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9A0-043 - Adobe Illustrator CS 2 ACE - Dump Information

Vendor : ADOBE
Exam Code : 9A0-043
Exam Name : Adobe Illustrator CS 2 ACE
Questions and Answers : 67 Q & A
Updated On : February 20, 2019
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9A0-043 Questions and Answers

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9A0-043 Adobe Illustrator CS 2 ACE

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9A0-043 exam Dumps Source : Adobe Illustrator CS 2 ACE

Test Code : 9A0-043
Test Name : Adobe Illustrator CS 2 ACE
Vendor Name : ADOBE
Q&A : 67 Real Questions

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ADOBE Adobe Illustrator CS 2

Adobe CS2 is purchasable for gratis -- form of, might be, not in reality, but completely | killexams.com Real Questions and Pass4sure dumps

Adobe has posted a public CS2 down load page with links to a host of older functions -- the full inventive Suite 2.0, Acrobat pro 8.0, Audition three.0, GoLive CS2, Illustrator CS2, InCopy CS2, Photoshop CS2, Photoshop features four.0/5.0, most effective professional 2.0 -- as neatly because the serial numbers required to activate them.

As soon as the web page become seen, assorted stories appeared recommending what appeared like a fine freebie. but what’s truly going on here? It’s complicated to claim.

First, Adobe’s Dov Isaacs posted a forum message asserting that the enterprise was "completely not featuring free copies of CS2!" interestingly the CS2 activation servers are being terminated, and these builds and serial numbers are meant for current licence holders to use as an alternative.

The enterprise didn’t take the CS2 web page down, though, or add a warning or explanatory message, or do the rest to maintain americans away.

really, Adobe has executed the opposite. in the beginning you necessary to log in by way of your Adobe account to view the download web page; now it's freely obtainable to all and sundry. It seems like the business have approved that there’s no putting the cat back in the bag, and anything the fashioned intention, CS2 is now available for free.

We may discover for bound in tomorrow or two, if Adobe issues a statement or add extra tips to the CS2 down load page which absolutely explains the circumstance.

but if, in the meantime, you are looking to pattern a CS2 utility or two then they’re all able and ready.

You do deserve to take into account the age of those courses, even though. CS2 become launched in 2005, and written for windows 2000 and XP. Even getting the apps put in on a modern laptop can require some work, and there’s no telling what considerations may crop up later.

We managed to efficaciously comprehensive a few installations on home windows 7 x64, though, and have written up the numerous issues we encountered along the manner. try the download pages on artistic Suite 2.0 and Adobe expert eight.0 for greater tips.

image credit score: Denys Shentiapin/Shutterstock


Adobe Illustrator CS3 | killexams.com Real Questions and Pass4sure dumps

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    Adobe Illustrator CS3 manufacturer: AdobeOperating system guide: windows XP SP2, Vista home premium or more suitable, Mac OS X 10.four.8Price: Illustrator CS3 full version: $599; improve from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    standard, the transition to Mac OS X become exceptionally easy, but one of the vital tough durations for professional photo designers become Illustrator 10. this primary native OS X version changed into the poster baby for factors to wait to move to Mac OS X on older hardware, when you consider that everything become glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for bound.  at last, updates made it incrementally sooner, and with version 12, it became eventually zippy enough to run on a primary-gen G5 with out feeling like you were designing in bullet time.

    okay, it wasn't that bad, however Adobe knew it had considerations with the older code; with CS3, they've fully overhauled the drawing engine to get a plenty higher boost and produce an end to any nostalgia for the quick—yet crashy—days of yore. Of path, this replace also comes with well-known Binary Intel Mac guide, a brand new interface, and some things known as "new points" that we will additionally take a glance at. So with out further ado...

    equipment necessitiesMac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.four.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of purchasable tough-disk space (extra free area required during installation)
  • DVD-ROM force
  • windows
  • Intel® Pentium® four, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or appropriate) processor
  • Microsoft® windows® XP with provider Pack 2 or home windows Vista™ home premium, company, optimal, or enterprise (certified for 32-bit variants)
  • 512MB of RAM (1GB suggested)
  • 2GB of obtainable complicated-disk house (extra free space required all through installation)
  • DVD-ROM power
  • note that none of the CS3 functions are sixty four-bit. The Mac edition requires more room on account of the familiar Binary utility format.

    look at various hardwareMacBook seasoned Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.four.9
  • Mac pro 2.sixty six GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.four.9
  • twin G5 2.0 GHz
  • four.5GB RAM
  • Mac OS X 10.four.9
  • Illustrator CS3 interface

    As you may have guessed if you've been following the different CS3 updates, Illustrator CS3 now activities the smooth darker grey palettes and effortless docking scheme and icons viewed in Photoshop and InDesign CS3:

    click on the double arrows to extend the width of the dock to the full docked panel mode

    in this docked mode, the entire panels take a seat linked vertically so that slivers of the computer no longer distract you from between your palettes. It helps isolate your workspace properly, and as become mentioned in our Photoshop review, the new seem is terribly clear and reduces muddle whereas nevertheless supplying you with entry to every little thing you should have at your fingertips, maximizing house usage for those of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me slightly to stop mistaking the Pathfinder icon for the Attributes seeing that both appear to be a Boolean knockout but that was a brief-lived and somewhat unexciting battle.

    while the organizational advantages of the brand new scheme are pretty clear, the main issue with them is that, because you are likely to soar between palettes in Illustrator an awful lot, if you use the connected docked palettes, then they all shift around to the aspect of being a little difficult.

    click for animation

    relocating pursuits don't seem to be a lot fun should you're a quick clicker, in an effort to reduce the shuffle, i exploit a mix of the undocked, unstacked palettes with some docked icons to issues I are not looking for regular access to. but overall the readability of the new interface is a welcome change and makes working on a MacBook seasoned less cramped for bound. if you like an excellent extra consistent and muted workspace to be aware of colour work, AI CS3 now has an alternative to set the interface tone to distinct colors of grey:

