. Once you've edited one of these symbols in the Isolation mode, the others update accordingly. Isolation mode overall is finally an effective scheme for dealing with many subgroups, and it's going to help clearly manage larger illustrations.

    Eraser tool

    It would seem pretty simple to have an erase tool in Illustrator, but vectors are more complicated than just masking some pixels, so it is pretty understandable that it's new. In older version of Illustrator, if you wanted to cut a flowing brush stroke out of a letter for a logo, it was a multistep process: make a brush stroke over some outlined text with a custom brush, flatten the path so it was outlined, and then do a front-minus-back Boolean operation in the Pathfinder palette. Pretty straightforward in itself, but when you start to add layers and groups to this, it gets complicated. In AI CS3, the eraser tool lets you do this in one brush stroke—while respecting objects on multiple layers and any existing effects:

    It's also pretty sweet for making rounded trims that have a more organic feel.

    If you hold down option/alt, the eraser becomes a square marquee selection that subtracts a rectangle from objects.

    But the eraser tool doesn't work consistently. If you go over a stroked object, you will get mixed results:

    Also, it doesn't do image masks, so if you have a complex illustration, these two limitations will force a bit of a workaround by outlining all strokes. It would have been nice if the eraser tool had this as an automatic option.

    Crop area tool

    While Illustrator already includes the ability to make crop marks for printing output, CS3 now adds a crop tool feature that is used more like a slice but with subtly different usage, and unlike slices, multiple crop areas (created by option dragging with the tool active) do not bite into other crop areas. They're like visual workspaces, and for things like packaging, where it can be a little hard to envision what one fold may look like, it makes short work of previewing that part in context:

    My EP art cropped to the front face.

    The old way was to make four white boxes around your workspace so you could get a feel for what the cropped art would look like. It was pretty ghetto and a big waste of time. Also, you can instantly make a crop area around selected objects. These crop areas can then be used as slices for Save for Web, document bounds for PDF export, or as reference frames for alignment and distribution, so it definitely has the potential to save work.

    But, in what is beginning to sound a little repetitive, the crop tool is just shy of being polished. While it works nicely as a preview for cropped documents, you can't create your own presets, which seems to fly in the face of AI CS3's whole empowering of the user. I do these techno vinyl sleeves a lot, and seeing this long list of video options when I just want a 12"x12" preview crop for the front and the back is a bit annoying:

    My kingdom for a vinyl cover and single page of our magazine preset

    On top of that, crop areas can't be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas failed to use bleed or crop marks. Creation of the boxes is finicky, too: they can't be option-dragged like slices, and copying and pasting between sizes in documents is inconsistent and frustrating. For the crop tool to be truly great, it would have the customizable presets of document profiles and the ability to have an InDesign-like 100 percent opaque trim preview. As is, it's a decent tool for art with multiple intended outputs (DVD interface, business card, etc.), but it's needlessly limited.

    Enhanced color features

    Unless you're goth, then you're likely using color in Illustrator, and changes to color features are likely to affect non-vampire professionals. New in Illustrator CS3 is the ability to add a bunch of color swatches from selected objects.

    The resulting swatches are automatically grouped into the new Color Groups in the swatches palette:

    Select all and colors from the selection are added to a newly created Color Group.

    It's a real time-saver and for maniacs that work with giant Laura Ashley-esque palettes, your lives are about to get easier, if a little too floral.

    Live Color

    By far the biggest new feature in Illustrator CS3 are the new color handling tools in Live Color. Anyone who works in color probably spends a good portion of their time trying to find palettes that work together. This is easier said than done, and unless you're Matisse or Warhol, this process can really slow you down. In the past, when I've found myself in a pinch for a good color scheme, I've used third-party utilities or color pickers, but the main issue with these is that when you get their swatches into Illustrator, they often shift since they aren't using the same color tech as Adobe, so that limits their usefulness as aids.

    Thankfully Adobe has picked up the reins, and the color tools in Live Color—which is accessible from the swatches or control palette—are really stellar. Usage of Live Color is best understood by an example. Let's say you're in palette hell, but you know you need at least five colors to complement each other. You could use a color you like as a starting point for a new scheme:

    Experimenting in a non-teen way.

    Colors can be assigned to specify which ones are locked so that any brand colors or pantones can remain untouched while others move. You can save the resulting palette as a color group (indicated in the Swatches palette by a folder at the left), and once you've assigned these swatches to elements, you can further interactively work on the overall color scheme as a whole within your art:

    Editing the color group within Live Color.

    As you can see by all the sliders, knobs, and buttons, Live Color is very powerful, and nothing is overlooked. There really is only one problem with Live Color: it's not in InDesign as well. I use this often enough now for layouts that I've got Illustrator open when doing pages in InDesign, just to toss color ideas around. It's become pretty invaluable.