    This appears to be an expert app characteristic that i might normally like to see, however in Illustrator, I consider like it be somewhat inconsistently achieved, and the sleekness that you simply're used to with After outcomes or final reduce pro offers approach to a kind of selective paint bucket effect:

    The darkest grey atmosphere with distracting white fields, edges and dialogs that do not mirror the darker gray scheme.

    this is a miles cry from the "welcome to the long run" seem of After outcomes and does a nasty job of being much less predominant. this is the sort of short-and-soiled repair you would expect from a corporation less competent than Adobe. hopefully it will be addressed earlier than the next important improve.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now facets a far better handle palette to supply entry to frequently-used capabilities, which can also be custom-made to superior fit your particular person work circulate:

    in the control palette are a load of contextual alternatives; if you have an anchor aspect selected, you're given a bunch of new choices inside the handle palette:

    apart from being capable of control the anchor point's absolute place (cropped on the right), that you would be able to convert it to a nook aspect/easy aspect, remove it, connect it to an extra conclusion element, divide the route at the factor chosen, or align objects and chosen facets, which is covered in additional depth later.

    if you choose an object with an impact on it, the control Panel presents alternate options for these effects:

    and that is the reason Diebold the Montreal band, now not every person's favorite vote laptop maker

    The outdated generation of the manage palette had some of these alternatives (the classification alternatives are generally unchanged from CS2) but didn't go as far as CS3 does in having a one-cease enviornment for the contextual control. My handiest gripe concerning the control palette is that the align alternate options nonetheless do not include the distribute options, which is what I reach for half the time I open the Align palette. otherwise, it's well notion out and makes first rate use of the space. Illustrator is the form of application that, if poorly notion out, could devour means too a good deal house with its palettes and manage. fortuitously, CS3 does what it will probably to be potent, customizable and clear.

    document profiles

    truly a great addition, Illustrator now has template profiles that demonstrate up at once within the new files dialog, making it more convenient to create an internet, print, or video document with ordinary parameters for distinctive working scenarios.

    within those alternatives, there are suboptions for color mode, rasterization resolution, and environment pixel/overprint preview modes to be on via default, as well as transparency grid settings. note that there is still no nonsquare pixel preview alternative for video documents.

    if you should have a custom structure, you could make a brand new doc, and once you reserve it to the new documents Profiles folder, it turns into instantly available within the New documents dialog.

    My unfold format seems in the New document Profile area. For some reason, it rounds the 2d decimal vicinity and leaves the third out, even concept it preserves the specific 10.875” top in the document. someplace there is a .05 of an inch floating round a black hole.

    All in all, other than the brand new CS3 interface panels and docking scheme, or not it's a bit challenging to get excited in regards to the interface and doc preset/customization alternatives new to Illustrator CS3. they're long late, and that i've had a plug-in for years that let me save palette positions. this is in reality a case of catching as much as what's been fairly normal for knowledgeable portraits app for ages now.

    device upgrades

    the majority of time spent in Illustrator isn't continually with filters; it be constantly spent simply coping with paths and tweaking, so CS3 hopes to make working extra efficient by means of upgrading the fundamentals—the first of which is anchor element highlighting and making a choice on. The older models of Illustrator used to prefer anchor points in keeping with stacking order as opposed to proximity to the cursor, which is now fixed. deciding upon is additionally made simpler through highlighting the anchor features and paths as you mouse over them—paths are indicated by means of a black square next to the arrow and anchor facets are indicated by a white rectangular.

    click for animation

    As that you can inform by using the animation, this makes working with advanced paths a lot less demanding, and it reduces a lot of redundant option trying to get to the anchor facets you just are looking to deal with. you can further customise the behavior of this within the application's Preferences:

    For such an easy trade, the new anchor point managing definitely adds a whole lot.

    yet another element that will truly please avid Illustrator users is the capability to align and distribute chosen aspects, now not simply objects. choose any assorted anchor points and watch in ask yourself because the hamsters interior Illustrator CS3 busily prepare the elements in the event you click align:

    click on for animation

    it be basically a fine addition, however here is an additional thing that simply makes sense to have, and clients of the venerable FilterIt plug-in have had this capability for ages now. bound, or not it's no longer exactly reasonable to say utility is never comprehensive if it would not have the equal third celebration plug-in already put in, however aligning selected elements is this sort of fundamental component for Illustrator that it's form of shocking it's taken 13 versions for it to make it into the app. clearly FilterIt become just filling a simple want right here, and it had the brought expertise of being a device invoked with the aid of a keyboard shortcut; whatever thing you can't do with the align alternatives in AI CS3. nevertheless, for customary Illustrator use, here is a huge plus, so I can't complain.

    Isolation mode

    a big improvement in illustrator CS3 is its managing of objects and groups/subgroups within the "I think he can be depressed"-named Isolation mode. if you had a gaggle of objects and within those you had subgroups, older models of Illustrator weren't very decent at dealing certainly with this, so CS3 has cleaned up the total method and makes dealing with subgroups painless.

    A mask group is double-clicked to edit the contents of the masks. click on for animation.

    Checking the precise of the window indicates what degree you are in in the corporations:

    This isolation mode menu is doubtless typical to Flash clients, and if you happen to've created Flash-in a position symbols, this modifying hierarchy works a great deal the equal as in Flash. once you've edited one of those symbols within the Isolation mode, the others update for this reason. Isolation mode general is ultimately a great scheme for coping with many subgroups, and it's going to assist certainly control greater illustrations.