    DeviceN color support

    On the technical side of color, Illustrator CS3 now supports DeviceN color space for PostScript 3. You can now place duotone or separated Photoshop images in Illustrator and preserve the file's native color space, so this will mean not needing workarounds for separating complex art in Illustrator.

    Flash integration

    Most of the source material for complex Flash files is likely created in Illustrator, so now that Adobe owns Flash, it's fair to say we'll be seeing more integration between the two programs. Aside from being able to export to a static .swf file, you have the ability to open Illustrator CS3 files directly in Flash (but not the reverse) as well as the ability to create Flash symbols in Illustrator. The major advantage of the latter is that the time spent setting up a stage can be shortened by organizing and naming instances for animation.

    Hit F8 and you are prompted by the familiar Flash symbol creation dialog

    You can set the registration of the object so that reference points for animation/rotation will be made easier. Then you can further assign an instance name for ActionScript events:

    And for text, you can set whether the text field is static, dynamic, or input text.

    Creation of fancy loader graphics just got easier

    Once you have your symbols created, you can import the Illustrator itself directly into the Flash stage:

    With our symbols preserved, we're also given the choice of setting our Flash document bounds to the size of the Illustrator document. Once imported, all the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This whole process is very smooth and, combined with the Isolation mode, is an elegantly implemented means of dealing with symbols in Illustrator. Unfortunately, it stops just short of helping keep art layout centralized within Illustrator since the import process is a one-shot deal. Flash can't reference the imported Illustrator art like After Effects or InDesign references external documents, so this single import is a committed affair. Also, if you paste a symbol into Flash that has the same name, it doesn't prompt you to replace the existing item. This is more of an issue for Flash, but since the relationship between Flash and Illustrator is tight, it would have been nice to see a deeper integration as optional.

    As it stands, this will save some time for sure, but I can't help feeling like the implementation lacks the vision for a truly integrated scheme. But I can't be too hard on the Illustrator team since the Macromedia acquisition is relatively recent, and restructuring development between the two apps isn't a small affair. I'm sure that given Adobe's huge size, just having a casual conversation between departments requires lawyers to consult the water cooler companies about what Monday joke to use.

    Increased drawing performance

    For Intel Mac users, it won't come as much surprise to learn that Illustrator CS3 is significantly faster than running CS2 in Rosetta, but the good news is that Windows users and Mac users with older hardware will also benefit from the upgrade since the drawing engine in Illustrator has been completely overhauled for speedier rendering. The general consensus on the speed increase is that it's 15-30 percent faster, and testing on my first-gen PPC G5 suggests that vague and untestable figure is dead on—give or take a percentage point. But seriously, folks, it does draw a little faster, and if you're on an Intel Mac, the upgrade is a no-brainer. Performance on my MacBook Pro is extremely good, and it is far faster dealing with complex art than on my Dual G5.

    Conclusion

    I guess you can tell by my tone that it's a bit hard to get excited about the Illustrator CS3 upgrade. What it does, it does well enough, but this is a relatively brief review, and yet I've covered pretty much all that's new to Illustrator CS3. I understand that things like the DeviceN and the new rendering engine are significant under-the hood improvements, and these low-level engineering things likely consumed a giant chunk of development time for Illustrator CS3. But faster rendering, improvements to the Control palette, library handling, document presets and Isolation mode (which is a second take at shoddy subgroup handling) feel like someone trying to sell their new, working bladder as something to get excited about. With the exception of Live Color and the new CS3 interface, the What's New section of Adobe Illustrator CS3 documentation reads a bit like a padded résumé, and what's new is not flawlessly executed (crop area and eraser tools). Based on what I have been able to get in plug-ins for a while and years of personal Illustrator use, it's not hard to come up with improvements that would positively affect a broad range of Illustrator users:

  • Ability to select and move multiple Bezier handles at once (from the now-defunct Vector Studio) or at least deal with Bezier handles like anchor points so that transforms can be repeated for path tweaks. This would make the lives of fontographers and people who make logos a lot easier.
  • An updated 3D tool. Implementing something like After Effects' camera-based 3-D rotation would help make 3D scenes that were consistent instead of having to haphazardly try and match perspectives for individual objects in the scene. Also, adding CADTools or SketchUp-like interactive extrusion features would be a much better approach for creating 3D objects within a scene.
  • Maya-style paint selection and paint attribute weights. Think of how great it would be to be able to brush out the amount of envelope effect on a set of anchor points. Since most effects are live, this would be the next logical step.
  • I don't think it's too much to ask that the bar be set a bit higher for what Illustrator should be able to do. With Adobe's buyout of Macromedia, Illustrator has lost its main competitor (Freehand), and I personally fear that this will create a blinder effect for the Illustrator team. The last thing we want is a software ride on the monopoly train to boredom town, à la a here-unnamed layout application made by a company whose name begins with "Q" that is rapidly losing market share. But I digress.