    Eraser tool

    it would appear pretty primary to have an erase tool in Illustrator, but vectors are greater advanced than just masking some pixels, so it's relatively understandable that it be new. In older edition of Illustrator, if you desired to cut a flowing brush stroke out of a letter for an emblem, it become a multistep process: make a brush stroke over some outlined text with a customized brush, flatten the path so it was outlined, and then do a entrance-minus-lower back Boolean operation in the Pathfinder palette. pretty simple in itself, but when you beginning so as to add layers and organizations to this, it gets complicated. In AI CS3, the eraser tool allows you to try this in one brush stroke—whereas respecting objects on distinct layers and any present outcomes:

    or not it's additionally fairly sweet for making rounded trims that have a greater organic believe.

    in case you hold down choice/alt, the eraser turns into a square marquee selection that subtracts a rectangle from objects.

    but the eraser tool would not work continuously. if you go over a stroked object, you will get combined effects:

    also, it doesn't do graphic masks, so you probably have a posh illustration, these two barriers will force a little of a workaround by using outlining all strokes. it could have been excellent if the eraser tool had this as an automatic alternative.

    Crop area tool

    whereas Illustrator already contains the capacity to make crop marks for printing output, CS3 now provides a crop tool function it is used greater like a slice however with subtly diverse usage, and in contrast to slices, distinct crop areas (created through option dragging with the device energetic) don't chew into different crop areas. they are like visual workspaces, and for issues like packaging, the place it can also be a little difficult to check what one fold may additionally appear to be, it makes brief work of previewing that part in context:

    My EP art cropped to the entrance face.

    The ancient means become to make 4 white bins around your workspace so you might get a think for what the cropped artwork would appear to be. It was relatively ghetto and a big waste of time. also, that you may straight make a crop area round selected objects. These crop areas can then be used as slices for retailer for net, document bounds for PDF export, or as reference frames for alignment and distribution, so it in reality has the expertise to save work.

    but, in what's starting to sound a bit repetitive, the crop device is just shy of being polished. while it works properly as a preview for cropped documents, you can not create your own presets, which appears to fly within the face of AI CS3's whole empowering of the person. I do these techno vinyl sleeves a great deal, and seeing this lengthy listing of video alternatives after I simply need a 12"x12" preview crop for the entrance and the again is a bit of stressful:

    My kingdom for a vinyl cowl and single page of our magazine preset

    On precise of that, crop areas cannot be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas didn't use bleed or crop marks. creation of the packing containers is finicky, too: they cannot be choice-dragged like slices, and copying and pasting between sizes in files is inconsistent and frustrating. For the crop device to be definitely brilliant, it could have the customizable presets of document profiles and the ability to have an InDesign-like one hundred percent opaque trim preview. As is, it be an honest tool for art with dissimilar intended outputs (DVD interface, company card, and so forth.), however's needlessly confined.

    stronger colour elements

    except you are goth, then you definitely're probably the usage of color in Illustrator, and alterations to colour aspects are prone to have an effect on non-vampire experts. New in Illustrator CS3 is the potential so as to add a bunch of color swatches from chosen objects.

    The resulting swatches are immediately grouped into the brand new color organizations in the swatches palette:

    opt for all and colours from the option are brought to a newly created color community.

    it's a real time-saver and for maniacs that work with huge Laura Ashley-esque palettes, your lives are about to get less complicated, if a bit too floral.

    live color

    by means of a long way the greatest new function in Illustrator CS3 are the new colour dealing with tools in reside color. any person who works in color probably spends a good portion of their time attempting to discover palettes that work collectively. here is less demanding said than done, and except you are Matisse or Warhol, this system can basically slow you down. in the past, after I've discovered myself in a pinch for a very good colour scheme, I've used third-celebration utilities or color pickers, however the leading concern with these is that should you get their swatches into Illustrator, they commonly shift given that they aren't using the same colour tech as Adobe, so that limits their usefulness as aids.

    fortuitously Adobe has picked up the reins, and the color tools in live color—which is accessible from the swatches or manage palette—are in reality stellar. usage of live colour is most efficient understood through an instance. let's say you are in palette hell, however you recognize you want at least five colorings to enhance every different. You may use a colour you love as a place to begin for a new scheme:

    Experimenting in a non-teen method.

    shades will also be assigned to specify which ones are locked in order that any manufacturer shades or pantones can stay untouched while others circulation. you could shop the resulting palette as a color neighborhood (indicated within the Swatches palette via a folder on the left), and when you've assigned these swatches to facets, that you can additional interactively work on the average colour scheme as an entire inside your art:

    enhancing the color group inside are living colour.

    As you can see through all of the sliders, knobs, and buttons, reside color is terribly potent, and nothing is neglected. There definitely is only one difficulty with reside colour: it be not in InDesign as smartly. i use this frequently ample now for layouts that I've obtained Illustrator open when doing pages in InDesign, simply to toss color concepts round. it be become pretty precious.

    DeviceN color assist

    On the technical side of color, Illustrator CS3 now supports DeviceN colour space for PostScript three. you can now vicinity duotone or separated Photoshop images in Illustrator and hold the file's native colour space, so this will imply now not needing workarounds for setting apart complicated artwork in Illustrator.

    Flash integration

    lots of the source material for advanced Flash information is likely created in Illustrator, so now that Adobe owns Flash, it's reasonable to assert we will be seeing greater integration between the two courses. aside from being able to export to a static .swf file, you have got the means to open Illustrator CS3 data without delay in Flash (but no longer the reverse) as neatly because the means to create Flash symbols in Illustrator. The fundamental capabilities of the latter is that the time spent establishing a stage can be shortened with the aid of organizing and naming circumstances for animation.

    Hit F8 and you are triggered by way of the widespread Flash symbol creation dialog

    you can set the registration of the item so that reference elements for animation/rotation will be made simpler. Then that you could additional assign an illustration name for ActionScript events:

    And for textual content, which you could set even if the textual content field is static, dynamic, or enter textual content.

    introduction of fancy loader portraits simply bought less demanding

    upon getting your symbols created, that you would be able to import the Illustrator itself at once into the Flash stage:

    With our symbols preserved, we're additionally given the alternative of surroundings our Flash doc bounds to the measurement of the Illustrator doc. once imported, all the layers are preserved, and the names are intact:

    The artwork is preserved with transparency intact

    This complete procedure is very easy and, combined with the Isolation mode, is an elegantly implemented means of coping with symbols in Illustrator. sadly, it stops simply in need of assisting keep artwork design centralized inside Illustrator due to the fact the import technique is a one-shot deal. Flash can't reference the imported Illustrator art like After effects or InDesign references exterior files, so this single import is a dedicated affair. also, in case you paste an emblem into Flash that has the identical identify, it does not immediate you to exchange the present item. here's greater of a controversy for Flash, however because the connection between Flash and Illustrator is tight, it would were great to look a deeper integration as non-compulsory.

    because it stands, this could save some time for bound, however I can't support feeling like the implementation lacks the imaginative and prescient for a truly integrated scheme. but I can not be too challenging on the Illustrator group seeing that the Macromedia acquisition is comparatively recent, and restructuring construction between both apps is never a small affair. i am bound that given Adobe's big measurement, just having a casual conversation between departments requires attorneys to check with the water cooler agencies about what Monday comic story to use.

    elevated drawing efficiency

    For Intel Mac clients, it won't come as an awful lot surprise to be taught that Illustrator CS3 is tremendously sooner than operating CS2 in Rosetta, however the first rate information is that home windows clients and Mac users with older hardware will also improvement from the upgrade considering the drawing engine in Illustrator has been fully overhauled for quicker rendering. The regularly occurring consensus on the velocity enhance is that or not it's 15-30 p.c sooner, and testing on my first-gen PPC G5 suggests that indistinct and untestable determine is lifeless on—supply or take a percentage point. however critically, folks, it does draw a bit sooner, and when you are on an Intel Mac, the upgrade is a no brainer. efficiency on my MacBook pro is extremely first rate, and it is much quicker coping with advanced artwork than on my twin G5.

    Conclusion

    I wager you can inform by my tone that it be a bit difficult to get excited about the Illustrator CS3 upgrade. What it does, it does well adequate, but here is a relatively quick evaluation, and yet I've covered pretty a lot all it truly is new to Illustrator CS3. I understand that things just like the DeviceN and the brand new rendering engine are tremendous beneath-the hood advancements, and these low-stage engineering things seemingly consumed a large chunk of building time for Illustrator CS3. however quicker rendering, advancements to the manage palette, library coping with, document presets and Isolation mode (which is a 2nd take at shoddy subgroup dealing with) consider like someone trying to promote their new, working bladder as anything to get excited about. apart from are living colour and the new CS3 interface, the What's New section of Adobe Illustrator CS3 documentation reads just a little like a padded résumé, and what's new is not flawlessly carried out (crop area and eraser tools). in keeping with what I actually have been able to get in plug-ins for a long time and years of personal Illustrator use, or not it's no longer difficult to come up with improvements that could positively affect a wide latitude of Illustrator users:

  • means to opt for and flow distinct Bezier handles at once (from the now-defunct Vector Studio) or at least cope with Bezier handles like anchor features so that transforms may also be repeated for path tweaks. This would make the lives of fontographers and individuals who make logos a lot easier.
  • An up to date 3D tool. imposing whatever like After consequences' camera-based mostly three-D rotation would assist make 3D scenes that were consistent instead of having to haphazardly are trying and healthy views for individual objects within the scene. additionally, adding CADTools or SketchUp-like interactive extrusion elements could be a better approach for developing 3D objects within a scene.
  • Maya-fashion paint option and paint attribute weights. consider of how tremendous it would be to be capable of brush out the volume of envelope impact on a set of anchor points. since most effects are live, this could be the nextlogical step.
  • I do not consider it be too plenty to ask that the bar be set a little greater for what Illustrator may still be in a position to do. With Adobe's buyout of Macromedia, Illustrator has misplaced its leading competitor (Freehand), and that i individually worry that this may create a blinder effect for the Illustrator team. The last component we want is a application trip on the monopoly teach to boredom town, à la a here-unnamed design software made with the aid of an organization whose name starts with "Q" that is hastily losing market share. but I digress.

    In conclusion, the Illustrator CS3 improve is respectable however not extremely good. if you spend a major period of time in Illustrator, then the live color feature by myself is a extremely compelling intent to upgrade. when you are on an older PPC laptop, then the drawing performance advancements are additionally a boon, and Intel Mac clients don't need to debate the need to upgrade. but if you purchase, simply be prepared for less CS3 and more of a CS2.5.

    professionals
  • reside color is spectacular and does excess of a normal color wheel
  • faster drawing engine
  • Very quick on Intel Macs
  • Align and distribute works on aspects now
  • DeviceN colour area aid
  • more desirable integration with Flash
  • CS3 interface is clear and well-equipped
  • Isolation mode makes subgroup and object editing lots clearer
  • Cons
  • Meager improve; a lot of what's new appears like modernization, no longer innovation
  • gray interface choice lacks polish
  • Crop area device lacks customizable presets and alternatives

  • Adobe Illustrator CS2 - upgrade equipment | killexams.com Real Questions and Pass4sure dumps

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    Adobe Illustrator CS 2 ACE

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    12 Beginner Tutorials for Getting Started with Adobe Illustrator | killexams.com real questions and Pass4sure dumps

    Adobe Illustrator, the industry-standard vector graphics application, is the tool you use when you need flexible, scalable vector graphics such as logos and artwork that will be printed in various formats, mediums and sizes.

    Illustrator's huge array of digital drawing features makes it a favorite amongst illustrators and print designers, but for those just starting out, the application can be intimidating. To help set you on your path to Illustrator mastery, here are some great beginner-level Illustrator tutorials that cover the fundamental tools and techniques.

    If you have tips for aspiring Illustrator pros, share them in the comments below.

    First thing's first: You need to familiarize yourself with Illustrator's graphical user interface. This quick and easy-to-read tutorial talks about Illustrator's workspace, pointing to areas such as the Tools panel, the Status bar, the Artboard where you craft your vectors, and so on. It also touches upon how to create your first Illustrator document, as well as the different items you can find within the Tools panel.