    In conclusion, the Illustrator CS3 upgrade is good but not great. If you spend a significant amount of time in Illustrator, then the Live Color feature alone is a very compelling reason to upgrade. If you're on an older PPC machine, then the drawing performance improvements are also a boon, and Intel Mac users don't need to debate the need to upgrade. But if you buy, just be prepared for less CS3 and more of a CS2.5.

    Pros
  • Live Color is amazing and does far more than a traditional color wheel
  • Faster drawing engine
  • Very fast on Intel Macs
  • Align and distribute works on points now
  • DeviceN color space support
  • Better integration with Flash
  • CS3 interface is clean and well-organized
  • Isolation mode makes subgroup and object editing a lot clearer
  • Cons
  • Meager upgrade; a lot of what's new feels like modernization, not innovation
  • Gray interface option lacks polish
  • Crop area tool lacks customizable presets and options

  • CS3 ‘biggest release in Adobe’s history’ | killexams.com real questions and Pass4sure dumps

  • Post
  • CS3 box shots By merging Macromedia’s old product line with its own applications, creating an Extended version of Photoshop and reviving long-dead video and audio applications for Intel Macs, Adobe’s new Creative Suite 3 has become the largest software rollout in the company’s history.

    Available in the Second and Third Quarters of 2007, the much-anticipated CS3 is composed of 13 stand-alone applications in total:

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  • Photoshop CS3
  • Photoshop CS3 Extended
  • InDesign CS3
  • Illustrator CS3
  • Flash CS3 Professional
  • Dreamweaver CS3
  • After Effects CS3
  • Adobe Acrobat 8 Professional
  • Adobe Contribute CS3
  • Adobe Fireworks CS3
  • Adobe Premiere Pro CS3
  • Adobe Soundbooth CS3
  • Adobe Encore CS3
  • Not to be outdone by Microsoft’s Windows Vista, Adobe has created six configurations of Creative Suite 3:

  • Design Standard – $1,199 – Available Second Quarter 2007 Includes InDesign CS3, Photoshop CS3, Illustrator CS3, Acrobat 8 Professional, Bridge CS3
  • Design Premium – $1,799 – Available Second Quarter 2007 Adds Dreamweaver CS3, Flash CS3 Professional, Photoshop CS3 Extended
  • Web Standard – $999 – Available Second Quarter 2007 Includes Dreamweaver CS3, Flash CS3 Professional, Fireworks CS3, Contribute CS3, Device Central CS3, Bridge CS3, Adobe Stock Photos and Version Cue CS3
  • Web Premium – $1,599 – Available Second Quarter 2007 Adds Illustrator CS3, Acrobat 8 Professional
  • Production Premium – $1,699 – Available Third Quarter 2007 Includes After Effects CS3 Professional, Premiere Pro CS3, Photoshop CS3 Extended, Flash CS3 Professional, Illustrator CS3, Soundbooth CS3, Encore CS3, Device Central CS3 and Bridge CS3
  • Master Collection – $2,499 – Available Third Quarter 2007 Includes all 12 of the applications (it will not include Photoshop CS3 because the inclusion of Photoshop CS3 Extended makes that redundant)
  • Adobe says users will experience increased levels of performance and speed running Creative Suite 3 natively on Intel-based Macintosh systems. And although the majority of CS3 applications will be available as Universal Binaries for both PowerPC and Intel-based Macs, three will be Intel-only: Premiere Pro, Soundbooth and Encore, all of which are part of the Production Premium configuration. Adobe’s other Intel-only Universal application, Photoshop Lightroom, is not included in any of the CS3 configurations.

    The other Photoshop-branded application not a part of CS3 is Photoshop Elements. Adobe is still planning to release version 5.0 for the Macintosh but has set no official timetable. Also still in the cards is an update to GoLive, which Adobe says will be updated in the future but is not a part of the new Creative Suite.

    Adobe is providing a number of upgrade paths for current customers. For more detailed information about features, upgrade policies, pricing, and international versions visit: www.adobe.com/go/creativesuite.


    Adobe buries FreeHand MX | killexams.com real questions and Pass4sure dumps

    Freehand MXAdobe has decided to pull the plug on FreeHand MX, their vectorial application aimed at designers. You’ll still be able to download and use the program but version 11.0.2 will be the last release. As John Nack, developer at Adobe, reveals on his blog, the company will “continue to sell FreeHand MX, and will offer technical and customer support” yet strongly encourage users to make the leap to Adobe Illustrator CS3 by offering an update for $199.

    The decision comes as no surprise considering that FreeHand MX hadn’t been updated for four years. Adobe is pushing users to use their new Creative Suite 3, which has seen a reshuffle in applications. It appears that there wasn’t much room for FreeHand MX anymore, with Illustrator CS3 covering most of the creative design and page production needs of users. Adobe has already set up a number of guides to help users easily migrate from FreeHand MX to Illustrator. Rest in peace, FreeHand.



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    SOA [15 Certification Exam(s) ]
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    ADOBE 9A0-057 Exam (Adobe IIIustrator CS3 ACE) Detailed Information



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