    The primary drawing feature of Illustrator is the Pen tool. If you have aspirations of becoming an Illustrator ninja, you'll need to have a strong command of this tool. This Illustrator tutorial from Vectortuts+ (a leading vector graphics tutorial site) covers all the things you need to know about this powerful, but oftentimes daunting, tool.

    The tutorial covers the concept of Bezier curves, which are used to draw shapes with smooth curves, the need-to-know keyboard shortcuts, and even provides a practice sheet that you can download and import into Illustrator to help you practice your vector-drawing skills.

    The Blend command is deceptively simple in function. It takes two or more shapes or colors, and then blends them together smoothly. But as this Illustrator tutorial will show you, the Blend command is a very effective feature for crafting stunning graphics effects quickly and easily.

    Live Trace, which appeared in Adobe Illustrator CS2, is a game-changer. Before Live Trace, an artist sketching an art piece using pen/pencil and paper would have to scan their work into Illustrator, then spend hours manually tracing it with the Pen tool and other Illustrator functions.

    When Live Trace was introduced, this process was made simpler through automation, saving you precious hours. From sketch drawings to photographs that need to be converted to vector graphics — Live Trace is an excellent option to try. This tutorial goes over the process of using Live Trace by using a stock headshot photo, discussing how to execute Live Trace, the various options, as well as showing off a handful of examples of where Live Trace has been used in existing artworks.

    Illustrator is also a popular graphics application for print designers. From logos, business cards, and brochures, all the way up to posters and large billboards, Illustrator can help you make flexible and scalable designs.

    A big part of print design is quite obviously text. This Illustrator tutorial will help you begin to explore the Type tool. It covers ways you can set text on vector paths for unconventional text flows, talks about the associated panels such as the Character and Paragraph panel, and provides useful keyboard shortcuts.

    Using patterns allows you to make repeating graphics. Experimenting with patterns can lead to excellent artwork that looks like it took days to complete.

    Creating custom pattern brushes and applying them to vector shapes is covered in this Illustrator tutorial.

    Effects in Illustrator allow you to add all sorts of wonderful graphic treatments to your artwork. From applying 3D effects to creating faux colored pencil looks, this set of Illustrator features will let you rapidly enhance your work with a few clicks of the mouse.

    If you'd like to discover the abilities of Illustrator effects, check out the above tutorial, which discusses various processes — such as Roughen and Scribble — as well as the Appearance panel, which allows you to modify applied effects, among other helpful tips.

    The Gradient panel in Illustrator is a wonderful feature for applying color and pattern gradients to your work. Gradients allow you to stylize your graphics such that they have smoothly blended fills or strokes.

    Learn everything you need to know to get started with gradients from this tutorial, which discusses topics like applying gradients, modifying the angle and direction of the gradients, saving gradient swatches, and more.

    In Photoshop, a sibling of Illustrator, strokes (creating an outline around the edge of an object) seem like an afterthought. But in Illustrator, where your vector paths take center stage, the stroke feature is very important to master.

    This Adobe Illustrator tutorial covers the use of the Stroke panel in creating vector objects.

    The Pathfinder panel is a popular time saving feature for working with shapes and paths. This panel is a collection of commands that allow you to unite, divide, and subtract two or more shapes, among other functions. Utilizing these commands gives you the ability to draw complex vector graphics using basic shape tools.

    Learn how to use the Pathfinder panel with this excellent Illustrator tutorial.

    Don't have a steady hand? Having trouble drawing shapes that align with one another? Smart guides give you snapping features that will enable you to draw objects more accurately.

    Explore the fundamentals of Illustrator's smart guides through this beginner-friendly tutorial.

    Brushes in Illustrator are a quick way to save objects that you will reuse later in your projects. Art brushes, for example, take a vector object that you've drawn and allow you to then apply those objects later as strokes or fills of other vectors.

    In this step-by-step guide, you will discover the awesomeness of custom brushes in Illustrator.

    These 12 tutorials will set you on your path to Illustrator mastery. If you’ve had success with other tutorials not on this list, let us know about them in the comments below.

    More Dev & Design Resources from Mashable:

    - 40+ Web Design and Development Resources for Beginners- 10 Free and Fun Twitter Bird Icons for your Website- 11 Ways to Speed Up WordPress- 10 Free Wireframing Tools for Designers- 10 Beautiful Free Hand-Drawn Icon Sets


    Adobe Illustrator CS3 | killexams.com real questions and Pass4sure dumps

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  • The poster child

    Adobe Illustrator CS3 Manufacturer: AdobeOperating system support: Windows XP SP2, Vista Home Premium or better, Mac OS X 10.4.8Price: Illustrator CS3 full version: $599; upgrade from Illustrator 10, CS, CS2, CorelDraw, Freehand 9, 10, or MX: $199 (shop for Illustrator CS3)

    Overall, the transition to Mac OS X was relatively smooth, but one of the rough periods for professional graphic designers was Illustrator 10. This first native OS X version was the poster child for reasons to wait to move to Mac OS X on older hardware, since everything was glacially slow compared to Illustrator 9 on OS 9. This wasn't all Adobe's fault, and there were worse culprits for sure.  Eventually, updates made it incrementally faster, and with version 12, it was finally zippy enough to run on a first-gen G5 without feeling like you were designing in bullet time.

    Okay, it wasn't that bad, but Adobe knew it had issues with the older code; with CS3, they've completely overhauled the drawing engine to get a much larger boost and bring an end to any nostalgia for the speedy—yet crashy—days of yore. Of course, this update also comes with Universal Binary Intel Mac support, a new interface, and some things called "new features" that we'll also take a look at. So without further ado...

    System requirements Mac OS X
  • PowerPC® G4 or G5 or Intel processor (single or multicore)
  • Mac OS X v.10.4.8
  • 512MB of RAM (1GB recommended)
  • 2.5GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Windows
  • Intel® Pentium® 4, Intel Centrino®, Intel Xeon®, or Intel Core™ Solo/Duo (or compatible) processor
  • Microsoft® Windows® XP with Service Pack 2 or Windows Vista™ Home Premium, Business, Ultimate, or Enterprise (certified for 32-bit editions)
  • 512MB of RAM (1GB recommended)
  • 2GB of available hard-disk space (additional free space required during installation)
  • DVD-ROM drive
  • Note that none of the CS3 applications are 64-bit. The Mac version requires more space because of the Universal Binary application format.

    Test hardware MacBook Pro Core Duo 2.0 GHz
  • 2GB RAM
  • Mac OS X 10.4.9
  • Mac Pro 2.66 GHz Quad Xeon
  • 3GB RAM
  • Mac OS X 10.4.9
  • Dual G5 2.0 GHz
  • 4.5GB RAM
  • Mac OS X 10.4.9
  • Illustrator CS3 interface

    As you might have guessed if you've been following the other CS3 updates, Illustrator CS3 now sports the smooth darker gray palettes and handy docking scheme and icons seen in Photoshop and InDesign CS3:

    Click the double arrows to expand the width of the dock to the full docked panel mode

    In this docked mode, all the panels sit linked vertically so that slivers of the desktop no longer distract you from between your palettes. It helps isolate your workspace nicely, and as was noted in our Photoshop review, the new look is very clean and reduces clutter while still giving you access to everything you need to have at your fingertips, maximizing space usage for those of us who do a lot of work on our laptops. The icons themselves are very clear, and most take little work to internalize their meaning. It took me a bit to stop mistaking the Pathfinder icon for the Attributes since both look like a Boolean knockout but that was a short-lived and rather unexciting battle.

    While the organizational benefits of the new scheme are pretty clear, the main problem with them is that, because you tend to jump between palettes in Illustrator a lot, if you use the attached docked palettes, then they all shift around to the point of being a bit confusing.

    Click for animation

    Moving targets are not much fun when you're a fast clicker, so to minimize the shuffle, I use a mix of the undocked, unstacked palettes with some docked icons to things I don't need constant access to. But overall the clarity of the new interface is a welcome change and makes working on a MacBook Pro less cramped for sure. If you like an even more consistent and muted workspace to concentrate on color work, AI CS3 now has an option to set the interface tone to different shades of gray:

    This seems to be a professional app feature that I'd normally like to see, but in Illustrator, I feel like it's a bit inconsistently executed, and the sleekness that you're used to with After Effects or Final Cut Pro gives way to a sort of selective paint bucket effect:

    The darkest gray setting with distracting white fields, edges and dialogs that don't reflect the darker gray scheme.

    That's a far cry from the "welcome to the future" look of After Effects and does a bad job of being less predominant. This is the sort of quick-and-dirty fix you'd expect from a company less competent than Adobe. Hopefully it will be addressed before the next major upgrade.

    Customizable control palette

    Taking notes from InDesign, Illustrator CS3 now features a more robust Control palette to give access to often-used functions, which can be customized to better suit your individual work flow:

    Within the Control palette are a load of contextual options; when you have an anchor point selected, you are given a bunch of new choices within the control palette:

    Aside from being able to control the anchor point's absolute position (cropped at the right), you can convert it to a corner point/smooth point, remove it, connect it to another end point, divide the path at the point selected, or align objects and selected points, which is covered in more depth later.

    When you select an object with an effect on it, the Control Panel presents options for those effects:

    And that's Diebold the Montreal band, not everyone's favorite vote machine maker

    The previous iteration of the Control palette had some of these options (the Type options are largely unchanged from CS2) but didn't go as far as CS3 does in having a one-stop area for the contextual control. My only gripe about the Control palette is that the align options still don't include the distribute options, which is what I reach for half the time I open the Align palette. Otherwise, it's well thought out and makes good use of the space. Illustrator is the kind of program that, if poorly thought out, could consume way too much space with its palettes and control. Thankfully, CS3 does what it can to be powerful, customizable and clean.

    Document profiles

    Definitely a welcome addition, Illustrator now has template profiles that show up directly in the new documents dialog, making it easier to create a web, print, or video document with common parameters for different working scenarios.

    Within those options, there are suboptions for color mode, rasterization resolution, and setting pixel/overprint preview modes to be on by default, as well as transparency grid settings. Note that there is still no nonsquare pixel preview option for video documents.

    If you need to have a custom format, you can make a new document, and once you save it to the New Documents Profiles folder, it becomes instantly accessible in the New Documents dialog.

    My spread format appears in the New Document Profile section. For some reason, it rounds the second decimal place and leaves the third out, even thought it preserves the actual 10.875” height in the document. Somewhere there's a .05 of an inch floating around a black hole.

    All in all, aside from the new CS3 interface panels and docking scheme, it's a little hard to get excited about the interface and document preset/customization options new to Illustrator CS3. They are long overdue, and I've had a plug-in for years that let me save palette positions. This is definitely a case of catching up to what's been pretty standard for a professional graphics app for a while now.

    Tool upgrades

    The majority of time spent in Illustrator isn't usually with filters; it's usually spent just dealing with paths and tweaking, so CS3 hopes to make working more efficient by upgrading the basics—the first of which is anchor point highlighting and picking. The older versions of Illustrator used to pick anchor points based on stacking order as opposed to proximity to the cursor, which is now fixed. Picking is also made easier by highlighting the anchor points and paths as you mouse over them—paths are indicated by a black square next to the arrow and anchor points are indicated by a white square.

    Click for animation

    As you can tell by the animation, this makes working with complex paths a lot easier, and it reduces a lot of redundant selection trying to get to the anchor points you just want to deal with. You can further customize the behavior of this in the application's Preferences:

    For such a simple change, the new anchor point handling really adds a lot.

    Another thing that will definitely please avid Illustrator users is the ability to align and distribute selected points, not just objects. Select any multiple anchor points and watch in wonder as the hamsters inside Illustrator CS3 busily arrange the points when you click align:

    Click for animation

    It's definitely a great addition, but this is another thing that just makes sense to have, and users of the venerable FilterIt plug-in have had this ability for a while now. Sure, it's not exactly fair to say software isn't complete if it doesn't have the equivalent third party plug-in already installed, but aligning selected points is such a basic thing for Illustrator that it's kind of shocking it's taken 13 versions for it to make it into the app. Clearly FilterIt was just filling a basic need here, and it had the added advantage of being a tool invoked by a keyboard shortcut; something you can't do with the align options in AI CS3. Still, for everyday Illustrator use, this is a big plus, so I can't complain.

    Isolation mode

    A significant improvement in illustrator CS3 is its handling of objects and groups/subgroups in the "I think he might be depressed"-named Isolation mode. If you had a group of objects and within those you had subgroups, older versions of Illustrator weren't very good at dealing clearly with this, so CS3 has cleaned up the whole process and makes dealing with subgroups painless.

    A mask group is double-clicked to edit the contents of the mask. Click for animation.

    Checking the top of the window indicates what level you are in within the groups:

    This isolation mode menu is probably familiar to Flash users, and when you've created Flash-ready symbols, this editing hierarchy works much the same as in Flash. Once you've edited one of these symbols in the Isolation mode, the others update accordingly. Isolation mode overall is finally an effective scheme for dealing with many subgroups, and it's going to help clearly manage larger illustrations.

    Eraser tool

    It would seem pretty simple to have an erase tool in Illustrator, but vectors are more complicated than just masking some pixels, so it is pretty understandable that it's new. In older version of Illustrator, if you wanted to cut a flowing brush stroke out of a letter for a logo, it was a multistep process: make a brush stroke over some outlined text with a custom brush, flatten the path so it was outlined, and then do a front-minus-back Boolean operation in the Pathfinder palette. Pretty straightforward in itself, but when you start to add layers and groups to this, it gets complicated. In AI CS3, the eraser tool lets you do this in one brush stroke—while respecting objects on multiple layers and any existing effects:

    It's also pretty sweet for making rounded trims that have a more organic feel.

    If you hold down option/alt, the eraser becomes a square marquee selection that subtracts a rectangle from objects.

    But the eraser tool doesn't work consistently. If you go over a stroked object, you will get mixed results:

    Also, it doesn't do image masks, so if you have a complex illustration, these two limitations will force a bit of a workaround by outlining all strokes. It would have been nice if the eraser tool had this as an automatic option.

    Crop area tool

    While Illustrator already includes the ability to make crop marks for printing output, CS3 now adds a crop tool feature that is used more like a slice but with subtly different usage, and unlike slices, multiple crop areas (created by option dragging with the tool active) do not bite into other crop areas. They're like visual workspaces, and for things like packaging, where it can be a little hard to envision what one fold may look like, it makes short work of previewing that part in context:

    My EP art cropped to the front face.

    The old way was to make four white boxes around your workspace so you could get a feel for what the cropped art would look like. It was pretty ghetto and a big waste of time. Also, you can instantly make a crop area around selected objects. These crop areas can then be used as slices for Save for Web, document bounds for PDF export, or as reference frames for alignment and distribution, so it definitely has the potential to save work.

    But, in what is beginning to sound a little repetitive, the crop tool is just shy of being polished. While it works nicely as a preview for cropped documents, you can't create your own presets, which seems to fly in the face of AI CS3's whole empowering of the user. I do these techno vinyl sleeves a lot, and seeing this long list of video options when I just want a 12"x12" preview crop for the front and the back is a bit annoying:

    My kingdom for a vinyl cover and single page of our magazine preset

    On top of that, crop areas can't be promoted to slices, you can't adjust the color or the opacity of the overlay, and PDFs exported with the cropped areas failed to use bleed or crop marks. Creation of the boxes is finicky, too: they can't be option-dragged like slices, and copying and pasting between sizes in documents is inconsistent and frustrating. For the crop tool to be truly great, it would have the customizable presets of document profiles and the ability to have an InDesign-like 100 percent opaque trim preview. As is, it's a decent tool for art with multiple intended outputs (DVD interface, business card, etc.), but it's needlessly limited.

    Enhanced color features

    Unless you're goth, then you're likely using color in Illustrator, and changes to color features are likely to affect non-vampire professionals. New in Illustrator CS3 is the ability to add a bunch of color swatches from selected objects.

    The resulting swatches are automatically grouped into the new Color Groups in the swatches palette:

    Select all and colors from the selection are added to a newly created Color Group.

    It's a real time-saver and for maniacs that work with giant Laura Ashley-esque palettes, your lives are about to get easier, if a little too floral.

    Live Color

    By far the biggest new feature in Illustrator CS3 are the new color handling tools in Live Color. Anyone who works in color probably spends a good portion of their time trying to find palettes that work together. This is easier said than done, and unless you're Matisse or Warhol, this process can really slow you down. In the past, when I've found myself in a pinch for a good color scheme, I've used third-party utilities or color pickers, but the main issue with these is that when you get their swatches into Illustrator, they often shift since they aren't using the same color tech as Adobe, so that limits their usefulness as aids.

    Thankfully Adobe has picked up the reins, and the color tools in Live Color—which is accessible from the swatches or control palette—are really stellar. Usage of Live Color is best understood by an example. Let's say you're in palette hell, but you know you need at least five colors to complement each other. You could use a color you like as a starting point for a new scheme:

    Experimenting in a non-teen way.

    Colors can be assigned to specify which ones are locked so that any brand colors or pantones can remain untouched while others move. You can save the resulting palette as a color group (indicated in the Swatches palette by a folder at the left), and once you've assigned these swatches to elements, you can further interactively work on the overall color scheme as a whole within your art:

    Editing the color group within Live Color.

    As you can see by all the sliders, knobs, and buttons, Live Color is very powerful, and nothing is overlooked. There really is only one problem with Live Color: it's not in InDesign as well. I use this often enough now for layouts that I've got Illustrator open when doing pages in InDesign, just to toss color ideas around. It's become pretty invaluable.

    DeviceN color support

    On the technical side of color, Illustrator CS3 now supports DeviceN color space for PostScript 3. You can now place duotone or separated Photoshop images in Illustrator and preserve the file's native color space, so this will mean not needing workarounds for separating complex art in Illustrator.

    Flash integration

    Most of the source material for complex Flash files is likely created in Illustrator, so now that Adobe owns Flash, it's fair to say we'll be seeing more integration between the two programs. Aside from being able to export to a static .swf file, you have the ability to open Illustrator CS3 files directly in Flash (but not the reverse) as well as the ability to create Flash symbols in Illustrator. The major advantage of the latter is that the time spent setting up a stage can be shortened by organizing and naming instances for animation.

    Hit F8 and you are prompted by the familiar Flash symbol creation dialog

    You can set the registration of the object so that reference points for animation/rotation will be made easier. Then you can further assign an instance name for ActionScript events:

    And for text, you can set whether the text field is static, dynamic, or input text.

    Creation of fancy loader graphics just got easier

    Once you have your symbols created, you can import the Illustrator itself directly into the Flash stage:

    With our symbols preserved, we're also given the choice of setting our Flash document bounds to the size of the Illustrator document. Once imported, all the layers are preserved, and the names are intact:

    The art is preserved with transparency intact

    This whole process is very smooth and, combined with the Isolation mode, is an elegantly implemented means of dealing with symbols in Illustrator. Unfortunately, it stops just short of helping keep art layout centralized within Illustrator since the import process is a one-shot deal. Flash can't reference the imported Illustrator art like After Effects or InDesign references external documents, so this single import is a committed affair. Also, if you paste a symbol into Flash that has the same name, it doesn't prompt you to replace the existing item. This is more of an issue for Flash, but since the relationship between Flash and Illustrator is tight, it would have been nice to see a deeper integration as optional.

    As it stands, this will save some time for sure, but I can't help feeling like the implementation lacks the vision for a truly integrated scheme. But I can't be too hard on the Illustrator team since the Macromedia acquisition is relatively recent, and restructuring development between the two apps isn't a small affair. I'm sure that given Adobe's huge size, just having a casual conversation between departments requires lawyers to consult the water cooler companies about what Monday joke to use.

    Increased drawing performance

    For Intel Mac users, it won't come as much surprise to learn that Illustrator CS3 is significantly faster than running CS2 in Rosetta, but the good news is that Windows users and Mac users with older hardware will also benefit from the upgrade since the drawing engine in Illustrator has been completely overhauled for speedier rendering. The general consensus on the speed increase is that it's 15-30 percent faster, and testing on my first-gen PPC G5 suggests that vague and untestable figure is dead on—give or take a percentage point. But seriously, folks, it does draw a little faster, and if you're on an Intel Mac, the upgrade is a no-brainer. Performance on my MacBook Pro is extremely good, and it is far faster dealing with complex art than on my Dual G5.

    Conclusion

    I guess you can tell by my tone that it's a bit hard to get excited about the Illustrator CS3 upgrade. What it does, it does well enough, but this is a relatively brief review, and yet I've covered pretty much all that's new to Illustrator CS3. I understand that things like the DeviceN and the new rendering engine are significant under-the hood improvements, and these low-level engineering things likely consumed a giant chunk of development time for Illustrator CS3. But faster rendering, improvements to the Control palette, library handling, document presets and Isolation mode (which is a second take at shoddy subgroup handling) feel like someone trying to sell their new, working bladder as something to get excited about. With the exception of Live Color and the new CS3 interface, the What's New section of Adobe Illustrator CS3 documentation reads a bit like a padded résumé, and what's new is not flawlessly executed (crop area and eraser tools). Based on what I have been able to get in plug-ins for a while and years of personal Illustrator use, it's not hard to come up with improvements that would positively affect a broad range of Illustrator users:

  • Ability to select and move multiple Bezier handles at once (from the now-defunct Vector Studio) or at least deal with Bezier handles like anchor points so that transforms can be repeated for path tweaks. This would make the lives of fontographers and people who make logos a lot easier.
  • An updated 3D tool. Implementing something like After Effects' camera-based 3-D rotation would help make 3D scenes that were consistent instead of having to haphazardly try and match perspectives for individual objects in the scene. Also, adding CADTools or SketchUp-like interactive extrusion features would be a much better approach for creating 3D objects within a scene.
  • Maya-style paint selection and paint attribute weights. Think of how great it would be to be able to brush out the amount of envelope effect on a set of anchor points. Since most effects are live, this would be the next logical step.
  • I don't think it's too much to ask that the bar be set a bit higher for what Illustrator should be able to do. With Adobe's buyout of Macromedia, Illustrator has lost its main competitor (Freehand), and I personally fear that this will create a blinder effect for the Illustrator team. The last thing we want is a software ride on the monopoly train to boredom town, à la a here-unnamed layout application made by a company whose name begins with "Q" that is rapidly losing market share. But I digress.

    In conclusion, the Illustrator CS3 upgrade is good but not great. If you spend a significant amount of time in Illustrator, then the Live Color feature alone is a very compelling reason to upgrade. If you're on an older PPC machine, then the drawing performance improvements are also a boon, and Intel Mac users don't need to debate the need to upgrade. But if you buy, just be prepared for less CS3 and more of a CS2.5.

    Pros
  • Live Color is amazing and does far more than a traditional color wheel
  • Faster drawing engine
  • Very fast on Intel Macs
  • Align and distribute works on points now
  • DeviceN color space support
  • Better integration with Flash
  • CS3 interface is clean and well-organized
  • Isolation mode makes subgroup and object editing a lot clearer
  • Cons
  • Meager upgrade; a lot of what's new feels like modernization, not innovation
  • Gray interface option lacks polish
  • Crop area tool lacks customizable presets and options

  • Adobe Illustrator CS2 - upgrade package | killexams.com real questions and Pass4sure dumps

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